Download Beat Maker App

This is what I was confused with, but was informed by the Imaginando team, for AUV3 instruments you need to 'Learn' which parameter you wish to modulate first, once learned the parameter becomes a parameter button like the internal instruments and you can then select this parameter button to modulate like the internal instruments.

Any betatester played with midi hardware yet? I tried, but can not make BAM sync to an external clock, start stop or even register incoming notes. I tried various hardware sequencers, synths and controllers.

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It is working but the user interface is confusing. By default all devices are active and tapping them in the device list deactivates them even though the highlighting changes in a way that may make them look active.

Having tested BAM, I think this will fit very nicely between Drambo and AUM, or as AU inside AUM (no AUs inside BAM then, as the developer noted above). It will also save beginners quite some of investments on external synths and effects, so it could become a go-to first DAW/beatmaker. : )

The Matrix module does not seem to be there yet (= having 100% of abilities of LK), and recording from external keyboards/controllers only records note event pitch and length, no sustain cc64 or velocity or other cc input. To be sure, these messages do get through to the AUV3 during performance, but they are not recorded in a clip, unless I have overlooked something?

All I hope now is that Imginando gets this thing rock-stable. Even one crash is intolerable in a professional/performance scenario! I know what I'm talking about, since LK is the only app on my seven years of iPad use that still freezes/crashes regularly.

@sinosoidal , love the app so far . With AuV3 automation, maybe it could be easier to figure out, ie pressing learn in the mod pane then opening the auv3 and fiddling with a knob could start the automation, instead of having to do learn on the auv3 itself.

@sinosidal I agree with the above, the two FX slots are too restrictive, also considering the "unlimited" slots in AUM, Drambo, and even in Sand. The master channel at least needs 4 slots, the instruments could live with two (better 4).

@henningz said:

Hello, and in this case, to add a new drum kit, you can open MixPad, click on Beat Maker and click on Edit Kits, click on New Kit and there you can set a new drum kit with the sounds you may want to use. Regarding the sounds for the drum kit, currently, NCH Software does not offer any other options than the sample that comes with the program. But you can find many options online for drum kit sounds that you can use in the program; just confirm that the files are audio files like wav or mp3 so the program can play them when creating the pattern.

Most of the drum samples that I download will not play in beat maker. They're all wav files, and I can hear them, but when I add them to kits, they make no sound. It's likely something very basic that I'm overlooking, but I have no idea what. I copy the pathways. A few work, most don't.

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The website provides free packs of loops for you to build different and varied beats. The packs are composed to sound good together. Each pack is designed to be harmonious in rhythm and tone by respecting a unique tempo and pitch. Hence, every combination of loops that you try will sound good to your ear.

Every pack is complete to make a good hip hop beat. They all necessarily contain a drum kit, melodies, chords, and bass. Moreover, ambient sounds, voices, or FX can be added to a pack. Concerning the drum loops, you will always find at least one of the following drum patterns: kick, snare, hi-hats, but of course, you can also encounter other kinds of percussion instruments as well. So, whether it is instruments like piano, saxophone, 808, bass, or percussion, voices, and FX, you will always find in any of our packs all the kinds of sounds you need to build a full beat.

Right now, you can play with 6 hip hop moods (Chill, Trap, Dark, Gangsta, Sad, Electro). In practical terms, that means you have more than a thousand loops you can have fun with when making your own beats. More will be added in the future to increase your creativity even more.

Fun Fact! Because the packs of sounds are used on a music pad shaped like a vinyl record, you are practically digging vinyl records in our library of sounds, just like the first Hip hop music producers did when they started the beat making practice by playing and scratching vinyls records on turntables.

However, packs with a crown icon are not cleared for commercial use yet. It means that the beats created with these packs of sounds can be shared in any way, as long as it is not for commercial or any kind of monetization purposes. In the latter case, please ask us for an authorization by mail.

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@Crayyy Were you able to start it in the past? Maybe the program settings are broken. You can try to delete the musicmaker.ini in the directory C:\Users\YourWindowsUsername\AppData\Roaming\MAGIX\mm32 This will reset the settings. This might help.

Open the Music Maker program settings and go to the Audio/MIDI tab. Select the Music Maker ASIO driver. Click on the Advanced button to open the driver settings. Select your audio input and audio output and set the buffer size to something reasonable like 512 samples. If the sound stutters or you get instabilities increase the buffer size to 1024 samples or 2048 samples.

If you have SoundCloud and a heart, you've likely already fallen in love with the work of London song-maker, Tom Misch. If you have SoundCloud and a heart, you're also likely to know very little about him and nobody's blaming you. I linked with Tom over Skype one sunny Saturday morning, completely unsure what to expect. Quite luckily for all of his fans, he's just as sincere as his music.

I started producing when I was in sixth form (high-school). I was doing music tech as a subject and learned how to use Logic Pro and that's when I kind of had a platform to put my ideas on. It all just went from there.

What instruments can you play? When I'm listening to one of your tracks, how much is you and how much is artificial?

The guitar is real, so is the singing. The bass is me, and violin of course. I use a lot of clapping and that sort of thing, but then I use Logic for some nice piano sounds and stuff like that.

Is there a specific creative process when you start a track? Do you have to put yourself in a certain mindset or have any routines?

To be honest, I don't have a particular recipe, but I normally start with the chord progression and then I build it from there. I listen to a lot of jazz, so the chords are really important to me. The stuff that I make comes out quite differently every time.

How did you get involved with Carmody?

Well, I've been writing with her for about five years and we'd been doing little gigs before I got into producing. It would be guitar, singing folky stuff. Then I got into producing and we started writing songs on Logic.

Were you surprised at how well "The Last Song" was received?

Definitely, yeah. The fact that it went up on Majestic Casual obviously meant that it would get a lot of exposure, I guess I was pretty surprised. I didn't particularly like it at first, to be honest. It's quite a poppy track, you know.

Is Carmody going to be featured on your upcoming EP?

I'm working on two EPs at the moment. My solo EP, which will be my singing and production, and one with Carmody, which is all-collaborative.

Is there a specific inspiration or theme to either of these releases?

No over-arching theme really, it's just showing the direction that I want to go in: song-writing, jazzy kind of hip-hop stuff. The Carmody EP is more song writing based though. She's an amazing writer so it will sound a lot more poppy.

If you could compare your sound to any other big artist, whom would you compare it to?

Production wise, it would probably be J Dilla, or a combination of Robert Glasper and Sampha. I'm not really sure of any one artist to compare myself to.

How did you get involved with Soulection?

They sent me an email about five months ago and asked if I wanted to be a part of their white label series, and I jumped at the opportunity.

Was there a reason that you went instrumental?

With that EP I wanted it to be purely hip-hop production. With the song-writing EPs in the works, I wanted to let loose with a pure beat-making vibe. 152ee80cbc

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