Download Drop Song

A drop or beat drop in music, made popular by electronic dance music (EDM) styles, is a point in a music track where a sudden change of rhythm or bass line occurs, which is preceded by a build-up section and break.[1]

Originating from disco and 1970s rock, drops are found in genres such as EDM, trap, hip-hop, K-pop and country. With the aid of music production applications, drops can vary in instrumentation and sound. Electronic instruments and tools for making drops include oscillating synthesizers, vocal samples, a drum beat, and basslines.

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Certain drops can include a "beat-up" (so-named because it is a point where the volume of the foundational kick drum beat is increased, after it has been faded down during a break or buildup) and "climax" (a single, striking drop done late in the track). There are also types of drops which deviate from the standard, such as "anti-drops" (songs in which the chorus is more minimal than the build-up) and consecutive "superseding-drops".

The drop "...grew out of '70s rock".[2] A subtype of the drop, the bass drop, was used in the Miami bass subgenre of hip hop music in the 1980s. The bass drop was produced using the Roland TR-808's deep drum machine kick drum sound.[3] Since then, the TR-808 bass drop has been incorporated into a number electronic dance music genres, either produced by a TR-808 or using a sample of a TR-808 bass drop. The EDM drop has continued to evolve over time, circulating through different sub-genres.

Many genres of EDM have more than one drop during a track, especially if the song is built on a "dance-pop" verse/chorus with vocals; a drop may be heard somewhere during each chorus as the high point of that verse/chorus cycle. Some songs tend to emphasize a single drop as the beginning of the high point, or climax, of the track; in vocal sub-genres this occurs most in the last repetition of the chorus, while in nonvocal genres it occurs in the last quarter of the track.

Pop-drop is an element in a pop music track which, from a traditional perspective, serves as a kind of "post-chorus interlude", but is also regarded as the new climax point in pop music songs since the mid-2010s, downgrading the chorus to a building element of the drop section.[2][8][9][10][11] It has been described as early as December 2016 by Switched on Pop author Charlie Harding in the Billboard magazine, claiming 2016 to be "the year of the pop-drop".[2]

Artists having included pop-drops in their songs include Rihanna and Calvin Harris's "We Found Love" (2011), Ariana Grande's "Problem" (2014), Justin Bieber's "Sorry" and "What Do You Mean", and The Chainsmokers's "Closer" (2016).[8][9][11]

In metalcore subgenres, bass drops are often utilized under the first chord of a breakdown, to emphasize the breakdown and give it a pronounced presence. A bass drop in this genre may be done using electronic drums with a sample pad triggered by the drummer or a backing track, either of which is sent to a venue's PA system.[13]

In EDM, drops are created on applications such as FL Studio, Ableton, or Logic.[14] These are digital audio workstations built with electronic music-making capabilities that allow producers and DJs to fine-tune sounds for their music. Within these applications, producers can use built-in sound kits, custom sounds, or synthesizers to create unique electronic sounds and effects.

The composition of a drop is preceded by a buildup, which is accomplished through a transition from the verse into an interlude of repeating sounds, increased drum speed, and substantial volume growth.[15] For example, in Calvin Harris's "This is What You Came For", the buildup consists of a repeating vocal line, accompanied by a rapidly increasing snare drum tempo, and swells of synthesizers rising in volume. The repetitive vocal lines and increase in volume and tempo create tension that is broken by the full capacity of the drop. Some build-ups end with a bar of silence that adds to the dramatic flair of the drop.[16]

The drop of a song may consist of a fuller bass, an affected vocal line, swelling atmospheric synthesizers, layered leads, hard-hitting drums, and white noise.[17] The drop is the loudest portion of an EDM song. Buildup and verses are frequently utilized to bring focus to the drop. This is exemplified in "This is What You Came For", as the drop consists of a catchy vocal sample of the previous lyric "you" chopped up and heavily processed to create a repetitive and enchanting melody. This is complemented by a bass vox, layered house synths, and a high-hat focused drum beat. At the climax of the song, the drop in EDM diverges from the notions of pop songs that are vocal-heavy, and shifts it onto the electronic sounds.[18]

