We start with a relatively affordable speaker, the DM110 (110 when we reviewed them in June 1984, so around 300 in today's money). These speakers sported a black chipboard cabinet with a silver baffle, a 32mm soft dome tweeter and a 50mm paper mid/bass driver. We described it as, "a mass produced speaker made in very large quantities for export", which sounded then, strangely, like a criticism, but with B&W now shifting large numbers of speakers all over the world, it was something of a trailblazer. Certainly, "powerful yet easy going" with a "striking, stylish finish", successfully set the tone for test verdicts that would apply to B&W speakers for many years to come.
These 7000 B&W speakers found themselves in our July 1998 Temptation section. And very tempting they were, too. That isolated tweeter is back alongside a hefty Kevlar midrange driver and an aluminium bass cone. The Signature series were limited edition speakers, with pure silver wiring as their pice de rsistance. Driver leads, internal wires, voice coils and crossover wiring were all silver, which B&W engineers had decided were the optimum conductors for top-end speaker drivers. We didn't argue, heralding the Signature 30 speakers as "the ultimate in silver-spun sound with style".
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"If the price isn't an issue - nothing", was the sum total of our Nautilus 801 review of January 1999. "Simply awesome." These 801s borrowed technology from the company's flagship Nautilus speakers, which quickly planted themselves at number one on many people's ultimate speaker wish list. You needed to part with 8500 rather than 35,000 for this version, which borrowed the tapered tube enclosure for the midrange and treble drivers that aimed to minimise the diffraction caused by the cabinet. The Kevlar driver (a monster 38cm unit) and Matrix bracing is here, too, as B&W began to focus its technological attentions. The result here is accuracy and pure transparency in great big spades.
The basic ingredients are unchanged here, with the Kevlar-coned mid/bass driver, alloy-dome tweeter and tapered internal tube. Various tweaks and upgrades around the driver and cabinet helped lift these B&Ws to new heights and beat-off opposition at its 249 (March 2003) price tag: "Stunning speakers with a formidable array of strengths."
First reviewed back in November 2004, the B&W PV1 active subwoofer won seven What Hi-Fi? Awards in a row. Need we go on? OK, well firstly, check out how cool it looks. Secondly, understand the smart spherical design is for performance reasons, promising to deliver "the Holy Grail of subwoofer design: deep and clean bass from a near-invisible box". The PV1 uses two 20cm drivers in an opposed, in-phase array powered by a 500-watt Class-D amplifier. The results are sensational: almost zero resonance but stunning speed and power, and a remarkable sub that rocked our world - and our test rooms - for the best part of a decade.
Another addition to the B&W Diamond range, the 805 D3s brought with them some not insignificant changes to B&W's already highly-successful high-end range. The diamond-dome tweeter was completely overhauled, while more jaw-droppingly for B&W nuts, the Kevlar mid/bass driver was replaced by a new Continuum cone. e24fc04721
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