Download [WORK] Album Exo Exist

Exist (stylized in all caps) is the seventh studio album by South Korean boy band Exo. It was released on July 10, 2023, by SM Entertainment. Exist is the group's first album to be promoted as a seven-member group, as member Kai is currently undergoing mandatory military service[1] The album features vocal performances from all eight Korean members, including Kai.[2]

Exist is Exo's seventh Korean studio album and eighth overall. The album features nine songs, including two pre-release singles; "Let Me In", released on June 12, 2023, and "Hear Me Out", released on June 30, 2023. The third single and title track, "Cream Soda", was released alongside the album.

Download Album Exo Exist

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On June 9, SM announced that Exo will release their seventh studio album on July 10.[4] On June 12, SM announced the album's title release date, along with a video featuring Exo's updated logo. It was also announced that they would be releasing the pre-release single, "Let Me In" on the same day.[5][6]

The album opens with the title track "Cream Soda", a dance-pop song with an exotic rhythm and upbeat brass, keyboard and drum instrumentation. It features sensual vocals, and lyrics that compare the soft yet thrilling moment of falling in love to cream soda.[8] The following track, "Regret It" is an energetic R&B song with a groovy 808 bass beat and colorful synths. Member Chanyeol participated in writing the lyrics, which express the intense emotions of a moment without regret.[9] The third track which is also the second pre-release single, "Hear Me Out", is an R&B song with an old school vibe. The lyrics express the honest feelings of someone who is hesitant before starting a relationship.[10] "Private Party" is an R&B dance song that combines powerful bass drums, dreamlike synth, vocal chops and whistling. The lyrics depict the tense attraction between two people at a private party.[11] "Cinderella" is a synthpop song featuring an explosive drop created by pluck synth riffs and drums. Its lyrics are inspired by the tale of Cinderella, who has to leave at 12 o'clock, but doesn't want to lose someone who she was meant to be with.[11] "No Makeup" is an R&B song with a trap beat, and lyrics stating the subject of the song's natural appearance is beautiful enough without any makeup.[12] "Love Fool" is an R&B pop song with retro synth production. The lyrics express ones determination to not give up on love, even in situations where they cannot easily reveal their inner feelings.[9] "Another Day" is an alternative pop song with a laid-back rhythm, 808 bass, and keyboard layering. The lyrics urge the listener to not get stuck in the past, and to greet every new day with excitement.[12] The album closes with the first pre-release single "Let Me In", an R&B ballad with a dreamy sound and vocals that express understated emotions, with lyrics that compare a lover to a blue ocean and a longing to be together endlessly even if they fall into the deep end.[13]

Like I did with the early show, since there's so much talking - about an hour - I've made two versions of this album, one with the talking and one without. I think the interview sections are quite good and worth listening to at least once. But the music only version has more repeat listening value.

The key figure behind this concert appears to be radio DJ Vin Scelsa. In the early 1990s, he hosted many concerts in New York City that brought together combinations of singer-songwriters. (I previously posted a concert he hosted with Rosanne Cash, David Byrne, and Lucinda Williams.) This concert appears to be part of a series he hosted called "In Their Own Words." For this one, I read that he first got Lou Reed to participate, then had Reed pick the other artists. Reed picked Talking Heads leader David Byrne and Rosanne Cash, one of Johnny Cash's daughters and at the time still mainly seen as a country music star. The surprise choice was Irish singer-songwriter Luka Bloom. At this point, Bloom was relatively unknown, having only released three solo albums. But Reed and Bloom had crossed paths due to performing at some of the same festivals in Europe the year before, and Reed liked Bloom's music.

The fourth released one, "Walk Away Renee," is from an official Crenshaw live album. Ironically, this one had more sound issues than most of the unreleased songs. While the song itself sounded fine, there was some annoying laughing and cheering over the music, including in the middle of the song. So I used UVR5 to wipe that out while keeping the music. Because I did a lot of that, I put "[Edit]" in the title. I also removed cheering from most of the other songs, but just at the end. There were a couple where it was too problematic to remove though. "When I'm Cleaning Windows" also has "[Edit]" in the title. If I remember correctly, that's because he stopped in the middle of song when he forgot how it went. I edited out that mistake.

