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Been listening to audiobooks for years, love them. Mostly a sci-fi, action and adventure fan though I do enjoy history and the occasional autobiography if it's of a person I like (and bonus points if they read it). Are there comedy books? I don't even know how it would even sound but is there such a thing? And, if so, do you have some recommendations? I'm assuming it's not just a stand-up comedy session but a story with more than just funny characters? Of course there's comedic elements of many of the books I've read but just something that's crack up hilarious would be nice.

Threads and top level comments here should be related to audiobooks. This can include stories recordings of books or other less traditional style audiobooks such as those told via podcast, radio dramas or other audio media.

Download Audiobooks Mp3

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While I understand some readers preference for print, I think there are just as many, or almost as many, who prefer audiobooks. I like them because I can be productive with everyday tasks while enjoying a good book. And The Levee is a great, well-read, audiobook. The length is perfect.

Cardholders at the Central Arkansas Library System may check out audiobooks and listen to them on your favorite mobile device. Login using your library card number and PIN. You will also find e-books available for check out in Overdrive and the Libby app.

Spoken audio has been available in schools and public libraries and to a lesser extent in music shops since the 1930s. Many spoken word albums were made prior to the age of cassettes, compact discs, and downloadable audio, often of poetry and plays rather than books. It was not until the 1980s that the medium began to attract book retailers, and then book retailers started displaying audiobooks on bookshelves rather than in separate displays.

In 1931, the American Foundation for the Blind (AFB) and Library of Congress Books for the Adult Blind Project established the "Talking Books Program" (Books for the Blind), which was intended to provide reading material for veterans injured during World War I and other visually impaired adults.[1] The first test recordings in 1932 included a chapter from Helen Keller's Midstream and Edgar Allan Poe's "The Raven".[1] The organization received congressional approval for exemption from copyright and free postal distribution of talking books.[1] The first recordings made for the Talking Books Program in 1934 included sections of the Bible; the Declaration of Independence and other patriotic documents; plays and sonnets by Shakespeare; and fiction by Gladys Hasty Carroll, E. M. Delafield, Cora Jarrett, Rudyard Kipling, John Masefield, and P. G. Wodehouse.[1] To save costs and quickly build inventories of audiobooks, Britain and the United States shared recordings in their catalogs. By looking at old catalogs, historian Matthew Rubery has "probably" identified the first British-produced audiobook as Agatha Christie's The Murder of Roger Ackroyd, read by Anthony McDonald in 1934.[3]

Listening Library[6] was also a pioneering company, it was one of the first to distribute children's audiobooks to schools, libraries and other special markets, including VA hospitals.[7] It was founded by Anthony Ditlow and his wife in 1955 in their Red Bank, New Jersey home; Ditlow was partially blind.[7] Another early pioneering company was Spoken Arts founded in 1956 by Arthur Luce Klein and his wife, they produced over 700 recordings and were best known for poetry and drama recordings used in schools and libraries.[8] Like Caedemon, Listening Library and Spoken Arts benefited from the new technology of LPs, but also increased governmental funding for schools and libraries beginning in the 1950s and 60s.[7]

In the early 1970s, instructional recordings were among the first commercial products sold on cassette.[9] There were 8 companies distributing materials on cassette with titles such as Managing and Selling Companies (12 cassettes, $300) and Executive Seminar in Sound on a series of 60-minute cassettes.[9] In libraries, most books on cassette were still made for blind and disabled people, however some new companies saw the opportunity for making audiobooks for a wider audience, such as Voice Over Books which produced abridged best-sellers with professional actors.[9] Early pioneers included Olympic gold medalist Duvall Hecht who in 1975 founded the California-based Books on Tape as a direct to consumer mail order rental service for unabridged audiobooks and expanded their services selling their products to libraries and audiobooks gaining popularity with commuters and travelers.[9] In 1978, Henry Trentman, a traveling salesman who listened to sales tapes while driving long distances, had the idea to create quality unabridged recordings of classic literature read by professional actors.[10] His company, the Maryland-based Recorded Books, followed the model of Books on Tape but with higher quality studio recordings and actors.[10] Recorded Books and Chivers Audio Books were the first to develop integrated production teams and to work with professional actors.[11]

