10 Things I Hate About You is a 1999 American teen romantic comedy film directed by Gil Junger and starring Julia Stiles, Heath Ledger, Joseph Gordon-Levitt, and Larisa Oleynik. The screenplay, by Karen McCullah Lutz and Kirsten Smith, is a modernization of William Shakespeare's comedy The Taming of the Shrew, retold in a late-1990s American high school setting. The film follows new student Cameron (Gordon-Levitt) who is smitten with Bianca (Oleynik) and, in order to get around her father's strict rules on dating, attempts to get bad boy Patrick (Ledger) to date Bianca's antisocial sister, Kat (Stiles). The film is named after a poem Kat writes about her romance with Patrick. Much of the filming took place in the Seattle metropolitan area, with many scenes shot at Stadium High School in Tacoma, Washington.

Bianca wishes to date affluent senior Joey Donner, but Walter, an obstetrician worried about teenage pregnancy, will not allow his daughters to date until they graduate. Frustrated by Bianca's insistence and Kat's rebelliousness, Walter declares that Bianca may date only when Kat does, knowing that Kat's antisocial attitude makes this unlikely.


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Kat Stratford: I hate the way you talk to me, and the way you cut your hair. I hate the way you drive my car. I hate it when you stare. I hate your big dumb combat boots, and the way you read my mind. I hate you so much it makes me sick; it even makes me rhyme.

I actually tried this with early versions of Golden Krone Hotel. You would encounter a high level foe in a narrow hallway at the start of every game. The only way to advance was by exploiting the main mechanic, killing vampires with sunlight. It did work as a teaching tool and it made people feel very clever. But it also forced experienced players to waste time whenever they started a new run and it sacrificed part of the procedural generation on the first floor. I removed this inline tutorial years ago and never thought much about it.

I would definitely agree that Magic is not the perfect example or the most learnable game. Card/board games with a finite and small set of cards are much easier. But actually the potentially infinite breadth of MTG combined with the ability to learn things on the fly is what makes it interesting to me.

In this modern retelling, new student Cameron sees Bianca and falls head over heels in love with her at first sight. What follows is a hilarious comedy of him trying to impress Bianca by becoming her French tutor but failing when he realizes she is not allowed to go out with boys and can only date if her older sister also dates other guys. He cooks up a believable story with his friend Michael (David Krumholtz) about how one of the other rich kids, Joey Donner (Andrew Keegan), should pay off bad boy Patrick Verona to date the older sister, Kat. By doing this, the younger sister, Bianca, will also be allowed to date Cameron.

She tells Cameron, "I'll be right with you," as she is finishing off with her erotic novella. As she gets done, she hands Cameron a paper with his schedule, questions him about whether he's an army brat, and before he can recover from his confusion, she simply tells him, "Scoot!" He says thank you and runs out.

In this scene, sisters Katarina 'Kat' Stratford (Julia Stiles) and Bianca Stratford (Larisa Oleynik) are spending time at home with their father, Walter Stratford (Larry Miller). He greets Kat by saying, "Hello Katarina. Make anyone cry today?" to which Kat jokingly replies, "Sadly, no. But it's only 4:30!" While they are chatting, Bianca comes up to greet their father. Kat asks Bianca about her whereabouts, but Bianca deflects the question.

Cameron tries to get information from Bianca about Kat so that Patrick has some gossip and knowledge to use. This is because Bianca and Kat's dad won't let Bianca date until Kat agrees. Patrick doesn't have anything in common with Kat, so Cameron tries to get information for him. Cameron asks Bianca, "So, have you heard anything about Bogey Lowenstein's party?" she says, "Yes, and I really, really, really want to go. But you know I can't. Not unless my sister does."

And yet ... gee, the movie is charming, despite its exhausted wheeze of an ancient recycled plot idea (boy takes bribe to ask girl to prom, then discovers that he really likes her--but then she finds out about the bribe and hates him). I haven't seen that idea in almost two months, since "She's All That'' (boy makes bet he can turn plain wallflower into prom queen, and does, but falls in love with her, after which she discovers, etc., etc.).

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I hate the way this film romanticizes the hard to get girl trope, and the way women shown are supposed to be more irresistible for the eyes of men in this manner (especially when the director is a cis guy)

Twenty years later, my life revolves around literature. I write about books for a living; I have a novel coming out next year. I think of myself as a writer, but primarily as a reader. Would this have happened without 10 Things I Hate About You, or without that one scene where Kat reads The Bell Jar? Maybe. Maybe even probably. But as a turning point in my self-conception, I could have done worse.

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Alex Gentile is a Senior Writer and Editor at Screen Rant. Having earned a BA in Comparative Literature & Film Studies, he has always had a passion for writing about film with a close analytic voice. However, his academic background hasn't stopped his writing from growing to a larger spectrum, from pretentious art-house epics to addictive reality TV schlock. He has written independently and for publications, after having fine-tuned his short-form writing by creating descriptions for releases from his independent record label for more than a decade. Alex is drawn to content focused on thrills, whether it be suspense films with substance or pulp TV series with all the drama.

Sometimes uneven bar sizes are necessary, or manually spaced bar lines. Other programs allow you to simply move the bar line and things are spaced as necessary. I was unable to figure out how to reliably

Communicating with Apple about issues with Logic is basically not possible unless you are a tester. You simply submit your issue in to a black box and wait. Rarely you may get a response, but that almost never happens.

In my view, constitutional theory is unavoidably normative, and no interpretive approach can be justified completely independent of its outcomes. For reasons I outlined here and here, I am skeptical of nonconsequentialist justifications for originalism and my qualified support for the theory is based on instrumental considerations. I also think there is no way to justify living constitutionalism without at least some consideration of consequences. At the same time, I do not believe that judges should simply try to reach the best policy outcome in any given case, or that even the best possible methodology can come close to achieving that result indirectly. And my support for originalism is combined with severe reservations about the effects of following that approach with respect to some parts of the Constitution.

Solum also points out that the impression of congruence between legal theorists' views of the Constitution and their political views is artificially heightened by the fact that most scholars spend far more time writing about areas where they think there is such congruence than areas where they believe the two are at odds. That is true of much of my work, as well. Given limited time and energy, it makes sense to devote more of it to issues where stronger enforcement of the Constitution will make the world a better place than those where it is likely to make things worse. That said, however, here's a list of several areas where I think the Constitution gets important issues badly wrong. By that I mean that we get bad outcomes if we follow what I think is the correct interpretation of the document. I have a much longer list of cases where bad outcomes occur because the courts (and other branches of government) have deviated from the correct interpretation in some way.

But my biggest reservation about the jury system arises from the fact that jury service is mandatory, and thereby has become a system of forced labor. I am less convinced than I used to be that the Constitution requires jury service to be mandatory, as opposed to merely permitting it to be so. But even in the latter scenario, the fact that a large-scale system of forced labor is even permitted, still qualifies as a serious injustice. The benefits of jury service, such as they are, can be realized even in a voluntary system.

Breaking up big states such as California and Texas could help facilitate beneficial competition and open up new opportunities for people to "vote with their feet." Currently, states can only be divided with the consent of both the state government (which has an obvious incentive to avoid diminution of its own power) and Congress. I am not sure about what the optimal approach is, since it would be a mistake to give the federal government unconstrained power to break up states at will. But dividing up states should be easier than it is now. ff782bc1db

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