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Box Office Mojo is an American website that tracks box-office revenue in a systematic, algorithmic way. The site was founded in 1998 by Brandon Gray, and was bought in 2008 by IMDb, which itself is owned by Amazon.

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Brandon Gray began the site on August 7, 1998,[1] making forecasts of the top-10 highest-grossing films in the United States for the following weekend.[2] To compare his forecasts to the actual results, he started posting the weekend grosses and wrote a regular column with box-office analysis. In 1999, he started to post the Friday daily box-office grosses, sourced from Exhibitor Relations, so that they were publicly available online on Saturdays[1] and posted the Sunday weekend estimates on Sundays.[3] Along with the weekend grosses, he was publishing the daily grosses, release schedules, and other charts, such as all-time charts, international box-office charts, genre charts, and actor and director charts. The site gradually expanded to include weekend charts going back to 1982, grosses for older films, an international section expanded to cover the weekly box office of 50 countries, international release schedules, as well as box office results from up to 107 countries.

In 2002, Gray partnered with Sean Saulsbury, and grew the site to nearly two million readers.[4] In 2003, a subscription model was introduced (Premier Pass) to limit certain data and features to subscribers.[5] From 2002 to 2011, Box Office Mojo had forums, which had more than 16,500 registered users. On November 2, 2011, the forums were officially closed along with any user accounts, and users were invited to join IMDb's message boards.[6] The IMDb forums were closed on February 20, 2017.[7]

In July 2008, the company was purchased by Amazon.com through its subsidiary, IMDb[8][9] and the Premier Pass features and content later became free.[5] On October 10, 2014, all traffic to Box Office Mojo was redirected to IMDb's box office page,[10][11] before returning the following day.[12]

On October 23, 2019, Box Office Mojo unveiled a dramatic redesign resembling IMDb, and was rebranded as "Box Office Mojo by IMDbPro". The redesign was heavily criticized for being difficult to navigate and moving much of its content behind a paywall. Several features previously provided for free, such as box-office data for franchises, genres, actors, filmmakers, distributors, budgets, and inflation-adjusted figures, were moved to IMDbPro, the subscription service of IMDb.[13][14][15] On March 31, 2020, though, certain features that were locked behind the paywall were freed. These include the brand, franchise, and genre lists, which were put under an "Indices" section.[16]

So far, at the time of writing, there have been 11 Star Wars movies released in theatres. The first came back in 1977, the year Jimmy Carter became president of the United States and when the first computer system EVER came out. And the latest came just back in December in the form of the divisive, albeit entertaining, The Rise of Skywalker.

Before The Rise of Skywalker, fans thought Return of the Jedi was the true end of Star Wars. It is the movie where Luke Skywalker chooses the light side, Darth Vader reverts back to Anakin Skywalker and Emperor Palpatine is thrown down the Death Star chute - seemingly to his death.

With movie theatres set to reopen in many places around the planet, Disney have chosen to put The Empire Strikes Back back on the big screen. It is perhaps the most-popular instalment of the entire franchise, upping the stakes considerably following the entertaining outing that was A New Hope.

Back in 1977, this little-known movie named Star Wars released in theatres. And nobody, including creator George Lucas, had any idea that it would go on to become a phenomenon - one spanning many years and many different generations.

It has made a remarkable $1,056,057,273 at the box office to date. It ranks as one of the darker movies, too, with virtually all of the main cast dying at one point or another. That includes heroes Jyn Erso and Cassian Andor, who were successful in transmitting the plans for the Death Star to the Rebel Alliance - paving the way for Luke Skywalker to blow the space station up.

With Jurassic World Dominion still stomping and gnashing its way through Summer 2022, there's no better time to look back at the vast number of commercial achievements in Sam Neill's long-running and impressive career.

Not all of Neill's biggest movies scored major numbers in their theatrical runs, however, even if they were financially successful in their own right. This means terrific entries in his filmography such as Hunt for the Wilderpeople didn't make the cut for his top earners at the domestic box office. With that being said, some of his movies not only made box office bank, but critics' and audiences' hearts as well.

Zack Snyder's Legend of the Guardians: The Owls of Ga'Hoole was a gorgeous film visually, but quite crowded narratively. It at least gives Neill a memorably villainous role to chew on, and it's even one unique to the film as opposed to an adaptation from the series of books. He's also an antagonist with a relatively successful and poignant arc, which stands as one of the film's high points.

