The American Film Institute (AFI) is an American nonprofit film organization that educates filmmakers and honors the heritage of the motion picture arts in the United States. AFI is supported by private funding and public membership fees.
The institute is composed of leaders from the film, entertainment, business, and academic communities. The board of trustees is chaired by Kathleen Kennedy and the board of directors chaired by Robert A. Daly guide the organization, which is led by President and CEO, film historian Bob Gazzale. Prior leaders were founding director George Stevens Jr. (from the organization's inception in 1967 until 1980) and Jean Picker Firstenberg (from 1980 to 2007).[2]
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The original 22-member Board of Trustees included actor Gregory Peck as chairman and actor Sidney Poitier as vice-chairman, as well as director Francis Ford Coppola, film historian Arthur Schlesinger, Jr., lobbyist Jack Valenti, and other representatives from the arts and academia.[4]
AFI moved its presentation of first-run and auteur films from the Kennedy Center to the historic AFI Silver Theatre and Cultural Center, which hosts the AFI DOCS film festival, making AFI the largest nonprofit film exhibitor in the world. AFI educates audiences and recognizes artistic excellence through its awards programs and 10 Top 10 Lists.
In 1969, the institute established the AFI Conservatory for Advanced Film Studies at Greystone, the Doheny Mansion in Beverly Hills, California. The first class included filmmakers Terrence Malick, Caleb Deschanel, and Paul Schrader.[17] That program grew into the AFI Conservatory, an accredited graduate film school located in the hills above Hollywood, California, providing training in six filmmaking disciplines: cinematography, directing, editing, producing, production design, and screenwriting. Mirroring a professional production environment, Fellows collaborate to make more films than any other graduate level program. Admission to AFI Conservatory is highly selective, with a maximum of 140 graduates per year.[18]
In 2013, Emmy and Oscar-winning director, producer, and screenwriter James L. Brooks (As Good as It Gets, Broadcast News, Terms of Endearment) joined as the artistic director of the AFI Conservatory where he provides leadership for the film program.[19] Brooks' artistic role at the AFI Conservatory has a rich legacy that includes Daniel Petrie, Jr., Robert Wise, and Frank Pierson. Award-winning director Bob Mandel served as dean of the AFI Conservatory for nine years. Jan Schuette took over as dean in 2014 and served until 2017. Film producer Richard Gladstein was dean from 2017 until 2019, when Susan Ruskin was appointed.[20]
The AFI Catalog, started in 1968, is a web-based filmographic database. A research tool for film historians, the catalog consists of entries on more than 60,000 feature films and 17,000 short films produced from 1893 to 2011, as well as AFI Awards Outstanding Movies of the Year from 2000 through 2010. Early print copies of this catalog may also be found at local libraries.[22]
Created in 2000, the AFI Awards honor the ten outstanding films ("Movies of the Year") and ten outstanding television programs ("TV Programs of the Year").[23] The awards are a non-competitive acknowledgment of excellence.
The AFI 100 Years... series, which ran from 1998 to 2008 and created jury-selected lists of America's best movies in categories such as Musicals, Laughs and Thrills, prompted new generations to experience classic American films. The juries consisted of over 1,500 artists, scholars, critics, and historians. Citizen Kane was voted the greatest American film twice.
AFI Fest is the American Film Institute's annual celebration of artistic excellence. It is a showcase for the best festival films of the year and an opportunity for master filmmakers and emerging artists to come together with audiences in the movie capital of the world. It is the only festival of its stature that is free to the public. The Academy of Motion Picture Arts and Sciences recognizes AFI Fest as a qualifying festival for the Short Films category for the annual Academy Awards.
The festival has paid tribute to numerous influential filmmakers and artists over the years, including Agns Varda, Pedro Almodvar and David Lynch as guest artistic directors, and has screened scores of films that have produced Oscar nominations and wins.
The Directing Workshop for Women is a training program committed to educating and mentoring participants in an effort to increase the number of women working professionally in screen directing. In this tuition-free program, each participant is required to complete a short film by the end of the year-long program.[24]
Filmed between September 1995 and August 1997,[3] American Movie documents the making of Coven, an independent short horror film directed by Wisconsin-based filmmaker Mark Borchardt. Produced for the purpose of raising capital for Northwestern, a feature film Borchardt intends to make, Coven suffers from numerous setbacks, including poor financing, a lack of planning, Borchardt's burgeoning alcoholism, and the ineptitude of the friends and family he enlists as his production team.[4] The documentary follows Borchardt's filmmaking process from script to screen, and is interspersed with footage from both of Borchardt's developing projects.
