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A door is a hinged or otherwise movable barrier that allows ingress (entry) into and egress (exit) from an enclosure. The created opening in the wall is a doorway or portal. A door's essential and primary purpose is to provide security by controlling access to the doorway (portal). Conventionally, it is a panel that fits into the doorway of a building, room, or vehicle. Doors are generally made of a material suited to the door's task. They are commonly attached by hinges, but can move by other means, such as slides or counterbalancing.

The door may be able to move in various ways (at angles away from the doorway/portal, by sliding on a plane parallel to the frame, by folding in angles on a parallel plane, or by spinning along an axis at the center of the frame) to allow or prevent ingress or egress. In most cases, a door's interior matches its exterior side. But in other cases (e.g., a vehicle door) the two sides are radically different.

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Many doors incorporate locking mechanisms to ensure that only some people can open them (such as with a key). Doors may have devices such as knockers or doorbells by which people outside announce their presence. (In some countries, such as Brazil, it is customary to clap from the sidewalk to announce one's presence.) Apart from providing access into and out of a space, doors may have the secondary functions of ensuring privacy by preventing unwanted attention from outsiders, of separating areas with different functions, of allowing light to pass into and out of a space, of controlling ventilation or air drafts so that interiors may be more effectively heated or cooled, of dampening noise, and of blocking the spread of fire.

Doors can have aesthetic, symbolic, ritualistic purposes. Receiving the key to a door can signify a change in status from outsider to insider.[1] Doors and doorways frequently appear in literature and the arts with metaphorical or allegorical import as a portent of change.

Ancient doors were hung by pintles at the top and bottom of the hanging stile, which worked in sockets in the lintel and sill, the latter in some hard stone such as basalt or granite. Those Hilprecht found at Nippur, dating from 2000 BC, were in dolerite. The tenons of the gates at Balawat were sheathed with bronze (now in the British Museum). These doors or gates were hung in two leaves, each about 2.54 m (100 in) wide and 8.2 m (27 ft) high; they were encased with bronze bands or strips, 25.4 cm (10.0 in) high, covered with repouss decoration of figures. The wood doors would seem to have been about 7.62 cm (3.00 in) thick, but the hanging stile was over 360 millimetres (14 in) diameter. Other sheathings of various sizes in bronze show this was a universal method adopted to protect the wood pivots. In the Hauran in Syria where timber is scarce, the doors were made of stone, and one measuring 1.63 by 0.79 m (64 by 31 in) is in the British Museum; the band on the meeting stile shows that it was one of the leaves of a double door. At Kuffeir near Bostra in Syria, Burckhardt found stone doors, 2.74 to 3.048 m (8.99 to 10.00 ft) high, being the entrance doors of the town. In Etruria many stone doors are referred to by Dennis.

Ancient Greek and Roman doors were either single doors, double doors, triple doors, sliding doors or folding doors, in the last case the leaves were hinged and folded back. In the tomb of Theron at Agrigentum there is a single four-panel door carved in stone. In the Blundell collection is a bas-relief of a temple with double doors, each leaf with five panels. Among existing examples, the bronze doors in the church of SS. Cosmas and Damiano, in Rome, are important examples of Roman metal work of the best period; they are in two leaves, each with two panels, and are framed in bronze. Those of the Pantheon are similar in design, with narrow horizontal panels in addition, at the top, bottom and middle. Two other bronze doors of the Roman period are in the Lateran Basilica.

Copper and its alloys were integral in medieval architecture. The doors of the church of the Nativity at Bethlehem (6th century) are covered with plates of bronze, cut out in patterns. Those of Hagia Sophia at Constantinople, of the eighth and ninth century, are wrought in bronze, and the west doors of the cathedral of Aix-la-Chapelle (9th century), of similar manufacture, were probably brought from Constantinople, as also some of those in St. Marks, Venice. The bronze doors on the Aachen Cathedral in Germany date back to about 800 AD. Bronze baptistery doors at the Cathedral of Florence were completed in 1423 by Ghiberti.[7] (For more information, see: Copper in architecture).

