Some eighteen years on from his iconic debut album, The Last Time I Did Acid I Went Insane And Other Favourites, Jeffrey is back this week with a brand new album, Bad Wiring. Remarkably his first album to get a proper release in his native America, the record is produced with the latest incarnation of his backing band, The Voltage, a reference to his middle name Lightning, the result of being born on the Lower East Side in the 1970s to hippie parents.
Sitting in my shack in the woods in the woods in Maine, with no electricity, no lights, just gloomy and dark on a rainy day. Trying to draw comic books in the dim light, with this song playing on a battery-operated tape-player, it rang quite true. My middle name is Lightning, my dad was a big blues fan so maybe this is who I was named after.
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I like to think of it as a fever dream night out on the town, in love and half-crazed, blurred under neon lights and bursting with energy, connected to the earth and the heavens and all that hormonal stuff that makes us feel larger than life, self-mythologizing the way forward.
I really just love the idea of weaving together this complete little sound world you can get totally lost in. I love finding songs that connect to each other on this holistic level, the production and pace and vibe just meshing as if they were all meant to be together for some higher purpose. I make these mixtapes in an attempt to conjure the feeling of a curated album experience with the moment to moment surprise of a compilation. Astral Blues might be my most coherent attempt yet.
It begins with an exotic cybernetic ballroom fanfare before slipping into a seductive groove carried on rubbery bass, equatorial heat, and processed trumpet sounds. The air is full of sweet tropical smells, bird calls, and a cool breeze from the ocean. Moving from starlit darkness to flashing neon, marimbas to big beats, beach guitars and ambient washes and impressionist siren vocals. Extraterrestrial strings mesh with hand drums, fat wobbly synths, and other elements that repeat across these songs from wildly different corners of the world. Through this weird lens, these artists from so many different countries come together to share a sound.
An unforgettable country and blues music experience to kick-off the Miller Summer Mixtape Series with our Country Night on August 19. Embracing the rich traditions of Texas, this night is dedicated to celebrating a love for country and blues music with an incredible line-up of renowned local artists including George Ducas as the headliner, ready to captivate the audience with his incredible talent.
On her debut lp You Never Were Much Of A Dancer, guitarist Gwenifer Raymond emerges as a new voice in the American Primitive lineage. Playing acoustic guitar and banjo, the Brighton-via-Cardiff musician's compositions are steeped in blues history, but her use of familiar raw materials results in something surprising and vital. Though it may not be immediately apparent listening to delicate songs like "Sweep It Up" or the majestic "Sometimes There's Blood," Raymond spent her teenage years playing in punk bands, and there exists for her a psychic connection between ancient blues and three-chord ragers. In her mixtape of ole time numbers and punk classics, decades seem to collapse between each song, and a raw, unifying spirit emerges. Raymond, in her own words, explains:
When I was a Junior in college I got the opportunity to study in Paris for the year. It was the year Friends and ER debuted, leaving me far outside of the pop culture loop. This was before the internet and I only had space for what I could carry on the plane with me. My giant duffle was stuffed with everything I could possibly need, including three mixtapes gifted to me by my older, cooler brother. When I got to Paris there was a lottery of items left by students from the year before and I was the lucky solo individual who won a tiny French boombox to grace my dorm room.
John Sinkevics, editor and publisher of Local Spins, has you covered. He joined Stateside with an update on three noteworthy West Michigan bands that will be performing across the state this month.
Blues band James Reeser & The Backseat Drivers just debuted their first album Live Now, Pay Later. The band has been a musical fixture in Grand Rapids for several years, contributing to the long history of blues influence in that region.
James Reeser & The Backseat Drivers will be performing Wednesday, August 7 outside of DeltaPlex Arena for the Summertime Blues Series in Grand Rapids, and again on September 8 in Dorr for the Salem Township Park Concert Series.
HPM Mixtape features music from XPoNential Radio. With a unique mix of emerging and heritage contemporary musicians, XPoNential serves up an eclectic blend of blues, rock, world, folk, and alternative country. 152ee80cbc
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