In 1996 in Menomonee Falls, Wisconsin, Mark Borchardt dreams of being a filmmaker. Currently however, he delivers papers for a living, is deeply indebted, still lives with his parents, is a borderline alcoholic, and is estranged from his ex-girlfriend, who is threatening to move out of state with their three children. He acknowledges his various failures, but aspires to one day make more of his life.
Hoping to jump-start his amateur filmmaking career, Mark restarts production on Northwestern, a feature-length film he has been planning for most of his adult life. Initially, the project attracts some interest from the group of amateur actors with whom Mark has produced some radio plays, but by the fourth production meeting almost no one shows up and Mark is forced to acknowledge that he currently lacks the resources to move Northwestern past the pre-production phase.
To drum up the attention and financial resources needed to film Northwestern, Mark decides to finally complete Coven (which Borchardt mispronounces with a long 'o'), a horror short that he began shooting on 16 mm film in 1994, but ultimately abandoned. He receives financing from his Uncle Bill, a wise, but increasingly senile, eighty-two-year-old retiree who lives in a dilapidated trailer despite having $280,000 in his bank account. Bill hesitantly agrees to invest in Coven, with the goal of selling three thousand VHS copies of the movie, which Mark says will raise enough capital to finance Northwestern.
Mark restarts production on Coven, but suffers numerous mishaps. Although he is hard-working and knowledgeable about film making, he is also poor at planning ahead and inarticulate as a director. Additionally, he builds his production crew out of friends and neighbors, many of whom are incompetent at the tasks to which he assigns them. Particular attention is given to his best friend, guitarist Mike Schank, an amiable recovering alcoholic and drug addict with reduced affect who is one of the most reliable members of the crew (and also recorded the music for the soundtrack of the documentary). In their adolescence, Mark and Mike bonded over their shared love of vodka, but Mike is now sober and has joined Alcoholics Anonymous, though he has become a compulsive gambler, buying scratch-off lottery tickets from the gas station, sometimes accompanied by his AA sponsor, who then drives them both to Gamblers' Anonymous meetings; Mike reasons that, while you sometimes win and sometimes lose the lottery, you always lose with drugs and alcohol.
On the review aggregation website Rotten Tomatoes, the film has an approval rating of 94% based on 49 reviews, with a weighted average of 8.28/10; the site's consensus reads: "Well worth watching for film buffs and anyone who believes in following your dreams, American Movie is a warm, funny, and engrossing ode to creative passion".[5] Janet Maslin of The New York Times wrote that the film conveys Borchardt's passion "Insightfully and stirringly, not to mention hilariously", and that "For anyone wondering where the spirit of maverick independent filmmaking has its source, you need look no further".[6] Roger Ebert gave the film four out of four possible stars, calling it "a very funny, sometimes very sad documentary".[7]
Amy Goodman of IndieWire called the film "An inspiration for filmmakers everywhere",[8] and Kevin Thomas of the Los Angeles Times wrote that it "is sure to draw lots of laughs".[9] Glenn Lovell of Variety called the film an "ambitious, wildly funny chronicle" and a "madcap tribute to a beer-guzzling Midwestern filmmaker".[10]
The film was awarded the Grand Jury Prize for Documentary at the 1999 Sundance Film Festival.[9] In 2004, it was named by The New York Times as one of the "1,000 Greatest Movies Ever Made",[11] and the International Documentary Association named it as one of the top 20 documentaries of all time.[12]
The film was released on VHS on January 16, 2001.[13] It was released on DVD by Sony Pictures Home Entertainment on May 23, 2000, as a "Special Edition", which includes a commentary by Chris Smith, Sarah Price, Mark Borchardt, and Mike Schank, as well as the short film Coven and 22 deleted scenes.[14][15]
Led by Hollywood icon James L. Brooks as Artistic Director, AFI Conservatory Faculty and seminar guests are working filmmakers who bring decades of award-winning experience as real-world, professionals and transformative leaders in their field.
The AFI Conservatory offers scholarships to help incoming and current AFI Fellows pay for their MFA film school education. Scholarships are based on merit and financial need. Several scholarships are available for Fellows from underrepresented communities, specific nationalities and Conservatory disciplines. 006ab0faaa
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