Doors of the mosques in Cairo were of two kinds: those externally cased with sheets of bronze or iron, cut in decorative patterns, and incised or inlaid, with bosses in relief; and those of wood-framed with interlaced square and diamond designs. The latter design is Coptic in origin. The doors of the palace at Palermo, which were made by Saracenic workmen for the Normans, are fine examples in good preservation. A somewhat similar decorative class of door is found in Verona, where the edges of the stiles and rails are beveled and notched.

In the Renaissance period, Italian doors are quite simple, their architects trusting more to the doorways for effect; but in France and Germany the contrary is the case, the doors being elaborately carved, especially in the Louis XIV and Louis XV periods, and sometimes with architectural features such as columns and entablatures with pediment and niches, the doorway being in plain masonry. While in Italy the tendency was to give scale by increasing the number of panels, in France the contrary seems to have been the rule; and one of the great doors at Fontainebleau, which is in two leaves, is entirely carried out as if consisting of one great panel only.

The earliest Renaissance doors in France are those of the cathedral of St. Sauveur at Aix (1503). In the lower panels there are figures 3 ft (0.91 m). high in Gothic niches, and in the upper panels a double range of niches with figures about 2 ft (0.61 m). high with canopies over them, all carved in cedar. The south door of Beauvais Cathedral is in some respects the finest in France; the upper panels are carved in high relief with figure subjects and canopies over them. The doors of the church at Gisors (1575) are carved with figures in niches subdivided by classic pilasters superimposed. In St. Maclou at Rouen are three magnificently carved doors; those by Jean Goujon have figures in niches on each side, and others in a group of great beauty in the center. The other doors, probably about forty to fifty years later, are enriched with bas-reliefs, landscapes, figures and elaborate interlaced borders.

NASA's Vehicle Assembly Building at the Kennedy Space Center contains the four largest doors. The Vehicle Assembly Building was originally built for the assembly of the Apollo missions' Saturn vehicles and was then used to support Space Shuttle operations. Each of the four doors are 139 meters (456 feet) high.[8]

The oldest door in England can be found in Westminster Abbey and dates from 1050.[9] In England in the 17th century the door panels were raised with bolection or projecting moldings, sometimes richly carved, around them; in the 18th century the moldings worked on the stiles and rails were carved with the egg-and-dart ornament.

There are many kinds of doors, with different purposes. The most common type is the single-leaf door, which consists of a single rigid panel that fills the doorway. There are many variations on this basic design, such as the double-leaf door or double door and French windows, which have two adjacent independent panels hinged on each side of the doorway.

Most doors are hinged along one side to allow the door to pivot away from the doorway in one direction, but not the other. The axis of rotation is usually vertical. In some cases, such as hinged garage doors, the axis may be horizontal, above the door opening.

Doors can be hinged so that the axis of rotation is not in the plane of the door to reduce the space required on the side to which the door opens. This requires a mechanism so that the axis of rotation is on the side other than that in which the door opens. This is sometimes the case in trains or airplanes, such as for the door to the toilet, which opens inward.

French doors are derived from the French design called the casement door. It is a door with lites where all or some panels would be in a casement door. A French door traditionally has a moulded panel at the bottom of the door. It is called a French window when used in a pair as double-leaved doors with large glass panels in each door leaf, and in which the doors may swing out (typically) as well as in.

A double-acting door, patented in 1880 by the Dutch-American engineer Lorenz Bommer, swings both ways. They are often used in areas where many people are likely to pass through, such as restaurant kitchens.[16][17]

A Dutch door or stable door consists of two halves. The top half operates independently from the bottom half. A variant exists in which opening the top part separately is possible, but because the lower part has a lip on the inside, closing the top part, while leaving the lower part open, is not.

A garden door resembles a French window (with lites), but is more secure because only one door is operable. The hinge of the operating door is next to the adjacent fixed door and the latch is located at the wall opening jamb rather than between the two doors or with the use of an espagnolette bolt.

A bypass door is a door unit that has two or more sections. The doors can slide in either direction along one axis on parallel overhead tracks, sliding past each other. They are most commonly used in closets to provide access one side of the closet at a time. Doors in a bypass unit overlap slightly when viewed from the front so they do not have a visible gap when closed. e24fc04721