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In the titular short, Bongo was a circus star, loved by people who came from miles around to watch him perform, but the owners of the circus treated him rather shabbily. Then one day, he ran away from the circus into the wild, where he meets his love, Lulubelle.

However, to my understanding Feynman learned to play the bongos after his sabbatical in Brazil, which to my knowledge happened after Los Alamos. Was this the case? Am I misremembering something. I would not take it out of the movie (there was not enough time for other Feynman shenaningang)

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"We needed a bongo player," Botkin tells us, "so I hired King Errisson." Errisson, like Bobby Hall at Motown, was a well-known studio percussionist. "He had the fastest hands I'd ever seen," one musician notes, which Errisson casually demonstrates for Forrer's camera. To accompany Errisson on drums, Botkin hired Jim Gordon, a genius session drummer who co-wrote "Layla" with Eric Clapton. The duo had worked together before, laying down the percussion break in Friends of Distinction's "Grazing in the Grass." Botkin arranged a similar break into "Apache," a song that had once been covered by the Beatles in their concerts.

Errisson and Gordon's break is the same musical contraption that Godfather of Hip Hop DJ Kool Herc noticed really got people excited on the dance floor. He searched the Bronx record store bins for albums that contained these moments. When he discovered The Incredible Bongo Band's LP (which he selected based on the album cover), Kool Herc took these sections from "Apache" and strung them together, repeating and mixing them into other records on his turntables. It caught on at parties in the Bronx, and eventually found its way into record after record. Hip hop culture was now forever connected to '60s bongo rock.

"Sample This" spends an equal amount of time with the studio musicians and the rappers who loved their work enough to infinitely use and deconstruct it. Pianist Michael Melvoin talks about 15-hour work days and playing the memorable organ section of Sinatra's "That's Life." Errisson discusses his tie to James Bond and Deasy tells a harrowing story about his time recording the music of the Manson Family. On the hip-hop side, Kool Herc, Grand Wizzard Theodore and Afrika Bambaataa discuss the art of scratching and sampling, not to mention what makes a perfect breakdancing beat. (Bambaataa's "Planet Rock" answered that for me by sampling Kraftwerk.) Footage of old hip hop parties and current performances by the studio musicians flow nicely throughout "Sample This." Everyone looks happy to be both making and consuming the music.

To discuss how songs like "Apache" became as much a part of hip hop as James Brown's famous musical licks, "Sample This" turns to another famous drummer. "It was the age of irony," says ?uestlove, who is fast becoming a highly entertaining interview subject in documentaries. "Not everything cool came from Detroit or Muscle Shoals. This came from Vancouver, Canada." That alone makes "Apache" the best tie-in between the Bronx and Vancouver since Jackie Chan's "Rumble in the Bronx" relocated Grouse Mountain to the Cross Bronx Expressway.

Johnny then decides that a little image modification might make Herbert a bigger draw, so his follow-up is a treacly, inspirational tune, The Shrine on the Second Floor, which hardly gibes with Herbert's newfound fondness for strippers and love-starved American actresses.

Fans have many theories about Tears of the Kingdom, like the major BOTW characters likely to return to the game's main conflict, but these returning bosses would be an excellent way to call back to previous beloved entries and fights in the series while providing fresh takes on them for fans. However, while it's possible TOTK will feature some returning bosses, it may very well have all new battles. Players will only have to wait a few more months to see if their predictions are correct and what sorely-wanted features and characters were included when The Legend of Zelda: Tears of the Kingdom releases this May.

A bear is chased by a much bigger and angrier bear. Lightning bolts chase him, too. He nearly falls off a cliff and then down a waterfall. It's reported that bears hit each other to show their love. A giant kidnaps a magic harp and brings doom to the Happy Valley she lived in. Farmers are starving after she goes missing. The giant tries to eat Mickey in a sandwich. He locks Goofy and Donald Duck into a box. Starving Donald threatens to kill and eat the family cow, but is stopped by Mickey and Goofy. It appears that the mean giant falls down the beanstalk to his death but he shows up again later.

Parents need to know Fun and Fancy Free is a 1947 in-color Walt Disney animated compilation of two shorts, one about Bongo the escaped circus bear, the other a version of Jack and the Beanstalk adapted to feature Mickey Mouse, Jiminy Cricket, Donald Duck, and Goofy, and live-action narration by famed ventriloquist Edgar Bergen and his dummies, Charlies McCarthy and Mortimer Snerd. There's lots of cartoon violence and peril that may frighten the youngest viewers, including scary thunderstorms, angry bears, and a powerful giant. One story shows three characters who are starving. Be aware that a gleeful musical sequence states repeatedly that bears show love "with a slap," and animated bears proceed to slug each other, supposedly in the name of romantic love. To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails.

FUN AND FANCY FREE links together mostly animated stories with figures familiar to 1947 audiences, including the popular Mickey Mouse, Donald Duck, Goofy, and Jiminy Cricket, voiced by Walt Disney, Clarence Nash, and Pinto Colvig, and Cliff Edwards respectively, and live-action performance by the famed ventriloquist Edgar Bergen and his puppets Mortimer Snerd and Charlie McCarthy. Bergen narrates the story of what happens when Happy Valley turns into Gruesome Gulch after a giant steals the magic harp that keeps everyone in the valley so cheerful and prosperous. Bergen spews multisyllabic sentences -- Mortimer doesn't always understand and Charlie mocks his pretension, all of which is meant to entertain both grownups and children at the same time. When Mortimer fears for the poor giant's welfare, Bergen tries to soothe him by explaining that the giant isn't real but rather "a metaphysical phenomenon of your subconscious mind, a phantasmagoria of your mental faculties." The story of a circus bear named Bongo is narrated by the singer Dinah Shore who trills that "When bears are in love, they say it with a slap." The cartoon bears actually slug and wallop each other for comic effect while halos of hearts fly above. Now that the seriousness of domestic violence is a commonplace subject of discussion on every talk show, this "cute" joke about hitting people we love may alarm some parents working to teach their small kids to "use your words" for expressing strong feelings.

This is not apology post, its appreciation post to someone that I was almost to lose ? wakati dunia nzima inasema haiwezekani ulisimama ukasema inawezekana you loved me mbaya zaidi ulikutana na disappointment, ambayo ilimpa nguvu na ujasili wa kila mtu aliekaribu yako kusema mimi sio bina damu wakuwa hata karibu yako I'm sure uliumia sanaa," wrote Harmonize.

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