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The company said more than 300 movies are currently available at m.mSpot.com including new releases such as "The Reader," "The Soloist" and "The Curious Case of Benjamin Button" and it expects to have thousands by year's end.

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MSpot said Mobile Movies, which is currently only available in the United States, works with four US carriers and with more than 30 different mobile phones including the Apple iPhone, the Blackberry and Android devices.

We offer reserved seating at our theatres so that you always get the seat you want. Purchase tickets at the box office, online or on our mobile app on Google Play or iOS App Store and choose the seat you want ahead of time!

"I want to be near my family, I want to ... make movies with people that I enjoy, and if I left the state, I wouldn't be able to do that as much," said D.J. Zachary, a camera operator who recently graduated from film school at Oklahoma City Community College.

Call of Duty and Saints Row talent director Keith Arem believes that short-form games, for console downloadable platforms, mobile and tablets, could help Hollywood succeed in video games after years of releasing disappointing movie tie-ins on consoles.

On this episode of The Forbes Interview, hear how John Amato, CEO of The Hollywood Reporter - Billboard Media Group, leveraged the advantages of the mobile age and the global hunger for American culture to start a new chapter for the two venerable media brands. Also hear how The Hollywood Reporter and Billboard cover music and film in the era of the #MeToo and #Time'sUp movements.

The original Mobile Suit Gundam created by Yoshiyuki Tomino took place in a fictional universe in which the Earth Federation united not only the world's continents, but space colonies and lunar settlements as well. One nation, the Principality of Zeon, declared independence from the Federation and launched an all-out war. Their superior military technology, in the form of giant humanoid mobile suits, allowed them to sway the fight in their favor, until the Federation responded with a creation of their own. Series protagonist Amuro Ray, a citizen who stumbles upon the Federation's mobile suit, the RX-78 Gundam, manages to pilot the MS and defend the Federation base and its inhabitants from the Zeon separatists.

Originally called Gunboy, Mobile Suit Gundam was actually not all that popular when it came out of the gates. It wasn't until the Japanese toy company Bandai picked up the rights to Gundam's mechas that the show really took off. Since its initial series, Gundam has grown into a major franchise that has spawned numerous series spin-offs, animated movies and video games, along with toys, models, comics, mangas and novels. Believe it or not, there actually was a live-action adaptation attempted back in 2000, with director Graeme Campbell's G-Saviour. The Canadian/Japanese production was reportedly not well-received by creator Tomino, who was not involved with the film. So when I say this property should be adapted, let me stress that it should be adapted well.

One of the coolest things about Gundam is that the series has always incorporated existing or theoretically possible science into its writing, including Lagrange points, O'Neill colonies and nuclear thermal rockets. It's also credited with being the first story to move from the "super robots" genre to the "real robots" genre, because it portrayed the mecha as military vehicles and weapons of war, rather than autonomous robotic beings or indestructible machines of limitless power. The mobile suits were piloted into battle, but they were also repaired in hangars, overhauled by mechanics and upgraded by their pilots. This aspect not only let viewers become more attached to the pilots and their mecha (especially when either/both were injured in combat), but it lent a sense of reality and possibility to the series. The fact that a 1:1 scale model of the RX-78 Gundam was actually built (as a non-functional statute, unfortunately) is a clear testament to the level of cultural significance that Gundam has achieved.

Although Gundam has seen its fair share of animated movies (with more on the way), few technical hurdles exist to keep the mobile suits from appearing in a live-action film. The Transformers franchise has been wildly successful at bringing larger-than-life fighting robots to the screen, but lacks the depth of plot or character development that many fans crave. Shawn Levy's Real Steel brought a bit more of a human element into the mix, featuring the original robot boxing creations controlled by their flesh-and-blood partners. Perhaps the most exciting development for mecha fans is Guillermo del Toro's Pacific Rim which will put pilots in control of massive battle suits called Jaegers in order to defend the world from the monstrous creatures known as Kaiju. But while Pacific Rim sounds like a fun film, I don't yet have a great sense of the characters who are piloting these behemoths.

