Technically, it is of course possible to figure it and access the same images that for instance open.spotify.com uses by parsing html. That is not allowed of course, but there is nothing technically that stops access.

If you are using text on your cover, make sure the color contrasts well with the background. Limit yourself to using no more than two fonts. Pro tip: use a combination of sans serif and serif for the best results. Play around with your design elements to determine how the colors, fonts, and other effects will look the best.


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Your cover design will appear on different platforms, websites, and devices, so you need to keep visibility and accessibility in mind when planning your cover artwork. Your cover art should look just as clear and attractive when you resize it for a poster as it does as a thumbnail image on a podcast app.


If you love to draw, creating original illustrations and patterns can be a cool way to set your podcast apart from the rest. Incorporating no more than one bold pattern and one illustrative element is a good rule of thumb for keeping your cover art visually balanced. If you use too many competing elements together, though, their meaning might get lost.

The idea of covers as a career-booster isn't new. In the late 1960s, when a poorly aging Elvis Presley began performing live again following an eight-year hiatus, he began to incorporate Beatles covers into his shows in an attempt to attract a wider (read: younger) audience. Earlier this year, Korn reminded everyone that they were still around by covering a Rihanna song.

Young is a professionally trained musician who posts mostly covers and parodies of popular songs on YouTube. He tries to upload a new song to his channel every five days; his previous "hits" include a pop-punk version of The Little Mermaid's "Under the Sea" (205,757 YouTube views) and a parody of Meghan Trainor's "All About That Bass" (640,419 views). Young considers himself a YouTube artist first, but he uses Spotify as an additional platform for his work. In the nearly two years that he's been making videos, he's gained around 60,000 followers. His Spotify follower count pales in comparison, around 2,500. Spotify, Young says, is less interactive and more anonymous, but that hasn't prevented him from racking up 73,000 listens on his most popular Spotify cover: a heavy metal version of Big Sean's "I Don't Fuck with You."

Prior to Spotify's launch in 2008, Scofield had been uploading all of her music to iTunes. But Spotify offered a large distribution platform and a new way to gain exposure. The only problem: exposure is difficult if your songs are just a few dozen singles in a sea of tracks. Scofield's early listeners were still the only people who knew enough to search her name, but on Spotify, she needed to reach a broader audience in order to make anything near what she could make selling digital downloads. That's where cover songs came in.

Spotify's broad search algorithm is to thank and blame for this. The service doesn't set naming conventions for cover songs, so a track can be titled "Love Story" with no indication that it's not an original, except maybe in the album name: Sounds Like Taylor Swift. So if you search for "Taylor Swift," Spotify might present you with a banjo-plucked version of "Love Story" by someone named Miss Sweet. Or you might get Scofield's cover of "We Are Never Getting Back Together" which she sings accompanied by a single piano. That cover can be found on an album Scofield released through her friend's production company, GM Presents. It's titled Skyfall (ADELE/James Bond Covers/Etc), and it features Scofield's most popular stream to date: a 2012 cover of Adele's James Bond theme "Skyfall."

Adele is another artist who has had an off-and-on relationship with Spotify. She originally wanted her 10-million-plus-selling 2011 album, 21, to be made available only to paid subscribers, but Spotify didn't want to wall off any of its catalog from freemium users. She eventually caved, and the album is now on Spotify, but there was a period of time when one of the top search results for "Adele" may have been Scofield's cover. So did Adele's brief absence boost Scofield's exposure?

In the example above, you can see how certain playlist covers automatically jump out at you more than others. This can have a massive impact on whether or not you can stand out in search and successfully increase your reach and listens. If you want people to listen, quality, well-optimized covers are a must-have.

Contrasting colors should be a go-to design trick for Spotify playlist cover photos. Playlist covers are so small even on desktop that they need to be exceptionally easy to register, even at a quick glance. Contrasting colors help your text and any core visual elements stand out immediately, along with helping your image overall jump out in the search results pages.

