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The cover version by Nat King Cole spent five weeks at number one on the Billboard singles chart in 1950. Cole's version of the song was inducted into the Grammy Hall of Fame in 1992.[7] Cole recorded this song again in a stereo version (with Ralph Carmichael and his Orchestra) on March 30, 1961. Cole described this song as one of his favorites among his recordings.[8]

In the UK, the song made No. 2 on the sheet music sales chart, with British cover versions by Ronald Chesney (harmonica), Steve Conway and The Stargazers, Frederick Ferrari, Oscar Rabin and his Band (vocal by Dennis Hale), Joe Loss and his Orchestra, Max Bygraves and Ted Heath and his Music (vocal by Dickie Valentine). In 1959, the song's revival led to it once again entering the sheet music charts and peaking at No. 14. This time, contemporary British covers by Paul Rich and Victor Silvester and his Orchestra were released.[10]

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Various artists, including Jim Reeves, Elvis Presley (home recording, December 1958), Shakin' Stevens 1981, Me First and the Gimme Gimmes, the Neville Brothers 1981, and Nat King Cole's daughter Natalie Cole 1992, have released cover versions of this song. Bruddah Iz (Israel Kamakawiwo'ole) also covered the song on the album Alone in IZ World. Bing Crosby recorded the song for his album Songs I Wish I Had Sung the First Time Around in 1956. Harry Connick, Jr. included the song on his 2009 album, Your Songs.

A rockabilly version of "Mona Lisa" (b/w/ "Foolish One") was released by Carl Mann on Phillips International Records (#3539) in March 1959 and reached number 25 on the Billboard Hot 100. Conway Twitty recorded a version of "Mona Lisa" in February 1959, but planned to release it only as an album cut (on an EP and an LP, Conway Twitty Sings by MGM Records). Nevertheless, it peaked at number 5 in the UK Singles Chart in that year[4] and in the top 30 in the United States. Sam Phillips signed Carl Mann to record his version of the song after the Twitty version began getting radio play in early 1959.[12] This was the most successful single in Mann's career. The melody is slightly different, and the lyrics are also mostly the same as in the original version by Nat King Cole, though a few more phrases are added in that elaborate more on the girl he likes. Brian Setzer covered the Mann version in his 2005 Rockabilly Riot Vol. 1: A Tribute to Sun Records.

Andy Williams released a version on his 1964 album, The Academy Award-Winning "Call Me Irresponsible" and Other Hit Songs from the Movies. In 1994, Alexia Vassiliou covered the song in the live album from Sony BMG Horis Revma.

"Mona Lisa" is a song by American singer-songwriter Dominic Fike. It was released as a single through Columbia Records on June 2, 2023. Fike wrote the song with producers Kenny Beats, Beat Butcha, Stargate (Mikkel S. Eriksen and Tor Erik Hermansen), and Willy Will Yanez. The song was set to be a part of American record producer Metro Boomin's soundtrack album for the film Spider-Man: Across the Spider-Verse, and was originally included on its deluxe edition, which was released three days after the movie and the standard edition, but it was later removed.[1] After changes were made, the track is now included on some versions of Fike's second album, Sunburn.

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And on that morning, with the Louvre still closed, they slipped out of the closet and lifted 200 pounds of painting, frame and protective glass case off the wall. Stripped of its frame and case, the wooden canvas was covered with a blanket and hustled off to the Quai d'Orsay station, where the trio boarded a 7:47 a.m. express train out of the city.

2) A reproduction or recording of a work will often qualify for copyright itself. That is, a piece of music and a sound recording of that piece of music are two different types of work with two different copyrights. Therefore, the fact that a musical composition is in the public domain does not mean that a recording of that music is in the public domain as well. So if you want to use a Mozart composition in your video, you need to find a sound recording of that composition that is free to use.

Given the uncertain copyright status of these photographic reproductions, if you want to make use of a photograph of a famous work of art the best thing to do is to search for one that is free to use. A good source for this is Wikimedia Commons, a database of millions of freely usable media files, like images, sounds and videos. For example, the Mona Lisa is in the public domain because Leonardo da Vinci died more than 70 years ago, but you can also find photographs of the Mona Lisa that are free to use here.

