Download [UPD] Eminem Underground Mp3

His early experiences in Detroit's underground rap scenes were instrumental in honing his craft, and defining his unique delivery style. A teenage Eminem began performing with his friends and joined a few rap groups like New Jacks and Soul Intent.

Today, Marshall Mathers III is widely regarded as one of the greatest rappers in the entire history of hip-hop. His journey from the underground of Detroit to super stardom attests to his perseverance and talent.

Download Eminem Underground Mp3

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Couple of days ago, Eminem announced the songs that made into his top 25 underground songs of the year. First five songs were chosen by Slim Shady alone, the rest 20 were picked up by collectively by Eminem and the stuff of AudioMack.

When I was growing up, all my musical heroes were either dead or weird so I never expected to have a record contract. I never expected to have a career that lasted more than six months. So people might say, "Wow, you've made a lot of mistakes" and I'm like, you're right, because I had no idea what I was doing. I saw myself and still see myself as a very strange underground musician. Whatever commercial success I've had is accidental.

And this is the shameful part: there were times when I started having commercial success, and I liked it too much. That's what led me to make the worst decisions in my life, which were made pursuing commercial success. After the success of Play, I found myself enjoying fame a little too much. I liked going out to nightclubs and sitting in the VIP section; I liked going to red carpet events. For the next few years, especially with the album Hotel, I tried to structure my life so that I could be more famous. But then the more fame I had, the less happy I was. I also found I wasn't very good at it. There are some people who are really adept at being famous musicians. I'm not. Justin Timberlake is great at it--he's handsome, dances, sings, and seems like a really nice guy as well. I just wasn't cut out for it. So I'd rather labor in moderate obscurity and make kind of strange records that some people might be willing to listen to. To be completely blunt one of my biggest concerns is that by pursuing mainstream success, I compromised my ability to make weird underground records.

Again, after the success of Play I had a lot of narcissistic confusion. I was trying to figure out what type of artist should I be. Should I be a mainstream artist, should I be a weird underground artist? Do I do big tours, or do I go out and open for Sonic Youth? I got a lot of pressure from myself, from my record company, and from management to sell a lot of records. We live in New York, and there is that unquestioned ethos that if you can sell more records, you should, and I bought into that to my shame. 006ab0faaa