ABOUT

The starting point for this body of work is the skin-monochromes, which explore the intersection of art, corporeality, and perception. The works examine skin as both a physical surface and a psychological mirror, addressing themes of vulnerability, mortality, and the human condition. These paintings serve as a foundation, accompanied by other series that further develop this concept. Combining traditional painting techniques with avant-garde approaches and contemporary media, the works integrate elements such as pressure, temperature, and pain, coming together as fragmented yet interconnected pieces to form a rich and layered whole.