1986 has been identified as the turning point in the industry, when it matured from an experimental curiosity.[9] A number of events happened: the Audio Publishers Association, a professional non-profit trade association, was established by publishers who joined to promote awareness of spoken word audio and provide industry statistic.[9] Time-Life began offering members audiobooks.[9] Book-of-the-Month club began offering audiobooks to its members, as did the Literary Guild. Other clubs such as the History Book Club, Get Rich Club, Nostalgia Book Club, Scholastic club for children all began offering audiobooks.[9] Publishers began releasing religious and inspirational titles in Christian bookstores. By May 1987, Publishers Weekly initiated a regular column to cover the industry.[9] By the end of 1987, the audiobook market was estimated to be a $200 million market, and audiobooks on cassette were being sold in 75% of regional and independent bookstores surveyed by Publishers Weekly.[9] By August 1988 there were forty audiobook publishers, about four times as many as in 1984.[9]

By the middle of the 1990s, the audio publishing business grew to 1.5 billion dollars a year in retail value.[12] In 1996, the Audio Publishers Association established the Audie Awards for audiobooks, which is equivalent to the Oscar for the audiobook industry. The nominees are announced each year by February. The winners are announced at a gala banquet in May, usually in conjunction with BookExpo America.[13]

With the spread of the Internet to consumers in the 1990s, faster download speeds with broadband technologies, new compressed audio formats and portable media players, the popularity of audiobooks increased significantly during the late 1990s and 2000s. In 1997, Audible pioneered the world's first mass-market digital media player, named "The Audible Player",[14] it retailed for $200, held 2 hours of audio and was touted as being "smaller and lighter than a Walkman", the popular cassette player used at the time.[15] Digital audiobooks were a significant new milestone as they allowed listeners freedom from physical media such as cassettes and CD-ROMs which required transportation through the mail, allowing instead instant download access from online libraries of unlimited size, and portability using comparatively small and lightweight devices. Audible.com was the first to establish a website, in 1998, from which digital audiobooks could be purchased.

Another innovation was the creation of LibriVox in 2005 by Montreal-based writer Hugh McGuire who posed the question on his blog: "Can the net harness a bunch of volunteers to help bring books in the public domain to life through podcasting?" Thus began the creation of public domain audiobooks by volunteer narrators. By the end of 2021, LibriVox had a catalog of over 16,870 works.[16]

In 2018, approximately 50,000 audiobooks were recorded in the United States with a sales growth of 20 percent year over year.[26] U.S. audiobook sales in 2019 totaled 1.2 billion dollars, up 16% from the previous year. In addition to the sales increase, Edison Research's national survey of American audiobook listeners ages 18 and up found that the average number of audiobooks listened to per year increased from 6.8 in 2019 to 8.1 in 2020.[27]

The evolution and use of audiobooks in Germany closely parallels that of the US. A special example of its use is the West German Audio Book Library for the Blind, founded in 1955. Actors from the municipal theater in Mnster recorded the first audiobooks for the visually impaired in an improvised studio lined with egg cartons. Because trams rattled past, these first productions took place at night. Later, texts were recorded by trained speakers in professional studios and distributed to users by mail. Until the 1970s recordings were on tape reels, then later cassettes. Since 2004, the offerings have been recorded in the DAISY Digital Talking Book MP3 standard, which provides additional features for visually impaired users to both listen and navigate written material aurally.[28]

Audiobooks are being released in various Indian languages. In Malayalam, the first audio novel, titled Ouija Board, was released by Kathacafe in 2018.[29] Now Indian companies are working towards Audio Books generation in the Indian Vernacular Languages. Listen Stories By Sahitya Chintan is an Android audiobook library allowing listing 1000+ Hindi Audio Books. They are offering ample audiobooks freely. To access the entire catalog they are charging nominal membership of Rs. 199/ Year for Indian audiobook listener and $5.99/Year for Rest of World.

Producing an audiobook consists of a narrator sitting in a recording booth reading the text, while a studio engineer and a director record and direct the performance.[31] If a mistake is made the recording is stopped and the narrator reads it again.[31] With recent advancements in recording technology, many audiobooks are also now recorded in home studios by narrators working independently.[32] Audiobooks produced by major publishing houses undergo a proofing and editing process after narration is recorded. ff782bc1db