Download !!BETTER!! Computer Modern Font

Computer Modern is the original family of typefaces used by the typesetting program TeX. It was created by Donald Knuth with his Metafont program, and was most recently updated in 1992.[1] Computer Modern, or variants of it, remains very widely used in scientific publishing, especially in disciplines that make frequent use of mathematical notation.

Computer Modern is a "Didone", or modern serif font, a genre that emerged in the late 18th century as a contrast to the more organic designs that preceded them. Didone fonts have high contrast between thick and thin elements, and their axis of "stress" or thickening is perfectly vertical. Computer Modern was specifically based on the 10 point size of the American Lanston Monotype Company's Modern Extended 8A, part of a family Monotype originally released in 1896.[2][3] This was one of many modern faces issued by typefounders and Monotype around this period, and the standard style for body text printing in the late nineteenth century.[4][5]

Download Computer Modern Font

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The most unusual characteristic of Computer Modern, however, is the fact that it is a complete type family designed with Knuth's Metafont system, one of the few typefaces developed in this way. The Computer Modern source files are governed by 62 distinct parameters, controlling the widths and heights of various elements, the presence of serifs or old-style numerals, whether dots such as the dot on the "i" are square or rounded, and the degree of "superness" in the bowls of lowercase letters such as "g" and "o". This allows Metafont designs to be processed in unusual ways; Knuth has shown effects such as morphing in demonstrations, where one font slowly transitions into another over the course of a text.[11] While it attracted attention for the concept, Metafont has been used by few other font designers; by 1996 Knuth commented "asking an artist to become enough of a mathematician to understand how to write a font with 60 parameters is too much"[12] while digital-period font designer Jonathan Hoefler commented in 2015 that "Knuth's idea that letters start with skeletal forms is flawed".[13]

Knuth produced his original Computer Modern fonts using Metafont, a program that reads stroke-based definitions of glyphs and outputs ready-to-use fonts as bitmap image files. He mostly left the font, as with other components of TeX (with the exception of the TeX and Metafont names themselves, a stipulation Knuth made to maintain quality control), in the public domain.[14][15]

The advance of publishing technology (PostScript, PDF, laser printers) has reduced the need for bitmap fonts. The preferred formats are now outline fonts such as Type 1, TrueType, or OpenType, which can be rendered efficiently at arbitrary resolution and using sophisticated anti-aliasing techniques by printer firmware or on-screen document viewers. Therefore, several other projects have ported the Computer Modern fonts into such formats. Some of these projects have also complemented Computer Modern with

Computer Modern was first transformed to a PostScript Type 3 font format by BlueSky, Inc. in 1988, and then to Type 1 in 1992 to include font hinting.[16] The Type 1 version has since then been donated to the American Mathematical Society (AMS) which distributes them freely under the Open Font License.[17] It is found in most standard TeX distributions.

The Latin Modern implementation, maintained by Bogusaw Jackowski and Janusz M. Nowacki of TeX User Group Poland (GUST), is now standard in the TeX community and was made through a Metafont/MetaPost derivative called METATYPE1. It was derived from the BlueSky Type 1 fonts, which were converted back into outline-based METATYPE1 programs, from which then the extended Type 1 and OpenType Latin Modern fonts were developed. ConTeXt uses Latin Modern as default font, instead of Computer Modern.[18]

The Type 1 to METATYPE1 to Type 1 round-trip conversion process involved in the production of the Latin Modern fonts tried to preserve the hinting information of the BlueSky fonts; however, it introduced rounding errors that affect the quality of the hinting at low pixel sizes. As a result, on-screen display of the Latin Modern fonts can result in a less even display of kerning and character heights than with the BlueSky fonts.[19]

For some complicated diagrams, I need to use something like Adobe Illustrator or Inkscape, and would like to include nicely typeset labels. (I'm aware of post-processing solutions, such as pinlabel.) One way to do this is to use a closely-matching font, and then convert fonts to outlines. Better, however, would be to use Computer Modern directly in Illustrator.