Snyder's movie carried a sizable but not quite overwhelming budget of $80 million, per Box Office Mojo, which its $55.7 million domestic tally couldn't match. However, its $84.4 million from international territories was an improvement, though still not enough to put the movie in the black.

Some movies reek of being misguided from the moment the first trailer airs, and audiences got that sense about Bicentennial Man in droves. The concept of a movie star in robot form for what amounts to a live-action spin on Pinocchio is both problematic and difficult to bring to the screen, even if that star is as effusively personable as the late Robin Williams. Neill portrays the man who buys the robot to help clean up around the house, and he essentially portrays the down-to-Earth individual who balances the tone given the inclusion of the energetic Williams.

On a massive budget of $100 million (per Box Office Mojo), the Williams-Neill movie opened to a dreadful $8.2 million en route to a $58 million domestic total. In fact, not even its entire worldwide total was enough to match the production budget, much less surpass it. In the end, the only thing Bicentennial Man accomplished was being a late-'90s punchline and one of the more regrettable films for all involved.

Disney's adaptation of Nicholas Evans' The Horse Whisperer mostly belongs to Robert Redford's titular character and the young, injured Grace MacLean (Scarlett Johansson). However, Neill has a tender (if not also slight compared to Kristen Scott Thomas') role as Grace's father. He doesn't show up until near the end, but his involvement helps provide some third-act family drama to up the tension.

The Numbers puts the film's budget at $60 million, which is a figure it tripled worldwide, according to Box Office Mojo. It wasn't the biggest hit to ever come from Disney, but for a 2-hour and 50-minute horse riding drama, The Horse Whisperer's success was noteworthy.

The original Peter Rabbit put some energy into February 2018's box office. According to Box Office Mojo, the film opened to a modest yet relatively impressive $25 million en route to a final domestic tally of $115 million domestically and $236 million internationally. On a budget of $50 million, that was enough to make the film a smashing success, even if the sequel didn't follow suit.

Most of Sam Neill's best films don't also rank among his most lucrative, but the first Jack Ryan movie, The Hunt for Red October, was able to have its cake and eat it too. Neill's short-lived Captain Vasily Borodin gets some juicy dialogue-driven scenes, but the movie belongs to Alec Baldwin's Ryan and Sean Connery's Captain Marko Ramius.

As the marketing material clearly pointed out, The Vow's selling point was the inclusion and chemistry between Channing Tatum and Rachel McAdams. They portray Leo and Paige, and when the latter goes into and then wakes up from a coma, she has no memory of her husband. Neill and Jessica Lange star as Paige's parents, Bill and Rita, whose marriage was shaken to the core by Bill's infidelity. Their roles are minor, but Neill and Lange both make the most of what they are given.

Rom-drams don't typically cross the $100 mil mark at the domestic box office, but The Vow did that and then some. The film opened on a particularly lucrative weekend (February 10th-12th), where four new movies opened and did so above expectations, even the 3D re-release of Star Wars: Episode I - The Phantom Menace. However, it was The Vow that won the weekend.

Jurassic Park III didn't receive nearly the positive response as the original. However, significant detractors of Steven Spielberg's dark second journey to the dinosaur-filled Islas, The Lost World: Jurassic Park, felt it was a suitable if also uninspired return to adventurous form. Like the film that preceded it, Joe Johnston's III brought back one of the original's three leads. While Jeff Goldblum's Dr. Ian Malcolm sat out the third installment, Neill's Alan Grant gets some last-second cameo support from Laura Dern's Dr. Ellie Sattler.

It may not be the most rewatchable installment of the Jurassic franchise, but Jurassic Park III still turned a profit. Box Office Mojo puts the budget at $93 million, which the film nearly quadrupled in worldwide ticket sales.

Thor: Ragnarok introduced several instantly-classic characters to the MCU franchise, including Neill's thespian actor inhabiting the role of the title character's father: Odin. His role is merely a cameo, but he makes an excellent and hysterical impression.

The Thor franchise carved itself a relatively significant corner of the MCU in terms of box office success. The character's financial returns have never quite been at the levels of Iron Man or The Avengers, but each installment has outgrossed the one that preceded it (a trend that looks to continue with Thor: Love and Thunder). Ragnarok was the first installment of the franchise to near $300 million domestically, much less pass it. Add half a billion in international ticket sales (per Box Office Mojo) and Waititi's first MCU installment almost instantly guaranteed a second. 152ee80cbc

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