Download Album Twenty Fingers 2023 [EXCLUSIVE]

20 Fingers is the self-titled second and final studio album of American music group 20 Fingers. It has been released on October 24, 1995, under Zoo Entertainment/SOS Records, six months after the release of their debut album On the Attack and More.

In 1995, the group released their self-titled second studio album, called "20 Fingers" worldwide. The album has unlike the first studio album, where only two vocalists, Gillette on eleven tracks and Roula on one track, the peculiarity of featuring different vocalists for almost every song. In France, the album was released under the name L'album with an altered cover art and track list. Their first single, fifth overall, "Sex Machine" featuring Katrina (Roxanne Dawn) was released in 1995, which was another club hit but did not sell as well as its predecessors. It was the only single released of this album credited as "20 Fingers featuring Katrina", while further single releases were only credited under the name of the featured vocalist, such as Nerada's "Position #9", Dania's "She Won't Know", Rochelle's "Praying for an Angel" and "Holding on to Love" or A' Lisa B's "I'm in Love" with the addition "A 20 Fingers Production". Next to all new original material, some versions of this album also consist of three previously released 20 Fingers singles "Short Dick Man" and "Lick It", the remix of "Mr. Personality" called "Ugly" and the two previously released Max-A-Million singles "Take Your Time" and "Fat Boy" produced by 20 Fingers. In Fact that all previous 20 Fingers singles, in original or remixed form, are included on these album versions, they have been considered a compilation album and released under the title "The Best of 20 Fingers" in Asia.

Download Album Twenty Fingers 2023

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PERFORMA is a debut album recorded by Lora Kmieliauskait (violin) and Arnas Kmieliauskas (cello) of the Twenty Fingers Duo and released in cooperation with the Music Information Centre Lithuania. The album features six compositions commissioned by the duo to composers Mykolas Nataleviius, Dominykas Digimas, Rta Vitkauskait, Julius Aglinskas, Arturas Bumteinas, and Andrius Maslekovas. It was designed by visual artist Lauryna Narkeviit who also created six visuals for the project based on primary ideas and conceptual outlines suggested by composers, which complemented the musical narratives recorded on the album. This unique package offers liner notes in Lithuanian and English, a CD, and QR codes for those who prefer to listen to the music online.

Kiran Leonard, "Grapefruit" (Moshi Moshi). The Greater Manchester borough of Oldham lives up to the area's overall reputation for off-kilter pop-rock music with Kiran Leonard, a 20-year-old whose citrus-titled second album has precocious genius redolent of early Rufus Wainwright.

Amon Amarth, "Jomsviking" (Metal Blade). Without drummer Fredrik Andersson, who had been behind the kit for 17 years, Swedish melodic-metal band steps forth with a 10th studio album that tells an epic tale about the "Jomsvikings," an order of mercenary Vikings.

American Head Charge, "Tango Umbrella" (Napalm). Minneapolis alt- and nu-metal band drops its fourth album and opens an "umbrella" under which it shelters its broader influences, including Tool, Ministry, PJ Harvey and Alice in Chains.

Sarah Aroeste, "Ora de Despertar" (Aroeste Music). With a title that translates as "Time to wake up," this album of children's music could alert tykes and parents alike to the talents of Aroeste, a New York-based musician who writes and sings in Ladino, a Judeo-Spanish dialect developed by Spanish Jews after their 1492 expulsion from Spain.

Birdy, "Beautiful Lies" (Atlantic). English songbird, songwriter and Bon Iver cover artist is just a couple months shy of 20, but this is her third album since 2011 and the one that will probably convince fans of Lorde, Fiona Apple and Adele to add her to their playlists.

The Currys, "West of Here" (The Currys). Brothers Jimmy and Tommy Curry and their cousin Galen Curry are, of course, the Currys, Florida kin whose second album displays family harmonies and a slicker kind of Americana.

Domo Genesis, "Genesis" (Odd Future). Dominique "Domo Genesis" Cole of the Odd Future rap collective makes solo-album debut with features from both within Odd Future, like Tyler the Creator, and without, like Wiz Khalifa.

