FAZBEAR is no ordinary dubstep EP. It's an aural tapestry of years of eerily intense lore fandom, childhood memories, and love of the Five Nights at Freddy's franchise and underground bass music. As a raucous fusion of the spooky ambiance of a cult horror show and the raw unadorned strength of tearout and deathstep, this release leaves its imprint as an independent standhair strand — bound to resonate powerfully within both the FNAF fandom and the dubstep culture.
While numerous homages to this vast body of lore already exist, FAZBEAR is unique in conveying the emotional depth and disturbing atmosphere through the intense and dynamic prism of modern dubstep styles, borrowing inspiration from scene trailblazers such as Marauda, Nimda, Evilwave, and Too Vain.
First planned to be released with the FNAF 4 decaversary in July, Diamondstep opted to drop FAZBEAR earlier — on June 26, 2025 — to spark a new energy before the impending tidal wave of community content, carving a memory of its own and celebrating the ever-changing fan experience.
Diamondstep's history with Five Nights at Freddy's began as a kid — a connection of fear and curiosity that fermented alongside the gradual burn of musical interest. Although there was no direct music ambitions in fourth grade, the seeds of fandom took firm root. As of 2019, musical passion had been lit, resulting in early remixes of The Living Tombstone - "Die in a Fire" (2022) and SharaX - "Blackout" (2023). The road was not smooth, however — marking FNAF bootlegs from 2019–20 in 2025, was a period of intense self-criticism and artistic growth.
FAZBEAR is the cathartic release of this massive, stretched pressure — a corkscrewing bottle of childhood soda nostalgia, lore deep-dives, and relentless innovation. The EP is years of fandom and artistic development condensed finally into sound.
NIGHTSHIFT — The EP opener, setting the tone with ominous tension and subdued menace, the fearsome silence of the night shift itself.
WITHERED (feat. Marie Ork & NATA) — This song features otherworldly vocals by Marie Ork and NATA of Plogue Alter Ego, melding haunting vocal timbres and violent bass — a test of the underrated voicebanks to shine through.
SPRINGLOCKED — Blending mechanical sound design and dubstep menace, this song evokes the chilling springlock malfunction and the claustrophobic terror of lore's darkest corners.
BETWEEN TEETH — Raucous and foggy, borrowing from the dark rot of Marauda's DECADENCE and RETRIBUTION, with a minimalist but heavy soundscapes.
CONTROLLED SHOCK (LIQUIDATION) — Dropped on October 20, 2023 — a week prior to the 2023 FNAF movie release — this track was excavated from the vault of the label to become a welcomed member of FAZBEAR, symbolizing the deadly equipment and relentless revenge themes.
CONNECTION TERMINATED — Marking a groundbreaking shift for Mynshaft Records, this is the label’s first-ever track that steps outside the deathstep and tearout genres. With its brostep energy and emotionally charged narrative, it boldly rewrites the label’s musical boundaries — a justified “crime” that challenges convention.
Additional Notes & Legacy
BONNIE'S LULLABY (with Marie Ork) — Released on August 8, 2024, as part of the FNAF decaversary, this track didn't quite get into the EP but is still a good friend piece with the potential to appear in upcoming blueprints and releases.
DNAXMSP004 identifies FAZBEAR as the fourth Mynshaft Records × Diamond Nation (Audio) release, following DIAMONDROT (DNAXMSP001). The reset catalog number acknowledges Diamond Nation's expansion of identity from DNM (Music) to DNA (Audio) and a new chapter.
The EP's release is a fresh era for Mynshaft Records, established from the self-aware deathstep anthem I Ruined Tearout (2023). FAZBEAR expands the sonic palette of the label, presenting new textures and narratives to a entrenched scene.
Looking back on the Journey
As Diamondstep so aptly stated recently in a frank two-year-old utterance — now older and wiser — this journey from early fandom, through self-expression and discovery in music, is brought to completion in this work. A look back, a call to the moment, and a beacon to the future.
"I'm happy Five Nights at Freddy's was a part of my childhood. I'm happy the movie is out, and most importantly… I am happy, I am really happy. From experiencing the masterpiece games to now creating my very first Five Nights at Freddy's dubstep song original… I'm glad I got to live through this day." — Diamondstep (2023)
Closing
FAZBEAR is not just an EP — it's a memory, a feeling, and an innovation cleansing. It sits at the crossroads of two passionate genres, poised to create its own unsettling, stimulating space. Have a good night. The evolution has begun.