A collection of short stories by writers from around the world, exploring the climate crisis and how human responses to it will shape the futures we will inhabit. Everything Change, Volume III features stories in styles ranging from science fiction and fabulism to literary fiction, weird fiction, and action-thriller, all drawn from the 2020 Everything Change Climate Fiction Contest.
The title Everything Change is drawn from a quote by Margaret Atwood, our first Imagination and Climate Futures lecturer in 2014. The contest and anthology are presented by the Imagination and Climate Futures Initiative at Arizona State University, a partnership of the Center for Science and the Imagination and the Virginia G. Piper Center for Creative Writing.
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Support for the 2020 Everything Change Climate Fiction Contest and this anthology was provided by Ingka Group, the largest retailer and a strategic partner in the IKEA franchise system, operating nearly 380 IKEA stores in 30 countries. Learn more about Ingka Group and its commitment to sustainability at -us/sustainability. Ingka Group and its representatives were not involved in the judging process, the decision-making around the winners of the contest, or the editorial process for the anthology.
It began last fall when Kai Gaitley took a geography class called Literature and the Environment taught by Kathryn Besio, a professor of geography and environmental sciences. For the final exam, the students in the class were each asked to write a climate-themed short story.
It began last fall when Gaitley took a geography class called Literature and the Environment (GEOG 387) taught by Kathryn Besio, a professor of geography and environmental sciences. For the final exam, the students in the class were each asked to write a climate-themed short story.
These stories serve as cautionary tales as we head into the age of climate disruption. They paint dire pictures of where inaction will take us. But they also remind us of the importance of speaking out and focusing our energies on demanding actions and solutions now. As a society and as a planet, we need to respond to this global climate emergency. Because these young people and the generations who follow them will bear the brunt of climate disruption, they are the best messengers.
Skyscraper farms. Insects for dinner. Guerilla gardening. Nine authors pose ingenious and thought-provoking solutions to the climate crisis in this anthology of climate fiction. Rooted in real-world science and technology, the stories offer a roadmap for a future where our planet can thrive. From a rewilding project with unexpected consequences to a rebellion against augmented reality, these wide-ranging stories will leave the reader feeling a little less powerless in the fight to save planet Earth.
Afterglow is a stunning collection of original short stories in which writers from many different backgrounds envision a radically different climate future. Published in collaboration with Grist, a nonprofit media organization dedicated to telling stories of climate solutions, these stirring tales expand our ability to imagine a better world.
Grist is a nonprofit, independent media organization dedicated to telling stories of climate solutions and a just future. Its goal is to use the power of storytelling to illuminate the way toward a better world, inspire millions of...
At the time of our lunch, neither of the women worked outside the home so I knew they must have cobbled the money together somehow. When I asked why they had such compassion and generosity toward a girl they had never met, the sisters glanced at each other tenderly. First one, then the other, responded, with my aunt speaking first.
I hope you enjoy Writing Lessons. Featuring well-published writers of our favorite genre, each installment of the series will take on one short topic that addresses how to write memoir, and will include a great big book giveaway.
Thanks for the tips on writing for an anthology. I have seen some anthologies and calls for submissions, and actually wondered if there was any chance to actually to get accepted. These tips may give me the confidence to try. And, WOW! The excerpt was very powerful. Loved it. Thank you for sharing.
Simple, but important rules-follow instructions, Edit, Edit, Edit, title related to theme, threaded throughout. Hook reader with scene, different kinds of dialogue, and summary. Have friends or editor read and scan for errors/omissions before submitting.
I so enjoy all your posts. As one who is new to memoir writing I learned that I really need to feel and describe my story with emotional details to capture my readers as this post demonstrates. I am eager to become a better writer during the second half of my life. Thanks for all your wisdom.
And thanks to Linda Joy Myers for providing this outline for writers to consider when submitting memoir for publication in an anthology. And, thanks to both for choosing my short memoir from the book to excerpt here.
Released on October 18, the anthology is a compelling and thought-provoking collection showcasing the present and potential effects of climate change on the continent. It includes the works of poetry winner Chioniso Tsikisayi and short story winner Hussani Abdulrahim as well.
The short stories and poems in this issue explore the ecological, social, and emotional dimensions of climate change on African lives, portraying stark reminders that as a continent we are particularly vulnerable to and bear the brunt of the adverse effects of climate change and are in desperate need of tangible resolutions to mitigate it.
While the Climate Change conversation now permeates our collective consciousness, resonating in the halls of schools, corridors of power, conversations in our homes and workplaces, and among the passionate voices advocating for change, it still remains an abstract concept often shrouded in the mystical, mythical or conspiratorial. Nonetheless, this talking point has evolved into an undeniable and formidable reality for those in the Southern Hemisphere, who are particularly vulnerable to its effects. The lack of immediate seismic change in global and government climate policies, coupled with the insufficient government-backed initiatives to protect and support the most vulnerable, paints a grim outlook for the everyday African. Exacerbated by their exclusion from meaningful dialogue on climate change responses and interventions for those most affected.
Narratives are a form of power that can mobilize and connect, as well as divide and isolate. Social, public or dominant narratives help to legitimize existing power relationships, prop them up or make them seem natural.
As an anthology of perspectives this knowledge offering is one way to amplify different and diverse ways of knowing and doing narratives. Narratives are made up of many stories, tweets, online content, offline conversations. They keep deeply held ideas about society and people in place, for good and bad.
Editing an anthology was one of the most rewarding and career-boosting things I have done as an author. It is a great way to get your name associated with a topic, advance your professional network, and expand your backlist.
Question: I am an Indie author with a 100 or so short stories I want to anthologize. My options are shop around for a press, start my own press and do the editing myself, or start my own press and hore an editor. My question is how much are anthology editors usually paid?
Series founder Ron Wallace, who retires from his editorship after thirty-seven years, is the author of several scholarly books and a book of short stories as well as nine full-length books of poetry and eight chapbooks of poetry and fiction. His most recent poetry collections are The Uses of Adversity, Long for This World: New & Selected Poems, For a Limited Time Only, and For Dear Life, and he is the author of a major anthology, Vital Signs: Contemporary Poetry from the University Presses. Hailed for his wit, good humor, and observational powers, Professor Wallace has been the recipient of such awards as the Banta Book Prize, the Posner Book-Length Poetry Award, and the Wisconsin Library Association Outstanding Achievement Award. His numerous accolades include three UW distinguished teaching awards and the George Garrett Award from the Association of Writers and Writing Programs.
Along with the editorial changes, the University of Wisconsin Press also announced the establishment of a new prize for a collection of poetry in translation. The winning collection will be published in the series, alongside the winners of the Brittingham, Felix Pollak, and Four Lakes Prizes and three finalist collections. Manuscripts submitted for the translation prize will be judged during the same period as those submitted for the other prizes, and the winner will receive a $1,500 prize in addition to publication in the series.
The University of Wisconsin Press is a not-for-profit publisher of books and journals. With nearly 1,500 titles and over 8,000 peer-reviewed articles in print, its mission embodies the Wisconsin Idea by publishing work of distinction that serves the people of Wisconsin and the world.
Reality Skimming Press strives to see the light in the dark world we live in, so we bring to you the optimistic science fiction anthology series. Water is the first book in the series, and is edited by author and scientist Nina Munteanu. Six authors thought optimistically about what Earth will be like in terms of water in the near future and provide us with stories on that theme. Step into the light and muse with us about the world of water.
Nina Munteanu is an ecologist, limnologist and internationally published author of award-nominated speculative novels, short stories and non-fiction. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. 152ee80cbc
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