The Gundam franchise seems to have a lot in common with Transformers, Voltron, Mighty Morphin' Power Rangers, Robotech, etc, but I've always found the political conflicts and personal character struggles to be a fascinating backdrop against which these mobile suit battles play out. Take Mobile Suit Gundam Wing for instance. Rather than focus on a heroic defender of the Federation in a lone Gundam against rogue separatists, Gundam Wing featured five pilots (all with great names: Heero Yuy, Duo Maxwell, Trowa Barton, Quatre Raberba Winner and Chang Wufei) who each had their own customized Gundam mobile suit and were unaware of each other initially. Their missions were to seek and destroy the legions of mobile suits under the command of the tyrannical Alliance and thereby free the colonies from oppression.

This conflict sets up an incredibly complex weaving of plots, backstories and character motivations, along with real-world political maneuvering, betrayals, shifting allegiances and aspects of guerilla/terrorist warfare seen from both sides of the equation. And since the series happens to focus on the young pilots, it also has "coming of age" elements at the core of each character, who matures with each and every decision he makes, both in and out of the cockpit of his mobile suit. Gundam explores the stark realities of war, oppression and tyranny in a very serious way. It just happens to do it with giant fighting robots as weapons of war, in the place of more conventional tanks, jet fighters or battleships.

A well-planned adaptation of Gundam for a live-action TV series or feature film would be a welcome addition in my book. A television series, much like Battlestar Galactica, would allow the characters room to breathe, grow and establish themselves while providing great episodic action with mobile suit battles and intrigue via political maneuverings. I'd also love to see Gundam as either stand-alone or companion films to the TV series, which would allow the budget for some spectacular battles and the exploration of the various colonies.

For those of you who are unfamiliar with the look and tone of the series, here's a fight clip from Mobile Suit Gundam Wing which shows the mobile suits, the way they fight and the philosophical debate that rages between the combatants:

I hope you had as much fun reading this article as I had writing it. I would love to read your thoughts on it in the comment section below, and feel free to also give your suggestions for good movies to cover in possible future articles.

When TV shows and movies need to use a phone number as part of the story, they typically use one that starts with 555. We spoke with an official historian at AT&T to find out why these three numbers were chosen.

It turns out that the answer has a lot to do with the way telephone numbers evolved over time. Following is a transcript of the video.

"Pick up your phone and call the professionals: Ghostbusters."

Narrator: Did you ever wonder why phone numbers in TV shows and movies always start with the numbers 555?

555-1125.

It's 555-3455.

555-2401.

Narrator: The short answer is that most 555 numbers are not working numbers, so real people won't be harassed if diehard fans try to call them. 555 was an exchange combination that was not used very often in the American telephone system.

You may get a wrong number, or no number at all.

Narrator: An FCC contractor called the NANPA, or North American Numbering Plan Administration, is tasked with assigning numbers for use. 555-1212 is still used for directory assistance and 555-4334 is reserved for assigned national use. But a set of 100 555 numbers have been officially designated for use in Hollywood, 555-0100 through 555-0199.

Cory Gillis, 555-0176.

Narrator: Back in the early '90s, 555 numbers outside that range could be reserved for information service providers, but this program was shut down by the NANPA in 2015. While those other numbers might one day be put back in circulation, the 100 reserved for TV and movies will not, so they will always be safe for use.

So, how specifically did 555 become the famous number that it is today?

Decades ago, phone numbers used to look a lot different. They consisted of a word and a five-digit numerical code. The word was a telephone exchange name, and the number was assigned to a specific phone in that area.

Sheldon Hochheiser: Up until 1919, all telephone calls were manual. You had to start by speaking to an operator.

This is WY 5-2240.

Narrator: References to this system can be seen in the names of movies, like "BUtterfield 8." And songs like the Glenn Miller Orchestra's "PEnnsylvania 6-5000," which calls hotel Pennsylvania in New York.

Hochheiser: These were based on names that could be easily understood verbally. e24fc04721

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