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The double variation (also known as alternating variations) is a musical form used in classical music. It is a type of theme and variations that employs two themes. In a double variation set, a first theme (to be called A here) is followed by a second theme (B), followed by a variation on A, then a variation on B, and so on with alternating A and B variations. Often there is a coda at the end.

The double variation first appears in Haydn's work of the 1770s. Haydn may have been inspired by an earlier example of Carl Philipp Emanuel Bach, the sixth of that composer's Sonatas with Varied Reprises, (W. 50/6, H. 140), in C minor (1760). Elaine Sisman, an authority on variations, notes "This set of sonatas was advertised in Vienna several times in the period in which Haydn wrote his first [double] variations."[1]

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According to Sisman,[1] Haydn wrote 21 double variation movements. Sisman's list is restated below in chronological order. Where different authorities provide different dates, both are given; NG = the New Grove (used by Sisman), MH = Maurice Hinson's edition of the piano sonatas.[3] For the keys of the A and B sections, lower case designates minor; upper case major. The structural synopses are taken from Sisman with minor corrections; in Sisman's notation an asterisk means "altered".

Although the double variation is associated strongly with Haydn, Elaine Sisman has pointed out that, provided we adopt a somewhat looser definition of the form, Ludwig van Beethoven also emerges as a major composer of double variations.[1] With the partial exception of the Piano Trio in E flat major, Op. 70 No. 2, which Sisman sees as an homage to Haydn, Beethoven's double variations have a rather different character. For instance, sometimes only the A theme is strongly varied, with B remaining relatively constant. Beethoven also likes to interrupt or truncate one or both themes, producing a less regular structure than Haydn's, seen in the often-complex structural formulae given below.

Thus flexibly construed, the double variation emerges as the musical form for some of the most famous of Beethoven's works. Here is a list of movements for which Sisman argues that a double-variation structure is present.

Occasionally, authors on music use the term "double variation" with a different meaning. This definition presupposes that the theme consists of two parts, each one repeated (that is, AABB). In a double variations of this kind, each repeat gets its own variation, as shown below:

An example of this usage is found in Cedric T. Davie's discussion [7] of the last movement of Beethoven's Piano Sonata Opus 109, in which some but not all of the variations are double in the intended sense. The full formula for this movement (adapting Davie's verbal description) is:

The two kinds of "double variation" are not mutually exclusive. In Haydn's Piano Trio H:13, the first movement is a double variations in the first sense given in this article (that is, it takes the form ABA1B1A2B2), and the last variation of the B theme (B2) is a double variation in the second sense, with different treatment of the repeats in each half of the theme. There appears to be no standard nomenclature for keeping the two senses distinct.

In the Baroque dance suite, a dance movement was sometimes immediately followed by a single variation, which was called the "double".[8] A widely known example is the first partita from Johann Sebastian Bach's sonatas and partitas for solo violin where each of the four dance movements is followed by a double that elaborates on the bass-line of the previous piece.

What Chrollo did is creating a brand new nen ability: "Double face: bookmark theme". the effect from this nen ability is to use a stolen ability from skill hunter where the bookmark is placed. It's a separate ability to use a stolen ability which has its own conditions and restrictions.

When Chrollo uses a stolen ability while not holding his book, he's not sing skill hunter's effect to use stolen abiltiies but double's face own effect. When Chrollo holds his book and place the bookmark in his book, then he can use skill hunter's effect to use stolen abiltiies and double's face effect to use stolen abiltiies.

If Chrollo could change skill hunter's restriction and conditions then he wouldn't have made double face in the first place, he would just let skill hunter be usable without holding the book as he initially wanted. and he wouldn't say he's using 4 nen abiltiies simultaneously if skill hunter and double face were the same nen ability. Bieng able to use 2 stolen abiltiies simultaneously is the result from having two abiltiies to sue stolen abilities.

Nothing about Chrollo's skill hunter has changed: he still keep the original 4 conditions to steal an ability and still has to hold his book to use a stolen ability with skill hunter. On top of skill hunter's conditions he has to deal with double face's conditions, which are not known yet. So he has more conditions to deal with than just with skill hunter.