Metal Church, "XI" (Rat Pak). Mike Howe, the "classic-era" lead singer from this West Coast metal band's 1988-1994 run, came back to the band last year and solidifies the reunion with, as the Roman numerals indicate, Metal Church's 11th studio album of old-school noise.

K. Michelle, "More Issues Than Vogue" (Atlantic). The winner of Best Title of the Week is the third album from a Memphis-raised R&B singer, rapper, instrumentalist and reality-TV star who's profane enough to hang with Yo Gotti and sweet enough to let Jason Derulo do his second-string Usher act on "Make the Bed."

Parker Millsap, "The Very Last Day" (Okrahoma/Thirty Tigers). On his sophomore full-length album, Oklahoma singer-songwriter Millsap heads for the traditionalist Americana with rockabilly and Appalachian intensity and a fiercely pretty voice.

Khun Narin's Electric Phin Band, "II" (Innovative Leisure). On its very simply titled second album, this rotating-membership band of Thai villagers take a bit more time than before to lay down more psychedelic-rock songs built atop local folk-music forms and instruments.

Plague Vendor, "Bloodsweat" (Epitaph). The California city of Whittier, where Richard Nixon spent much of his childhood, is currently less toxic because the Whittier quartet known as Plague Vendor has leached out many poisons via its second album of post-punk rock for desert-road speeds.

Rare Futures, "This Is Your Brain on Love" (Cerebral Music Group/InTheClouds). With former Taking Back Sunday player Matt Fazzi at the head of Rare Futures, the band's debut album has the post-rock breeziness of the Sea and Cake with muted emo-rock vocals.

Haroula Rose, "Here the Blue River" (Little Bliss/Thirty Tigers). A woman who's maybe spent more time as writer and producer for film and TV than as a folk-club singer-songwriter takes a more literary, slightly bolder approach on her second album.

Spiritual Beggars, "Sunrise to Sundown" (InsideOut Music). Twenty-two years after their first album, the Swedish stoners of Spiritual Beggars put out their ninth album of music that is still suitable for devotees of late Soundgarden and early Queens of the Stone Age.

White Denim, "Stiff" (Downtown). For its seventh album, Austin foursome calls upon an outside producer for the very first time, but that producer is the expert Ethan Johns and the results reframe White Denim's garage-rock encyclopedia in a shiny leather binding.

Released last May just after classes let out, the album slipped quietly into local record store bins and the band has performed sparsely since (including a gig at the 40 Watt Friday), but the album still is waiting to be discovered for the masterwork it truly is.

The band that defined the early-'90s punk-infused alternative rock coming out of Athens has mellowed over the years, and after the shake-ups and near break ups of recent years, this album is a triumph both for the band and its fans.

The songs may not hit with the same aggressive force the band was known for in its early days, but the crescendos and use of orchestration make this album better than anything the group has ever released musically. And the band still can rock, it's just balanced its sound.

The Glands , "The Glands." National Public Radio and Spin magazine among others have both jumped onto the Glands bandwagon for this highly talented Athens group. The album is highly laid back -- with a quiet pop sound and very sophisticated, layered tones. The vocals will remind people of The Beatles.

For its debut album, the group has blended a sound that reminds listeners of the Red Hot Chili Peppers, but putting on your best memory caps, you'll recognize the sound of early nineties Athens group Prozak in there, too.

Originally consisting of producers and DJ's Carlos "Charlie Babie" Rosario and Manfred "Manny" Mohr, the two later received help by friends Jonathan "JJ" Flores and Onofrio Lollino, who did some of their remixes. The artist name comes from the band members simply both having twenty fingers on their hands together.

A "Megamix" of their first three hits was also released as a single in France only, titled "Megamix Explosion". Since 1996, no single releases had been released under the 20 Fingers artist name and the group went on hiatus but continued producing music and pursuing solo careers. Babie remixed songs from Donna Lori, Soundmaster T and Natalie Hagan under the names "Charlie" and "Charlie Babie", while Mohr wrote songs for other artists. In 1996, 20 Fingers produced Gillette's second solo album Shake Your Money Maker and its three single releases "Do Fries Go with That Shake?", "Bounce" and "Shake Your Money Maker" in 1996 and 1997. The album and the three singles didn't chart well. In 1996, Mohr and Babie wrote and produced the single "Push, Push" for Katrina. ff782bc1db