Awards, Lists, and Honors
Bank Street's Best Children's Books of the Year, 2017 Edition
Children's Literature Assembly: 2017 Notable Children's Books in the Language Arts
YALSA Best Fiction for Young Adults 2017
Junior Library Guild Pick, Spring 2016
Starred Reviews in Booklist, School Library Journal, and Publisher's Weekly
2012 Winner of PEN's Phyllis Naylor Working Writer Fellowship
G.P. Putnam's Sons Books for Young Readers, March 2016
Hardcover
ISBN: 9780399165030
Paperback
Published by Puffin Books
Mar 07, 2017
ISBN 9780147509154
A moving, bittersweet tale reminiscent of Sharon Creech’s Walk Two Moons set in a West Virginia coal-mining town
When her brother dies in a fire, Sasha Harless has no one left, and nowhere to turn. After her father died in the mines and her mother ran off, he was her last caretaker. They’d always dreamed of leaving Caboose, West Virginia together someday, but instead she’s in foster care, feeling more stuck and broken than ever.
But then Sasha discovers family she didn’t know she had, and she finally has something to hold onto, especially sweet little Mikey, who’s just as broken as she is. Sasha even makes her first friend at school, and is slowly learning to cope with her brother’s death through writing poetry, finding a new way to express herself when spoken words just won’t do. But when tragedy strikes the mine her cousin works in, Sasha fears the worst and takes Mikey and runs, with no plans to return. In this sensitive and poignant portrayal, Sarah Dooley shows us that life, like poetry, doesn’t always take the form you intend.
Praise for Free Verse:
“Dooley subtly exposes readers to poetic forms that invite engagement, understanding, and expression, while Sasha and her extended family are depicted with a sweetness reminiscent of Cynthia Rylant—a southern soulfulness that is warm even as it reveals the downtrodden struggles of a mining community.”—Booklist, starred review
“The changes in [Sasha’s] life, the anguish she feels, and her journey forward are expertly portrayed through Dooley’s use of first-person narration, which is sensitive and gentle without being soft or sentimental. The poetry is wonderful and feels authentic to Sasha’s years…”—School Library Journal, starred review
“In this gripping story, Dooley balances a clear-eyed depiction of families wrestling with addiction, financial stress, and trauma with the astonishing resilience of children and the human capacity for love.”—Publishers Weekly, starred review
“The story mounts a quiet defense of the nobility of broken people… who hold on when all seems lost and sacrifice much out of love for their children. Sasha’s quietly moving poems… trace the evolution of her appreciation for what she has and her understanding that one must find one’s own way to wholeness after loss.”—The Bulletin of the Center for Children’s Books
“Dooley cleverly weaves into her novel different verse forms… giving her protagonist poet… the courage to stay put long enough to let the strength of her emotions settle inside. Dooley winningly combines engaging plot twists and rich character development with the introspective and thematic power of poetry: not to be missed.”—Kirkus Reviews
“Dooley shows readers the richness of small-town life… Tween fans of realistic fiction will find depth in this novel.”—VOYA
“Sasha lives in a tough coal mining world, and the hurts of her losses are deep. But her ability to see the beautiful and the lovely and the goodness of the world around her is equally deep, and her skill in expressing that depth is one of the things that will save her. This novel is a triumph of art over loss, a story that will make you believe in the capacities of poetry.”—Gary Schmidt, author of Newbery Honor-winning The Wednesday Wars
“Free Verse is exactly the sort of thing that we wish we saw more of in young people’s literature, and Sarah Dooley is exactly the sort of author who needs and deserves this fellowship. It is a startling book, surprising at every turn, and its exploration of poverty, trauma, and loss deserves to be read by as wide an audience as possible.”—Daniel Handler, Lyn Miller-Lachmann, Neal Shusterman, and Susanna Reich, judges for the 2012 PEN/Phyllis Naylor fellowship