Also, some very old unpublished works remain in copyright until 31 December 2039, even though their authors have been dead for hundreds of years. Imagine, for example, that you discovered an unpublished manuscript by William Shakespeare. As incredible as it seems, that unpublished manuscript would still be in copyright today. For further information on this odd situation, see: -the-duration-of-copyright-in-certain-unpublished-works

Adobe Animate offers several ways to use sound. Make sounds that play continuously, independent of the Timeline, or use the Timeline to synchronize animation to a sound track. Add sounds to buttons to make them more interactive, and make sounds fade in and out for a more polished sound track.

There are two types of sounds in Animate: event sounds and stream sounds. An event sound must download completely before it begins playing, and it continues playing until explicitly stopped. Stream sounds begin playing as soon as enough data for the first few frames has been downloaded; stream sounds are synchronized to the Timeline for playing on a website.

You can use shared libraries to link a sound to multiple documents. You can also use the ActionScript 2.0 onSoundComplete event or ActionScript 3.0 soundComplete event to trigger an event based on the completion of a sound.

You can load sounds and control sound playback using prewritten behaviors or media components; the latter also provide a controller for stop, pause, rewind, and so on. You can also use ActionScript 2.0 or 3.0 to load sounds dynamically.

You can add a sound to a document using the library, or you can load a sound into a SWF file during runtime, using the loadSound method of the Sound object. For more information, see Sound Class in the ActionScript 3.0 Reference.

You can place multiple sounds on one layer or on layerscontaining other objects. However, it is recommended that each soundbe placed on a separate layer. Each layer acts as a separate soundchannel. The sounds on all layers are combined when you play theSWF file.

Synchronizes the sound to theoccurrence of an event. An event sound plays when its starting keyframefirst appears and the plays in its entirety, independently of theplayhead in the Timeline, even if the SWF file stops playing. Eventsounds are mixed when you play your published SWF file.

Ifan event sound is playing and the sound is instantiated again (forexample, by the user clicking a button again, or the playhead passingthe starting keyframe of the sound), the first instance of the soundcontinues to play and another instance of the same sound beginsto play simultaneously. Keep this in mind when using longer sounds,as they can potentially overlap, causing unintended audio effects.

If you use an mp3 sound as a stream sound, you must recompress the sound for export. You can export the sound as an mp3 file, with the same compression settings that it had on import. Stream setting is not supported in WebGL documents.

For continuous play, enter a number large enough to playthe sound for an extended duration. For example, to loop a 15-secondsound for 15 minutes, enter 60. Looping stream sounds is not recommended.If a stream sound is set to loop, frames are added to the file andthe file size is increased by the number of times the sound is looped.

In Animate, you can define the starting point of a sound or control the volume of the sound as it plays. You can also change the point at which a sound starts and stops playing. This is useful for making sound files smaller by removing unused sections.

Tochange the sound envelope, drag the envelope handles to change levelsat different points in the sound. Envelope lines show the volumeof the sound as it plays. To create additional envelope handles(up to eight total), click the envelope lines. To remove an envelopehandle, drag it out of the window.

With a title like Glass Onion: A Knives Out Mystery, one can expect the movie to be filled with a lot of great songs. Named after a track on the Beatles' eponymous 1968 double album, a.k.a. "the White Album," Glass Onion is the second installment in Rian Johnson's Knives Out franchise, following the 2019 original. Like the first movie, Glass Onion features a score by Nathan Johnson along with a soundtrack consisting of classic rock tunes mixed with other perfectly fitting music choices.

"Hourly Dong" by Joseph Gordon-Levitt and Joseph Bonn - While not exactly a song, the "Hourly Dong" that occurs on Mile's island is credited among the other tunes on this list from the Glass Onion soundtrack. Regardless, it's a composition that is heard throughout the movie and has an interesting bit of trivia. The sound of the "dong" was voiced by actor Joseph Gordon-Levitt, who tends to have some sort of cameo or involvement in every one of his friend Rian Johnson's movies. 2351a5e196