What I do is to use LaTeXiT to generate labels as outlined fonts and drag them into the illustrator image. This works for both equations and text, and it's completely consistent with the TeX typesetting in your normal LaTeX file.

On Debian-based systems (including Ubuntu, Mint and so on), OpenType versions of the Computer Modern fonts are available via the fonts-cmu packages. Typically you would be able to install this by running

Once you download the fonts from -unicode/, unzip and place the individual files (not the folder) in Library/Fonts. Once you restart illustrator, the font will show as "CMU Serif", not as "Computer Modern".

I'm deciding on the Font Families to use in LyX for a planned novel. Computer Modern is the default (Roman, Sans and Typewriter). I'm interested in the number of font faces and the versatility in styling of text. The number one priority is the ease of reading lots of text, and it not appearing unusual or odd. I don't want something "unique" looking, but rather something that the reader would never think twice about...because they're too busy reading to notice an artistic font. I hear about everyone having a personal favorite and recommending this or that, but never have heard once, "stick with Computer Modern font families"

I can't find a reason to change the fonts from default. After looking over test prints, Computer Modern Roman seems excellent to my eye. I particularly like that there is a very noticeable and distinguishing contrast between regular and bold text. The italics is also noticeably different from a similarly curvy but more vertical font face that I think would be great to use with inset monologues and poetry sections, and there is a decent small caps face.

If someone were to recommend another font, I'd hope its as versatile and readable. I haven't looked at the Computer Modern Italics or Computer Modern Typewriter font families, and so I don't have an opinion on them yet.

MY QUESTION is simple: Did these font families become the default because they've withstood the test of time and no one has been able to argue that CM is inferior to another font family. Or, like so many other traditions, is it the default because it was the first, and no one ever bothered to change it to something that perhaps had the consensus of being an improvement.

And so, understanding that this isn't a discussion forum, but limited to question and answers, please let me know if the Computer Modern font families have ever been lambasted for having defects, or for having a general consensus of being "unreadable" for novel length works.

Computer modern is the default font for TeX because it was created at (more or less) the same time as TeX by the same author, specifically for that purpose. For some time it was essentially the only font set practically usable with the TeX system.

I believe that Latin Modern (the lmodern package) has superseded Computer Modern, but there are few major differences (If you aren't writing in English, Latin Modern has better-behaved accent/diacritic placement).

A 2013 study* by 2 psychologists on the effect of different fonts for dyslexic readers found that Computer Modern performed well as a font with dyslexic readers. The test was done with a novel, so you're likely fine using CM.

Using the Computer Modern font in webpages has become very easy! Just paste the following lines of CSS code in the head section of your html code in order to activate the sans-serif version of that font.

Note that the solution here makes the browser load the current version of the fonts from a CTAN mirror, which can be very slow. This is okay for testing purposes, but in the long run I'd recommend you download these .otf files to your own webserver.

Just for anyone in 2020 and onwards still looking for the optimised web fonts rather than the larger .otf fonts which are used in the answers above, I've hosted the Computer Modern font family via the jsDelivr CDN.

you cannot, up until CSS 2.1 you can only use the fonts that are ACTUALLY installed on the client's computer. In CSS 3 there are some ways to embed fonts in your webpage but those ways are not greatly supported by browsers yet.Have a look here: -varia/font-embedding.htm

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The goals of the Open Font License (OFL) are to stimulate worldwide development of collaborative font projects, to support the font creation efforts of academic and linguistic communities, and to provide a free and open framework in which fonts may be shared and improved in partnership with others.

The OFL allows the licensed fonts to be used, studied, modified and redistributed freely as long as they are not sold by themselves. The fonts, including any derivative works, can be bundled, embedded, redistributed and/or sold with any software provided that any reserved names are not used by derivative works. The fonts and derivatives, however, cannot be released under any other type of license. The requirement for fonts to remain under this license does not apply to any document created using the fonts or their derivatives.

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5) The Font Software, modified or unmodified, in part or in whole, must be distributed entirely under this license, and must not be distributed under any other license. The requirement for fonts to remain under this license does not apply to any document created using the Font Software. 9af72c28ce