The first stanza presents the singer as taking some relative solace in the peacefulness he associates with "darkness" which is submerged "within" the ambiguous sound of silence.[30] The second stanza has the effect of breaking into the silence with "the flash of a neon light" which leaves the singer "touched" by the enduring ambiguity of the sound of silence. In the third stanza, a "naked light" emerges as a vision of 10,000 people all caught within their own solitude and alienation without any one of them daring to "disturb" the recurring sound of silence.
In the fourth stanza, the singer proclaims in a declarative voice that "silence like a cancer grows," though his words "like silent raindrops fell" without ever being heard against the by now cancerous sound of silence. The fifth stanza appears to culminate with the urgency raised by the declarative voice in the fourth stanza through the apparent triumph of a false "neon god". The false neon god is only challenged when a "sign flashed out its warning" that only the words of the indigent written on "subway walls and tenement halls" could still "whisper" their truth against the recurring and ambiguous form of "the sound of silence".[6] The song has no lyrical bridge or change of key, and was written without any lyrical intro or outro to start or end the song.
50 years after its original release, a cover version of "The Sound of Silence" was released by American heavy metal band Disturbed on December 7, 2015.[64][65] A music video was also released.[66] Their cover hit number one on the Billboard Hard Rock Digital Songs[67] and Mainstream Rock charts,[68] and is their highest-charting song on the Hot 100,[69] peaking at number 42. It is also their highest-charting single in Australia, peaking at number four. David Draiman sings it in the key of F#m. His vocal span goes from E2 to A4 in scientific pitch notation.[70]
In April 2016, Paul Simon endorsed the cover.[71] Additionally, on April 1, Simon sent Draiman an email praising Disturbed's performance of the rendition on American talk show Conan. Simon wrote, "Really powerful performance on Conan the other day. First time I'd seen you do it live. Nice. Thanks." Draiman responded, "Mr. Simon, I am honored beyond words. We only hoped to pay homage and honor to the brilliance of one of the greatest songwriters of all time. Your compliment means the world to me/us and we are eternally grateful."[72] As of September 2017, the single had sold over 1.5 million digital downloads[73] and had been streamed over 54 million times, estimated Nielsen Music.[74] As of January 2023, the music video has over 870 million views on YouTube, while the live performance on Conan has over 131 million, making it the most watched YouTube video from the show.
When director Mike Nichols and Sam O'Steen were editing the 1967 film The Graduate, they initially timed some scenes to this song, intending to substitute original music for the scenes. However, they eventually concluded that an adequate substitute could not be found and decided to purchase the rights for the song for the soundtrack. This was an unusual decision, as the song had charted more than a year earlier, and recycling established music for film was not commonly done at the time.[127]
When they sat down to write the Immortalized album, their drummer Mike Wengren proposed covering the iconic tune. It came to mind as he often played it at home when he and his family were doing chores. Disturbed's music is usually quite raw sounding, even slightly aggressive. For this cover, guitarist Dan Donegan was strongly in favour of the band exploring a softer, more melodic sound.
Immortalized was released in August 2015 and went to number one in the USA, Canada and Australia. They released The Sound of Silence as a single in December, and it went to number one in the USA too. The song received many favourable reviews. They uploaded their music video to YouTube, where it received hundreds of thousands of views. The band were scheduled to perform it live on Conan O'Brien's show when they received a pleasant surprise. Paul Simon's manager asked for David's email address.
Paul Simon didn't stop there, though. In the weeks that followed, he mentioned the performance in several interviews and even posted the clip of Disturbed's appearance on Conan's show onto his social media. Paul Simon's promotion of the song may partly explain why the official music video of the cover has been viewed an unbelievable 812 million times on YouTube!
It's not just Disturbed fans who love the video. Many fans of the original love this cover and the new life it breathes into the song. As one commenter puts it: "I am 82 years old and a fan of the S&G version, but I am totally overwhelmed by Disturbed's cover. It is fascinating, mesmerizing, and I simply can't get enough of experiencing the emotion. This is what great music is all about. World class." Two worlds collide in this track, and they have made pure musical magic.
DISTURBED's studio version of "The Sound Of Silence" went to No. 1 on the Billboard magazine Hard Rock and Mainstream Rock charts and became the band's highest-charting single ever on the Top 100. The music video has had over 569 million views. It's also been used in the soundtrack for "The Blacklist" and the video game "Rock Band 4".
DISTURBED singer David Draiman told the Colorado Springs Independent that he and his bandmates didn't have a clue that any of that would happen when they recorded the song and decided to issue it as a single and music video.
But we're lucky to live at a time when astronauts aboard the International Space Station (ISS) can use the internet to readily share the beautiful things they see - for example, by creating a mindblowing music video that's haunting and mesmerising all at once.
My music tastes are pretty broad - give me a good beat and a story about life or love anytime. Ask any of my NGLI 1101 students! I'll always give kudos for sharing a good song recommendation. My top 5 are songs that feel powerful to me whether its in the instrumentals, the silence, or the joy of shared emotion.
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