Drop mixing is a transition technique which involves a sudden switch from one song to the next. There are two ways in which this can be done: "dropping on the one", where the transition occurs at the beginning of the bar, and "dropping at the four", where the transition occurs at the end of the bar.[19] DJs use this technique at the location of the drop: the build-up of one song transitions into the break of another song. This abrupt change in melody or tempo can be used to draw the audience's attention to the performance. A similar drop technique commonly seen in trap and dubstep performances is drop swapping, where the build-ups of two songs are simultaneously played and then swapped at the climax.[20]

The brain commonly interprets music through predictions and recognition of melodic patterns. This does not apply to a drop as it subverts musical predictability. For this reason, different regions of the brain can be stimulated more than others during a drop.[21]

According to one study during the pre-drop, the precentral gyrus and postcentral gyrus, whose functions are related to the recognition of tempo, pitch, rhythm and intensity, show the highest level of activity. Activation in this area correlates with the formation of emotions such as tension and anticipation. A large amount of activity in the PreCG and the PostCG during the pre-drop thus reflects the listener experiencing these emotions ahead of the climax.[21]

"Pressure Drop" is a song recorded in 1969 by the Maytals for record producer Leslie Kong. The song appears on their 1970 album Monkey Man (released in Jamaica by Beverley's Records) and From the Roots (released in the UK by Trojan Records). "Pressure Drop" helped launch the band's career outside Jamaica when the song was featured on the soundtrack to the 1972 film The Harder They Come, which introduced reggae to much of the world.[1] In 2004, Rolling Stone rated the song No. 453 in its list of the 500 Greatest Songs of All Time.[2]This song has been covered often, most notably by Robert Palmer, the Specials, Keith Richards, Izzy Stradlin and the Ju Ju Hounds, the Oppressed and the Clash. It is also featured in the soundtrack for MLB The Show 23.[citation needed]

"One Drop" is a 1979 Bob Marley song from the album Survival (1979) notable for exemplifying the one drop rhythm, one of the three main reggae drum rhythms, as performed by The Wailers' drummer Carlton Barrett.The song uses Marley's most militantly Rastafarian lyrics.[1] "In 'One Drop,' Marley asserts that he does not want 'devil philosophy', he wants the 'teachings of His Majesty.' In this sense Rastafari was not merely a religious faith, for Marley it was a political and philosophical worldview." The song was re-released on the compilation album Gold (2005).[2]

The one-drop rule is a social and legal principle of racial classification that was historically prominent in the United States in the 20th century. It asserted that any person with even one ancestor of black ancestry is considered to be black.

The Drifters released the original version of the song as a single in 1958. It reached number 58 on the Billboard Hot 100.[1] The Drifters' version was produced by Leiber & Stoller and arranged by Ray Ellis.

Dion's version of the song reached number 6 on the Billboard Hot 100 in 1963.[2] The back-up group on the song is the Del-Satins, and the guitarist was Al Caiola. The song was produced and arranged by Robert Mersey.[3]

Just try to Disconnect Internet connection on your Mac and then try to play the song just to confirm if it is in the Cloud or physically downloaded in the iTunes Library. And also try to drag and drop any data from your Mac to the Thumb Drive as said by " Chris CA" and see if it copies.

Yes it was probably over six years ago now. Then it should be as simple as click drag and drop. We can do it with evrerything else why not Itunes. Also since updating all of my playlists are now gone so I have to start rebuilding those too. Not too hard to ask for.

Well you can open the files in finder and copy and paste to the USB drive. A lot of messing around here. Do not drag and drop from the finder because this will remove them from your itunes library. So open folders (songs) in finder and right click and paste to thumb drive. You can selllect multple songs from the same folder by holding down the CMD key+ left click to sellect individual songs then CTL + right click to "copy" then right click on the drive icon on desktop and past.This way the songs still remain in your library too. It is the only way I can do it with my system the way it is. Hope this helps others.

The Operation Christmas Drop soundtrack includes numerous holiday songs but with an island vibe to match the Western Pacific setting. Unlike most romantic comedies, the featured music doesn't steadily underline character motivations, but rather celebrates the spirit of the focal mission. Directed by Martin Wood, Operation Christmas Drop released in November 2020 on Netflix.

Overall, the Operation Christmas Drop soundtrack feels like a light sprinkle of holiday music. The featured songs don't drive each and every scene (which is a good thing), as many of the tracks emerge during performance sequences. Plus, a couple non-holiday tunes add a little extra flavor, much like the official score by Hamish Thomson (Chesapeake Shores). 2351a5e196