This mixtape was originally released in 2008 and downloaded close to 900 000 times before our old link was killed... One track is now missing for legal reasons, but here it is again as FREE download! =)

So much of hip-hop history was recorded on humble mixtapes, from early concerts captured on cassettes to the digital projects that went viral. Free from commercial expectations, artists use these tapes to stretch their limits and refined their skills, earning fans the hard way.


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Best Day Ever is the fifth mixtape by American rapper Mac Miller. It was released by Rostrum Records on March 11, 2011, as the follow-up to Miller's acclaimed mixtape K.I.D.S. (2010). The mixtape consists of sixteen songs produced by nine producers (predominantly ID Labs), and includes features from rappers Wiz Khalifa and Phonte.

Over 20,000 viewers joined Miller for a live video stream prior to the mixtape's release.[5] As of March 2019, the mixtape has received over 1.2 million downloads and 1.5 million streams on its official host, DatPiff.[6] The song "Donald Trump" was released as a single on May 17, 2011.[7] It became his first singles entry on the US Billboard Hot 100, peaking at number 75,[8] and was certified platinum by the Recording Industry Association of America (RIAA).[9] Its music video has received over 180 million views on YouTube, and is Miller's most-viewed video.[1] When the video surpassed 16 million views, Donald Trump acknowledged the song on the social networking site Twitter, stating "Who wouldn't be flattered?".[10]

That's what makes a great mixtape great. All of the spontaneous qualities that are too scruffy for a proper release, finally receive the proper treatment. And unlike a great album, the formula for a great mixtape isn't as refined, and it relies slightly more on the side of serendipity and luck, with the essential elements coming together the right way at that perfect moment in time.

49. Saigon, Warning Shots (2004) { "id": 134474541, "buzz_id": 6670884, "index": 3 } Image via Discogs Back before Saigon truly understood the intricacies of industry rule #4080, he tore through the New York mixtape circuit during the mid-Aughts and in doing so quickly became a celebrated voice of the streets. Warning Shots was the highlight of his early run, combining aggressive content ("N.Y. Streetz," "Let a Nigga Know") with social commentary that gave his listeners enough perspective to make sense of the mayhem. He even dropped an ode to his mother.

The Street Album was the highest-profile mixtape in the build-up to Jacka's ambitious Tear Gas LP. It nearly equals that album's diverse ambition, although it does so with a less polished, more hood-oriented sound. The Jacka's lyrical style is subtle, communicating its ideas through artful implication and cool reserve, rather than expressiveness or energy.

Opener "A Real Feeling" best expresses Jack's rugged mantra: "Niggas respect me, feel what's under my shirt/Hit a bank bare-faced, slid a note to the clerk." He also weighs in on his region's sound: "With the hyphy movement but I don't listen to clowns/If you ain't hyphy with a pistol you ain't hyphy for real."

47. Future, True Story (2011) { "id": 134474537, "buzz_id": 6670884, "index": 5 } Image via Discogs Future's January 2011 mixtape Dirty Sprite might've boasted some of the rapper's budding repertoire of hits, including YC's "Racks," but it was True Story that found the Atlanta rapper scaling out to be a national name. This is largely due to hits like "Tony Montana" and "Magic."

46. Big Sean, Finally Famous: The Mixtape (2007) { "id": 134474545, "buzz_id": 6670884, "index": 6 } Image via Discogs From the title of Big Sean's mixtape to the accompanying intro that recounts the first time he met his mentor, Kanye West, it's clear the then-teenage Detroit MC would accept nothing less than being recognized as a rap star. A boastful claim, yes, but it's one that came to fruition, with Finally Famous: The Mixtape setting the table.

44. Royce Da 5'9", The Bar Exam 2 (2008) { "id": 134474544, "buzz_id": 6670884, "index": 8 } Image via Discogs Royce Da 5'9" was always a good rapper, but somewhere along the way he must have started taking Rap HGH because he morphed into an incredible rapper. After spending the middle part of his career engulfed in beef, legal issues, and alcoholism, Nickle Nine rallied back by hitting the mixtape circuit with a refined sense of humor and ambition on his Bar Exam series.

41. Gucci Mane, Chicken Talk (2006) { "id": 134474547, "buzz_id": 6670884, "index": 11 } Image via Discogs Gucci would go on to greater heights, and at the time, Chicken Talk was an underground regional hit at best. But the double-disc tape, hosted by DJ Burn One, was, in conjunction with Gucci's debut LP Trap House, the real blueprint for the rapper's career. While he would develop a more musical approach as time went on, adopt a more improvisational technique, and push in a more effortlessly lyrical direction, Chicken Talk was the first domino in the wake of the attempt on his life that set the next five years into action, driving Gucci to the top of Atlanta's hip-hop food chain in the late '00s.