In 1979, Squeeze had a lot of success with their second album, "Cool for Cats," especially in Britain. That had two songs that reached Number Two in the British charts: "Cool for Cats" and "Up the Junction." They continued their success in 1980 with the album "Argybargy." That had the hits "Another Nail from My Heart" and "Pulling Mussels (From the Shell)." "Pulling Mussels (From the Shell)" didn't actually do too well in the charts at the time, not quite reaching the Top Forty in Britain, but it became one of their best known songs anyway.

Looking it up at discogs.com, I see that it technically was officially released at one point, but it seems it was a limited release and quickly went out of print. The record company that released it literally only ever released this one album. This was billed as the "Concert for Dave Obey," so I looked him up. It turns out he was a Democratic Congressperson in Wisconsin from 1969 to 2011. He was considered one of the most progressive people in Congress, which would explain why the likes of Obsorne and Hart performed a benefit concert that presumably helped raise money for his reelection.

I don't know much about the "Columbia Records Radio Hour." From what little I've gathered, it was a weekly radio show based in New York City. It was run by the radio station WFUV, and was syndicated to about 100 other radio stations across the U.S. I think it only existed in 1993 and 1994 or thereabouts, and then got cancelled. I gather that it featured musical artists who were signed to Columbia Records, as Cash was at the time.

As for this show, I had a bootleg of it for many years. The sound is excellent. It was recorded in front of a small audience, so you get some applause, but the sound quality is more like a studio session than a concert. In 2023, five of the songs from this concert were released as bonus tracks on a 30th anniversary edition of Cash's 1993 album "The Wheel," but I didn't use those versions since the bootleg sounded great already.

This album contains Clapton's big hit "Tears in Heaven," which was emotionally fueled by the tragic death of one of his children at a very young age. The song was a Top Ten hit in many countries, including the U.S. and Britain. But many more people got it by buying the live version on the album "Unplugged," which ended up selling nearly 30 million copies!

However, the studio version appeared on a different album, the soundtrack to the movie "Rush." This is an odd album, because almost all of the songs are instrumentals written and performed by Clapton, plus "Tears in Heaven," plus the poppy sounding Clapton song "Help Me Up," and a long blues jam sung by Buddy Guy. I ultimately only included three songs from this album: "Tears in Heaven," "Help Me Up," and what I considered the best of the instrumentals, "Tracks and Lines." If you like that one, you should listen to the whole album.

That leaves the unreleased tracks. Tracks 5, 6, and 7 are all Bob Dylan songs that Clapton planned to perform for the 30th Anniversary Concert in 1992 that celebrated 30 years of Dylan's music career. However, instead of being the live versions released on the official album of that concert, these are rehearsal versions that lucky have excellent sound quality. Also, the duet with Dylan on the song "t Takes a Lot to Laugh, It Takes a Train to Cry" only happened in the rehearsal, not the actual concert.

Squeeze's first release was an EP in 1977, and then the full-length album "Squeeze" in 1978. This was a strange start for the band, because both the EP and the album were produced by John Cale, a former member of the band the Velvet Underground, and he pushed the band into a musical style they weren't comfortable with. That's often the case here, since many of the songs are from that first EP and first album.

Finally, the last two songs are from an appearance on the BBC TV show "The Old Grey Whistle Test" in 1979. Both of those songs came out on the band's second album, "Cool for Cats." There are more key songs from that album, but sadly it seems they didn't make any other BBC appearances in 1979.

This is another full BBC concert. Many BBC concerts were released on the box set "At the BBC." I've decided some of them are too similar to others for me to want to post them all here. Some of them also are shortened concerts, edited down to an hour or less. I'm trying to post the full-length concerts. The last one I did was from 1994. This one is just a year later. But in the meantime, he released his best selling solo album, "Stanley Road," so I think that's good reason for another concert here.

Noel Gallagher, the lead guitarist and primary songwriter for the British band Oasis, joined Weller for the final encore. Gallagher was extremely popular at this time, which was at the height of the "Britpop" movement. The second Oasis studio album "(What's the Story) Morning Glory?" wouldn't get released until October 1995. But Weller and Gallagher played a song off it, kind of, an instrumental called "The Swamp Song." I say "kind of" because it was broken into two unnamed snippets of less than a minute each for the album. The full version was released as a B-side to the big hit "Wonderwall." On the recorded version, Weller played harmonica while Gallagher wailed on lead guitar, so that's what they did in this concert version as well. e24fc04721