Download Bajirao Mastani Songs

Bajirao Mastani is the soundtrack album, composed by Sanjay Leela Bhansali with assistance by Shreyas Puranik & Devrath to the 2015 Hindi film of the same name. The film stars Ranveer Singh, Deepika Padukone and Priyanka Chopra in lead roles. The album, originally recorded in Hindi features nine songs, and was released on 31 October 2015 by Eros Music. The original score of the film is composed by Sanchit Balhara.[4]

The music in the film is situational and narrative in nature. The songs were conceived progressively with the development of film script that was completed in twelve years. Bhansali was inspired by the music of Mughal-e-Azam to compose the film soundtrack. The songs cover genres of Marathi folk, Sufi, lavani, qawwali and Indian classical apart from fusion of different ragas in single tracks.

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Sanjay Leela Bhansali took inspiration for the songs from the film Mughal-E-Azam (1960). For the track "Albela Sajan", Bhansali has tuned Kishori Amonkar, who has sung the original track in the raag Bhoopali. The composition was blended with another raag titled Ahir Bhairav. Bhansali added that Shiv Kalyan Raja, a Marathi album by Hridaynath Mangeshkar, apart from Marathi folk and classical music were inspirations for the soundtrack of Bajirao Mastani. The track "Mohe Rang Do Laal" was composed when Bhansali was waiting at the airport after his flight got cancelled. The initial composition of "Deewani Mastani" dates to twelve years back where Bhansali conceived the track while having a shower. He adds: "That was the first time I had thought of making Bajirao Mastani as a film."[6] The song opens with Marathi lyrics "Nabhatoon aali apsara, ashi sundara, saaz sazvuna" which translates to "A fairy has stepped down from the skies, so beautiful and all dressed up."[7] Lyricist Prashant Ingole, on writing for the song "Gajanana" stated: "I was asked to write an aarti for Ganpati and I wanted to do something that was never done before. So I went back home and asked my mother the different names of Ganeshji, and jotted them down." The song "Gajanana" was composed by Shreyas Puranik.[8]

Music critic Joginder Tuteja from Bollywood Hungama gave the album 3.5 stars (out of 5) saying: "Bajirao Mastani soundtrack is on the expected lines. A heavy album with as many as 10 tracks, it is high on classical base with a few potentially popular songs in there as well. Though at least half the songs in there are primarily situational, given Sanjay Leela Bhansali's expertise when it comes to spinning around wonderful visuals, they can be expected to make a good impression on screen."[10] Critic R. M. Vijayakar in his review for India-West gave the soundtrack a rating of 4.5 out of 5 and described the album to be a "fragrant rose". He stated: "The Maharashtrian ambiance, complete with riffs, choruses and traditional Marathi verse and excerpts, dominates "Bajirao Mastani's fascinating score, easily Sanjay Leela Bhansali's finest musical outing since "Devdas (2002)."[11] Aelina Kapoor from Rediff.com gave the album a score of 3 out of 5, stated that, "The music of Bajirao Mastani is a roller-coaster ride. Though there isn't anything wrong about Bhansali's tunes here, there are quite a few ups and downs in the 10 songs in the soundtrack. A lot of qawwali and romance in Bajirao Mastani's soundtrack."[12]

I don't watch many Bollywood films; I'm not really into musicals, or romance as a genre which (from the summaries) seems to be the plot of these films. I found "Deewani Mastani" because Grimes sampled the song in "4m", then the rest of the songs I found through trawling various Bollywood playlists. I absolutely fell in love with the complex, syncopated beats, acoustic instrumentation, and beautiful folk vocals, and I'm hoping to expand my playlist.

Same here, I loved all of the songs in bajirao mastaani so much, noticed today that they removed the playlist and hit songs. I am disappointed, those songs made me appreciate the culture of India every single time. I hope spotify resolves the issue. The songs are a gem in the history of bollywood.

As @MattSuda said, the songs you don't see on your end have a strict relation to licensing agreements. This depends of the artist or the right holders of said content to have it available or not. On our end, we'll be working in order to get more and more content to the platform (if an agreement is reached with said right holders).

Exactly. I'm just so confused. Apparently it's back in countries like India but here in the UK where I live both Ram Leela and Bajirao aren't unplayable. Weirdly the south Indian version of bajirao is available?

What the **bleep**? I don't care if a song gets greyed-out from Spotify due to being unavailable. However, this song completely DISAPPEARED from my Liked songs list!!! That is so extremely not cool. Now I feel like I have to ditch Spotify since I can't trust it to keep a list of songs I like - a simple yet important task. Spotify has erased it from existence like people were erased from Soviet photos. Come on, Spotify, this is **bleep**.

My favourite anecdote comes from one of my friend who saw a few songs on YouTube first, 'Deewani Mastani' being her favourite. Who wouldn't be mesmerised by that haunting melody, the opulence of the Aaina Mahal, and the sheer perfection of Deepika Padukone? When we got around to watching the film a few weeks later though, and 'Deewani Mastani' began to play, I watched my friend's world collapse as she realised what this song meant in the context of Kashi's story. "She can't just come in here and do that! Not to Kashi!" my friend stubbornly insisted. I couldn't help but laugh when she decided that she no longer liked the song because of this new perspective. I cannot think of a better way to describe the impact of Kashi on Bajirao Mastani.

These layers of Kashi's humanity can also be seen when she comes to gift Mastani a sari for the women's festival. The overall purpose of her visit is to reach out to Mastani and give her the respect which no one else in Shaniwar Wada will give her. However, even in this moment of magnanimity, she cannot help but show her jealousy and heartbreak. She tearfully asks, "Yeh haath pakadte hain naa tumhara woh?" ("This is your hand which he holds, right?"), and even throws in a cheap shot implying that Mastani is simply Rao's mistress. Ultimately though, she expresses that she has come to extend an olive branch, explaining that "Rao ko tumhari zaroorat hai, aur unki zaroorat ka khayal rakhna hamari zaroorat hai." ("Rao needs you, and I need to protect what he needs.") Of course, the ultimate purpose of this scene is to create a plausible space for the two women to perform a beautiful dance number together. And while "Pinga" will go down in history as one of the most memorable songs of the 2010s, this preceding scene was unique in that it showed Kashi performing a selfless act while still giving her the space to breathe and feel the normal human emotions of her situation. 17dc91bb1f