40. Yelawolf, Trunk Muzik (2010) { "id": 134474551, "buzz_id": 6670884, "index": 12 } Image via Discogs Image is a powerful commodity that can breed success in the music industry. Enter Michael Wayne Atha, a lanky, tatted-up white boy from Alabama who looked more like the lead singer of a punk band than your neighborhood street poet. After quietly bubbling for a few years in the South (and appearing on TV in The Road to Stardom With Missy Elliott), Yelawolf spent a week recording a mixtape that revealed he was an individual with a gritty story to tell.

37. Big K.R.I.T., K.R.I.T. Wuz Here (2010) { "id": 134474550, "buzz_id": 6670884, "index": 15 } Image via Discogs A multitude of artists have worn the hat of rapper/producer, but rarely does that multitasking methodology guarantee outstanding results. An exception to the rule is Big K.R.I.T.'s path, who after years of lingering in Mississippi's underground scene broke through on the self-produced mixtape K.R.I.T. Wuz Here.

By 2004, bad blood was in the water. Chamillionaire's landmark three-disc 2004 mixtape, King Koopa, was an argument that Houston could stand with the rest of the country on a lyrical level. It was disc one, that got the most attention; after Cham's falling out with Swishahouse, the entire first disc of his tape was extended shots at Mike "Dyke" Jones, each track a pointed attack on the rapper over a different industry beat, from "You Got Wrecked"'s "Bow Down" remake to "Body Rock"'s reinvention of "Lean Back." Most inventive was "Roll Call," a track that had Cham rapping in the voices of everyone from Slim Thug to Big Moe to Z-Ro.

35. G-Unit, G-Unit Radio, Part 1-25 (2003-2007) { "id": 134474554, "buzz_id": 6670884, "index": 17 } Image via Discogs { "id": 134474522 }After 50 Cent revolutionized the mixtape game and became a superstar, he sent his G-Unit cohorts to wreak havoc on the rest of the rap game. The G-Unit Radio series was really a stomping ground for Lloyd Banks, Tony Yayo, Young Buck, and eventually The Game.

The series lasted four years and had 25 volumes, too many for us to pick a favorite. Just know, all your favorite G-Unit mixtape classics (whether it be Game's "200 Bars and Running" or Lloyd Banks' "Air Your Ass Out"), as well as eventual album cuts and singles from G-Unit albums, were all featured on these tapes at some point or another.

"Whoo Kid was one of the most revolutionary things to happen to the mixtape game. He took it from just being a DJ to doing the marketing and promotion of the tape. I'll never forget when I got one of the G-Unit Radio mixtapes and it was like an eight page fold-out with MTV logos, huge sponsors, and it was all glossy and colorful. I was blown away at how he was turning them into albums and making them things you really wanted to keep and hold on to. It was a long way from the Maxell tape with the little sticker on it and someone writing what number tape this is."

33. Max B & French Montana, Coke Wave (2009) { "id": 134474553, "buzz_id": 6670884, "index": 22 } Image via Discogs Even acts like Gucci Mane and Lil Boosie, whose catalogs are dominated by mixtape releases, had more success releasing official albums than Max B, who was sentenced to a 75-year prison bid in 2009. That was only a few years after he first emerged, as a scene-stealing hookman for Cam'ron's Jay-Z diss "You Got to Love It," after an eight-year armed robbery bid.

But he made those few years count, ghostwriting for Jim Jones (including, allegedly, smash hit "We Fly High (Ballin')") and playing a key role in Jones' Byrd Gang supergroup. And of course, there was The Wave: a series of incredible mixtapes that propelled him to (near) stardom. With the slurred, sing-song style and slick, casual delivery of a drunken street poet, Max's distinctive persona obscured his significant songwriting gifts. Alongside producer Dame Grease, he established a grungy melodic sound that was at once firmly underground yet resolutely pop.

32. Fabolous, There Is No Competition (2008) { "id": 134474556, "buzz_id": 6670884, "index": 23 } Image via Discogs Popular contention would have you believe the sequel to this tape was the best of the series. While the second TINC was great and certainly the more popular one, the original is one of the most slept-on releases on this list. It wasn't a crucial moment for Fabolous (though he delivered the punchline goodness he's known for), but the lack of reception was a turning point for DJ Drama after the feds raided him. 006ab0faaa

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