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The books were received positively in Japan upon release.[5] The first film received a nomination for Best Screenplay at the 19th Japanese Academy Awards. Sources conflict as to whether the anime's original run was successful or not, though there is evidence of it having a relatively successful run.[6] Nevertheless, it received notoriety in the succeeding years with its official English dub, which mostly replaced the original script for the series with pop culture references and dark humor.[4]

It is soon after revealed that Satsuki's mother was responsible for sealing several ghosts who haunted not only the school but also the town, which are now inadvertently being released due to urbanization taking place in the surrounding area. Satsuki's mother left behind a book detailing how to exorcise the ghosts once and for all. In her first confrontation, Satsuki faces a demon called Amanojaku, but in the process, he is sealed within Satsuki's pet cat, Kaya. Although Amanojaku does not want to help Satsuki at first, the danger soon threatens to envelop the town and it is left up to Satsuki, her friends, and Amanojaku to stop the ghosts. With Amanojaku's help, the friends finally are able to exorcise the ghosts.

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Fuji TV, who owned the series' Western distribution rights, approached ADV Films to produce an English dub.[7] Fuji TV gave the ADV Films staff very few constraints when writing the new version, the only rules were "don't change the character names (including the ghosts); don't change the way the ghosts are slain (a reference to Japanese folklore) and, finally, don't change the core meaning of each episode".[4]

The English dub deviates significantly from the original script. While preserving the basic plot structure and storyline, the new script revolved around topical pop-culture references, politically incorrect gags, and fourth wall breaking jokes about the original show's low animation quality, anime cliches, and poor lip-sync.[7]

On the weekend of 19 August 2005, at the 2005 Otakon anime convention, ADV Films announced a North American DVD release of Ghost Stories for the following October.[9] The original Japanese audio and literal subtitle translation are also included. Volume 1 was released on 22 October 2005.

On 28 August 2013, Discotek Media announced that they acquired the series' license and would release it in 2014 with the ADV dub and the Japanese audio with English subtitles.[10] The complete series was released on a three-disc set on 25 March 2014.[11] Ghost Stories and its dub were also released on the anime streaming platform RetroCrush in February 2021.[12]

Dhruv Sharma of Screen Rant praised the characters of Ghost Stories and their developments as "well-written", though he wrote that the animation style was "a bit dated".[13] /Film's Hoai-Tran Bui called the dubbed version of Ghost Stories the "best and worst anime dub", describing it as "raunchy, wildly inappropriate, [and] self-aware".[14]

The film is set in 2029 Japan and follows Motoko Kusanagi, a cyborg public-security agent, who hunts an enigmatic hacker/ghost known as the Puppet Master. The narrative incorporates philosophical themes that focus on self-identity in a technologically advanced world. The music, composed by Kenji Kawai, includes vocals in classical Japanese. The film's visuals were created through a combination of traditional cel animation and CGI animation.

Upon release, Ghost in the Shell received positive reviews, with critics praising its narrative, visuals, and musical score. The film was initially considered a box-office failure before developing a cult following on home video. Since then, it has grown in esteem and is now considered to be one of the best anime and science-fiction films of all time.[10][11][12] It inspired filmmakers such as the Wachowskis, creators of the Matrix films. James Cameron described it as "the first truly adult animation film to reach a level of literary and visual excellence."[13] The film received numerous accolades and was nominated five Annie Award categories (including Best Animated Feature) in 24th Annie Awards, making it the most nominations for a Japanese animated film ever at the awards.

In 2029, with the advancement of cybernetic technology, the human body can be augmented or even completely replaced with cybernetic parts. Another significant achievement is the cyberbrain, a mechanical casing for the human brain that allows access to the Internet and other networks. An often-mentioned term is "ghost," referring to the consciousness inhabiting the body (the "shell").

Major Motoko Kusanagi is an assault-team leader for Public Security Section 9 of "New Port City" in Japan. Following a request from Nakamura, chief of Section 6, she successfully assassinates a diplomat of a foreign country to prevent a programmer named Daita from defecting. The Foreign Minister's interpreter is ghost-hacked, presumably to assassinate VIPs in an upcoming meeting. Believing the perpetrator to be the mysterious Puppet Master, Kusanagi's team follows the traced telephone calls that sent the virus. After a chase, they capture a garbage man and a thug. However, both are only ghost-hacked individuals with no clue about the Puppet Master, so the investigation again comes to a dead end.