Chrollo has now 2 nen abilities: "skill hunter: bandit's secret" and "double face: bookmark theme", like how Hisoka has two nen abilities "bungee gum: elastic love" and "texture surprise: flimsy lies"

Please can you help. I am currently designing our website www.simpledive.com.au and would like to add a hover to show the second level of dropdown. However, in the debut theme when I drag a link to become a nested dropdown at navigation setup. It will result in picture (1) where it is completely different from what I would like it to appear.

What I want = Hover on first layer so it will trigger the second layer dropdown.

Setting fonts in theme style do not work after publishing. After investigating in the dev tools it is clear that the builder sets double quotes on the font family and it does not get recognized by the browser. see screenshot below:

image19201474 150 KB

A double opt-in strategy, in the short term, yields fewer subscribers to send emails to. This could make it feel as if email marketing initiatives are floundering. The pain is especially felt by those new to email marketing with smaller lists or who want to maximize their content marketing funnel.

Using double opt-in to vet your subscribers can protect your email marketing efforts from spam complaints (users marking your email as spam). Too many of those can have a negative impact on your email deliverability and reputation. Regardless, it is important to manage your list and get rid of those unengaged visitors when possible. This kind of housekeeping is key to building a quality list.

Offering or incentivizing contacts to double opt-in is a very popular email marketing tactic. The two most popular ways everyone has seen it done is 1) by offering a discount/coupon or 2) by offering a lead magnet/something of value upon successful subscription.

Anyway, this was bought during one of those binges I mentioned. I walk the aisles and put anything interesting into my cart, and this made the cut. I wasn't especially excited to try it, and I definitely didn't meant to commit to the family sized box, but at the very least, it's pink and Valentine's Day-looking. Another happy on-theme accident!

To mark the 20th anniversary, Be With Records finally present the album on the format it was so clearly inspired by yet seemingly destined never to appear on. The inaugural vinyl edition of this landmark record boldly arrives as a DJ friendly double LP, fully remastered and pressed loud and heavy at 180g. Elegantly housed in a sleek, sumptuous gatefold jacket, adorned with an appropriately pimped-out purple foil layer, it features printed lyrics across two double-sided inner sleeves.

The entertainment giant said it has over 1,000 acres of land it could develop and cited the growth it has seen over past years from investing in theme park rides, cruise ships, and other attractions tied to its blockbuster movies and characters.

The similarities between the two figures might be physical, or psychological, or both. In some cases the first person is very conscious of being shadowed or threatened by the existence of the second person or double figure. In other cases the two figures are merely presented simultaneously, and the observer (the reader) is left to draw the inference that they are being offered as twin examples of the same or very similar characteristics.

We can see from these examples that the double was largely a phenomenon of the nineteenth century. But since it now seems to reveal something fundamental about human consciousness, it is also possible to see examples in earlier works. For instance, it is possible in a renaissance work such as Othello to see the two main characters of Othello and Iago as opposite sides of the same character

The Victorian age had on the English people not only an economical dichotomy, but also a social between the upper classes and the poorer classes. Also known as the Victorian Compromise, the English society was split into two but with an attempt of hiding all the biggest social problems such as unemployment, prostitution, juvenile exploitation, unbearable hygienic conditions. The morality supported by Queen Victoria herself, a Puritan faith-following woman, celebrated the triumph of the family model, where woman were considered "angels of home" and sez a taboo. This situation gave birth in the upper society to a code of respectability but it accentuated hypocrisy. This dualism between respectability, the clearer side, the facade of a gentleman, and hypocrisy, the darkest and most mysterious side was reflected on the literally production of the Victorian Age. Mystery novels and Crime novels were the most popular types of novel at the time. Oscar Wilde's novel "The portrait of Dorian Gray" and Stevenson's "The strange case of Dr.Jekyll and Mr.Hyde" are the best examples of this content. In both novels there is an attempt to separate clearly good from evil side of the same man. For example, Dorian Gray transfers all of his physical decadence of aging into the portrait and Dr.Jekyll drinks a serum. Following both stories the evil part takes control over the good part bringing the character into a destructive and draining way to death.

The symbolical representations of those sides of man are the reflection of them in society but inside this explanation there is the answer: there is none. The man or the Victorian society has to accept this union between good and evil with a compromise, known as the Victorian Compromise. All the attempts in novels to separate these themes lead the characters to death, and in society this is absolutely impossible. 006ab0faaa