Just me being in the studio, listening to a wide variety of music, sitting down with my engineers and just joking around and saying "I'm going to do a whole album of strictly reggae music". It just came up out of the blue. But then I started to take it very seriously when I saw the feedback to my songs One More Night and Night Shift. Those two songs inspired and triggered the whole thing.

All of the instruments are live and from the ground up. It was the whole Tuff Gong energy and vibe of being at Bob Marley's studio laying down live tracks and then going back into Penthouse which has been around for so many years. Even the percussionist, a man called Sticky, who had been there since Bob Marley time. We'd be going into the studio, humming some melodies to catch a vibes, and little sounds not even making sense with words at the time when we were making the beats. Kirk, Aeion who played the bass, Monty with the guitar, Dean Fraser with the horns, we were all humming and making a vibes, making the changes before doing the whole thing live again. Just real love for the music which meant we could talk to each other if we had agreements and disagreements, "I don't like this change here" "I don't want the bridge to be so". We could listen and try things, we could undo things, we could listen over. It was a whole vibe.


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The whole vibe of just focussing on real reggae music, being true to my own roots and culture, my own backbone of Jamaica. Not just hustling or making a track to speed to collect some money and then come back tomorrow to do the same. It was also me getting the right type of guidance from the people around me like Beres Hammond, Freddie McGregor, Michael Rose, Donovan Germain, Shane and Errol Brown, Dean Fraser, who encouraged me to put my all into it.

I don't even know the words to explain how I feel about that. Hearing David Rodigan recommending and commenting has been overwhelming. David Rodigan, he could have been my father. He does so much for reggae music as a whole and has been around for so long way before me so that I can do something and he is pleased is like a blessing.

OK! That's like my first time hearing that! That's an additional blessing! It just feels so good to be connecting with the roots and with the real culture. I do dancehall and will still do it but reggae music is the music that gave birth to dancehall and to hip hop and to reggaeton. So it's just me keeping it real and being true to it and showing the respect to reggae music which is my genre and my own culture. It wasn't my first choice but I still make it the choice that is first in terms of quality music.

Definitely. I always try to keep it that way so people can relate to the message throughout then songs. The melody is important so that it can do something out there and the people can move to it but the message is much more important so people can move to something with substance. In music a lot of things nowadays have no substance. The vibe is there but no substance. So it doesn't really last. The longevity is not there. People have to grow and go through different phases but at the end of the day I have to take it upon myself and the team to present this package of reggae music but still keeping it real from my perspective. It's nothing about Rasta, nothing about me having dreads or not - it's just music. Original reggae music live and from the ground up.

(laughs) I'm not sure if we're going to have the Busy and the Snoop but I am sure that Major Lazer has produced this track with me and Gwen Stefani of No Doubt. No Doubt's album is supposed to be coming out in August and that's definitely a good thing. Major Lazer, these people are musical producers and these people listen and travel all over the world so they know all the different types of things people want to hear from far outside the box, not just local or stereotype stuff. I'm really looking forward to hearing that track we did for Gwen Stefani. I wrote that track - both her part and my part. It's definitely a good look, looking out to fuse different styles. Gwen Stefani she loves reggae music but she's also a big artist across the world pop-wise and in the alternative with No Doubt so it's definitely a plus for me.

Shifts musical direction

The response he received from those two songs prompted a dramatic shift in his musical course, and in a press release he says he had to go in this musical direction, partly because he felt it was his duty to highlight and contribute to reggae music.

Spreading reggae to a wider audience

With Reggae Music Again Busy Signal is also able to spread reggae music to a wider audience, since his following is mostly into dancehall. Making the transition from dancehall to reggae also demands talent, skills and versatility, a quality he often comes back to in the interview. e24fc04721

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