Megatech Body, a shell manufacturer with suspected close ties to the government, is hacked and assembles a shell, which was licensed by the government itself. As it escapes, the shell, a lady on the highway, is hit by a truck. As Section 9 examines the shell, they find a human ghost inside it. Unexpectedly, Section 6's department chief Nakamura arrives to reclaim the shell with permit from the foreign minister. He claims that the ghost inside is the Puppet Master himself, lured into the shell by Section 6. The shell reactivates itself, claims to be a sentient being, and requests political asylum. After the Puppet Master initiates a brief argument about what constitutes a human, a camouflaged agent accompanying Nakamura starts a diversion and steals the shell.

Having suspected foul play, Kusanagi's team is prepared and immediately pursues the agent. Meanwhile, Section 9 researches "Project 2501", which was mentioned earlier by the Puppet Master, and finds a connection with Daita, whom Section 6 tries to keep from defecting the country. Facing the discovered information, Daisuke Aramaki, chief of Section 9, concludes that Section 6 created the Puppet Master for various political purposes, and now seeks to reclaim the body that it currently inhabits. Kusanagi follows the car carrying the shell to an abandoned building, where it is guarded by a robotic, spider-like tank. Anxious to face the Puppet Master's ghost, Kusanagi engages the tank without backup, resulting in her body being mostly dismembered as she attempts to pull open the hatch. Her partner Batou arrives in time to save her and helps connect her brain to the Puppet Master's.

The Puppet Master explains to Kusanagi that he was created by Section 6. While wandering various networks, he became sentient and began to contemplate his existence. Deciding that the essence of life is reproduction and mortality, he wants to exist within a physical brain that will eventually die. As he could not escape Section 6's network, he had to download himself into a cybernetic body. Having interacted with Kusanagi (without her knowledge), he believes she is also questioning her humanity and that they have much in common. He proposes merging their ghosts; in return, Kusanagi would gain all of his capabilities. Kusanagi agrees to the merge.

Review aggregator website Rotten Tomatoes reported that 95% of critics have given the film a positive review based on 60 reviews, with an average rating of 7.8/10. The website's critics consensus reads, "A stunning feat of modern animation, Ghost in the Shell offers a thoughtful, complex treat for anime fans, as well as a perfect introduction for viewers new to the medium."[60] On Metacritic, the film has a weighted average score of 76 out of 100 based on 14 critics, indicating "generally favorable reviews".[61]

The film depicts Motoko's identity and ontological concerns and ends with the evolution of the Puppet Master, a being without reproduction.[76] Austin Corbett characterized the lack of sexualization from her team as freedom from femininity, noting that Motoko is "overtly feminine, and clearly non-female".[77] In describing Motoko as a "shapely" and "strong [female protagonist] at the center of the story" who is "nevertheless almost continuously nude", Roger Ebert noted that "an article about anime in a recent issue of Film Quarterly[78] suggests that to be a 'salary man' in modern Japan is so exhausting and dehumanizing that many men (who form the largest part of the animation audience) project both freedom and power onto women, and identify with them as fictional characters".[25] Carl Silvio has called Ghost in the Shell a "resistant film", due to its inversion of traditional gender roles, its "valorization of the post-gendered subject", and its de-emphasis of the sexual specificity of the material body.[79]

I've heard about the anime described above, but can't for the life of me remember the name. This may not be that descriptive but I know that it exists. I think the 2 main characters are a guy and a younger ghost girl.

I have a friend that loves ghost stuff and has shown an interest in anime but I'm not really sure what to recommend to him. I know he loves mysteries that are scary or unnerving but anything ghost related would do. Any ideas?

Ghosts are displaced human spirits. Sometimes, they have unfinished business, and sometimes, they are lost in the in-between, not even realizing that they are no longer alive. Some anime feature ghosts among an ensemble set of supernatural characters, while others have ghosts as the central theme.

A spirit may be attached to a certain event, object, or location in relation to their death. This can make them a sort of damsel in distress or give them a thirst for vengeance that wreaks havoc on the people around them. Other ghosts endure a markedly mundane afterlife, especially if their story takes place in a slice-of-life anime. 2351a5e196