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Though some fans immediately took to social media to attack her ex-husband after the album was released, Grande maintains that such openness about her relationship and pain should not be a cause for any further harm or negativity.

Campbell Loi, a senior staff writer and copy editor for The Herald, is a junior from Syracuse, NY studying Public Health and International and Public Affairs. Outside of academics, she loves all things music and enjoys performing, arranging, and constantly listening to songs in her free time.

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Each year, the Recording Academy makes adjustments to the nominations list as necessary after the list is first published. Common changes are often the result of updated credits and may include spelling corrections, title modifications and the addition of nominees who were not included in the original submission, among other revisions. We are making these updates public to ensure transparency and accessibility to the most up-to-date and accurate information.

The Best Improvised Jazz Solo category was renamed to Best Jazz Performance and the criteria was amended. The award goes to all musicians who share in the creation of a single jazz recording.

This category recognizes excellence in a performance by a jazz solo artist, collaborating artists, established duos, or groups, with emphasis on jazz improvisation and ensemble interaction. Jazz instrumental and jazz vocal tracks are both eligible.

This category recognizes excellence in recordings of Msica Mexicana including all the styles: banda, norteo, corridos, gruperos, mariachi, rancheros, sierreo, jarocho, huasteco and huapango, as well as Tejano music. Eligible albums utilize a stylistic intention, song structure, lyrical content and/or musical presentation to create a sensibility that reflects the broad spectrum of msica Mexicana and Tejano music styles and cultures. Albums with lyrics that are greater than 50 percent in Spanish or albums with music content that is primarily of a traditional Mexican music genre in style are eligible. The musical style is determinative not the ethnicity of the performer(s).

The category criteria for Best Music Film was amended by removing the greater than 50 percent performance-based material requirement, and a National Craft Committee was created to adjudicate the categories of Best Music Video and Best Music Film.

This Category recognizes excellence in concert/performance films or music documentaries released for sale to the public for the first time or first appearing on television or online during the current eligibility year. This Category includes music-focused and individual music videos that together create a visual album (if videos are packaged and entered together as one cohesive film). While dramatic feature films and biopics are not eligible, films with fictional elements are eligible.

Episodes from television/online series, award shows, music competition shows, fictional music films, and musical biopics are not eligible as music films. Nor are re-edited or repackaged old (more than five years from release date) programs compilations of music videos by various artists, or any video films or promotional clips that were eligible in a previous eligibility year or compilations of such. The addition of bonus material to an otherwise ineligible music film does not make the release eligible.

Pop Dance is generally uptempo, danceable music that follows a pop arrangement, featuring strong rhythmic beats, significant electronic-based instruments with an emphasis on the vocal performance, melody and hooks. Pop Dance is highly eclectic, borrowing influences from other genres and is generally suitable for a contemporary pop audience. Additionally, it is common for Pop Dance to be inspired by many sub genres of Dance & Electronic music, but be differentiated by vocals that are generally present throughout and high in the mix.

This Category recognizes excellence in recordings from established Dance and Electronic genres such as House, Techno, Trance, Dubstep, Drum & Bass, Electronica, as well as other emerging Dance and Electronic genres, with production and sensibilities distinctly different from a Pop approach. The Category is open to recordings specifically and originally targeted to the Dance and/or Electronic market, with significant electronic-based instrumentation generally based around a rhythmic dance beat.

The Category is open to recordings specifically and originally targeted to the Dance and/or Electronic market, with significant electronic-based instrumentation generally based around a rhythmic dance beat.

Eligible recordings include vocal and instrumental performances with strong elements of African cultural significance that blend a stylistic intention, song structure, lyrical content and/or musical representation found in Africa and the African Diaspora. The African Diaspora is the worldwide collection of communities descended from native Africans or people from Africa, predominantly in the Americas.

This category recognizes artistic excellence in Alternative Jazz albums by individuals, duos, groups/ensembles (large or small), with or without vocals. Alternative Jazz may be defined as a genre-blending, envelope-pushing hybrid that mixes jazz (improvisation, interaction, harmony, rhythm, arrangements, composition, and style) with other genres, including R&B, Hip-Hop, Classical, Contemporary Improvisation, Experimental, Pop, Rap, Electronic/Dance music, and/or Spoken Word. It may also include the contemporary production techniques/instrumentation associated with other genres. (Instrumental albums in the well-established Smooth Jazz style will remain in the Contemporary Instrumental category.)

This Category recognizes excellence in albums by jazz vocal soloists, duos, or jazz vocal groups (including small or large jazz vocal ensembles), and/or large ensembles featuring voice, with specific attention to the differentiating elements of the vocal performance/interpretation itself, and without limitations to language (Portuguese and Spanish included). Solo jazz vocal elements include improvisational phrasing, melodic-based improvisation (lyric, word, or scat), jazz style, and utilization of harmonic/melodic vocabulary found within the jazz genre. Ensemble jazz vocal elements may include rhythm/feel, harmony, inflection, improvisation, arrangement/writing, and phrasing.

If a vocalist(s) and an instrumentalist(s) are billed equally, both (or all) may be eligible for a GRAMMY. This determination, as with cases in which the co-billing involves a band as a whole, will be at the discretion of the Academy.

An entire album entered in the Jazz Vocal Category may not be entered again in a Jazz Instrumental Category, even if the artist is shifted. If the vocalist(s) and instrumentalist(s) are billed equally, the Academy will determine the appropriate Category based on number of vocal tracks versus instrumental tracks; or, if the number of tracks is equal, the total playing time of the vocal versus instrumental tracks.

This category recognizes excellence in Latin Jazz albums by ensembles of any size or orchestration (with added vocals or not), representing the blending of Jazz and improvisation with any Latin and Iberian-American music, Brazilian, and Argentinian tango music.

For an album developed and united by an artist, composer, tribute, thematic idea, musical, or other unifying concept. Classical crossover projects and albums of at least 50 percent playing time of music that intersects various genres with Classical Music are also eligible in this category. Albums may embody historic, spoken, and/or documentary material, if those portions do not exceed 49 percent total playing time. Albums entered in Classical Compendium may not be entered in other classical categories, but individual tracks/pieces may be entered in other categories. Award to the artists, conductors, composers, and producers with 50 percent or more playing time.

All eligibly credited Immersive Producer(s) and Immersive Engineer/Mixer(s) are awarded with a certificate in every category where a producer or engineer would be honored (genre album categories, performance categories, Album of the Year, Record of the Year, and Best Historical Album).

The GRAMMY Award recognizes creative excellence. Only human creators are eligible to be submitted for consideration for, nominated for, or win a GRAMMY Award. A work that contains no human authorship is not eligible in any Categories. A work that features elements of A.I. material (i.e., material generated by the use of artificial intelligence technology) is eligible in applicable Categories; however: (1) the human authorship component of the work submitted must be meaningful and more than de minimis; (2) such human authorship component must be relevant to the Category in which such work is entered (e.g., if the work is submitted in a songwriting Category, there must be meaningful and more than de minimis human authorship in respect of the music and/or lyrics; if the work is submitted in a performance Category, there must be meaningful and more than de minimis human authorship in respect of the performance); and (3) the author(s) of any A.I. material incorporated into the work are not eligible to be nominees or GRAMMY recipients insofar as their contribution to the portion of the work that consists of such A.I material is concerned. De minimis is defined as lacking significance or importance; so minor as to merit disregard.

At the time of submission, the submitter will receive a list of names they have submitted as eligibly credited. The submitter needs to acknowledge that the list is complete and may not be changed without additional qualifications. 152ee80cbc

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