Our graphics tool Snappa has thousands of great-looking pre-made templates, which conveniently work perfectly as Spotify playlist covers. Our Instagram post templates can be re-purposed in a matter of minutes to make some really crisp-looking visuals. Check out some of our favorites below, and feel free to click on any of them to customize them for your own playlists for free!

Fortunately, creating interesting covers for playlists on Spotify is easy with our drag-and-drop graphic design software. Choose a template, and either upload an image or select one from one of your hundreds of copyright-free stock photos, adding logos and text as needed. Give it a try yourself here.

What do you think? What best practices do you use for Spotify cover playlists? Which design techniques attract the most clicks on your playlists? Share your thoughts and questions in the comments below!

A cover song might be legally recorded and released on streaming services for various reasons. First off, performing a well-known song, especially a recent hit, is a great way to draw in more fans by taking advantage of an attentive audience.

Suppose the rise of user-generated content (UGC) sites like SoundCloud and YouTube has taught us anything about the music industry in the Digital Age. In that case, it is that aspiring musicians from all over the world can amass massive online followings and gain global recognition by releasing cover songs that garner interest.

Success stories like those of Justin Bieber, Charlie Puth, Shawn Mendes, and many more are no longer unusual. Without the support of a major record label, previously undiscovered talent has gone on to secure brand sponsorships, live performances with notable recording artists, TV appearances, castings in commercials, and more.

This monetization system was created by YouTube to enable copyright owners to make money off of and monitor the usage of their content. This means that if your cover song starts to generate income, the copyright holder will receive that money.

To pair their song with compelling visuals, you must obtain permission from the publisher. Even if you want to release a cover song along with just one image or a slideshow video, a sync license must be obtained. If there are only still images, it still counts as a video.

Consider the location of your cover song once it has been released, keeping in mind the best time to release on Spotify. This will assist you in setting a release date and getting ready to perform your music. The final step after you release a cover song is to promote it!

Your marketing strategy will be the same as your music album release rollout plan. Uncertain about its placement on your album? Consider creating a playlist or a story for your social media channels if your cover is single. Keep it out in the open. Inform your followers if you cover something!

Now you finally know all about releasing a cover song on streaming platforms such as Spotify and various other platforms and stores. Keep in mind that licensing process can get you out of all possible legal problems.

However Spotify, Deezer, Pandora, iHeartRadio, Saavn, Nuuday, Anghami, Tidal, and KKBox pay for their own licenses for cover songs. This means that you can distribute your covers to these services worldwide.

A cover song is when an artist plays, records, or recreates the composition of another artist. For example: All Along the Watchtower is a song originally written and recorded by Bob Dylan. When Jimi Hendrix re-imagined it in his own style and recorded a new version of the track, he created a cover song.

If you are not associated with someone (like a record label or publisher) who is in charge of arranging your musical copyrights, you will need to purchase a mechanical license for your cover song yourself.

When I upload a cover to Spotify: 1) Do I have to identify the original song and copyright owner, and if so, how? 2) Do I receive money for each play, and if so, how much? 3) Does the original copyright owner receive payment also? 4) How does all the above work with Itunes, if I want to sell downloads as well as stream?

Hi Lothar, yes this would be a legal cover to release so all of the details mentioned above will apply. If you have re-created the elements of any copyrighted song, be it melody, chords, or the lyrics, then the cover song rules will be applicable.

If you obtain a mechanical license please make sure you check how/where this licence covers your track. If you have any questions regarding a mechanical license you have purchased please reach out to the provider you have chosen.

hiya! What about protecting your master of the cover? If I cover a song, I understand my composition is not original, but can I still copyright the master? Can i still register it with ascap? How does that work?

You can distribute covers through RouteNote to Spotify, Deezer, Pandora, Tidal, iHeartRadio, Nuuday, Anghami, KKBOX and JioSaavn without needing a mechanical license.

If you want to distribute your content to more stores than this, you will need to either purchase a mechanical license for the cover track(s), or to exclude certain territories from your release. 2351a5e196

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