Bob Marley, Legend PATCHED Full Album Zip

Legend is a compilation album by Bob Marley and the Wailers. It was released in May 1984 by Island Records. It is a greatest hits collection of singles in its original vinyl format and is the best-selling reggae album of all-time, with over 12 million sold in the US, over 3.3 million in the UK (where it is the 17th best-selling album[2]) and an estimated 25 million copies sold globally.[3][4][5] In 2003, the album was ranked number 46 in Rolling Stone magazine's list of the "500 Greatest Albums of All Time", maintaining the ranking in a 2012 revised list,[6] but dropping to number 48 in the 2020 revised list.[7]

The album contains all ten of Bob Marley's Top 40 hit singles in the UK up to the time,[11] plus three songs from the original Wailers with Peter Tosh and Bunny Livingston in "Stir It Up," "I Shot the Sheriff," and "Get Up, Stand Up," along with the closing song from the album Uprising, "Redemption Song." Of the original tracks, only four date from prior to the Exodus album.

Bob Marley, Legend Full Album Zip

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The cassette tape release of the album featured two extra songs, "Punky Reggae Party," the B-side to the "Jamming" single, and "Easy Skanking" from the Kaya album. A second generation compact disc remastered by Barry Diament appeared in 1990 on the Tuff Gong label. Although the disc includes the same 14 songs, the tracks are in their original album lengths rather than the edited versions for single release.[citation needed]

On 12 February 2002, the expanded 14-track edition with songs at album lengths were remastered for compact disc with a bonus disc consisting of 1984-vintage remixes for extended dance club singles and dub versions. In 2004, the Legend double-disc deluxe edition was reissued with the music DVD of the same name in the sound + vision deluxe edition. In 2010, Legend was made available as downloadable content for Rock Band. However, it was released without "Get Up, Stand Up", which was later included on Rock Band 3. In June 2012, a high fidelity audiophile version of the album was released on HDtracks in 96 kHz/24bit and 192 kHz/24bit resolutions. Bruno Tilley was the Art Director & Creative Consultant for the sleeve design work.[12]

Legend has peaked at number 5 on the Billboard 200, making it Marley's highest-charting album in the US. It also holds the distinction of being the second longest-charting album in the history of Billboard magazine. Combining its chart life on the Billboard 200 and the Billboard Catalog Albums charts, Legend has had a chart run of 2165 nonconsecutive weeks,[17] surpassed only by Pink Floyd's The Dark Side of the Moon at 2166 nonconsecutive weeks.[18] As of the Billboard issue dated 2 December 2023, the album has charted on the Billboard 200 for 810 nonconsecutive weeks.[8] As of December 2017, Legend has sold 12.3 million copies in the US since 1991 when SoundScan started tracking album sales, making it the ninth best-selling album of the Nielsen SoundScan era. The RIAA has certified Legend for selling 15 million copies, a total that includes purchases before 1991.[19][20]

In the United Kingdom, Legend has been certified 13 Platinum, and is the 16th best-selling album in that country of all time,[21][22] with sales of over 3,380,000 as of July 2016.[23] As of 29 November 2023, the album has spent 1,109 weeks in the top 100 of the official UK Albums Chart, placing it third on the all-time longevity list.[10]

When first released in the US in 1984, pressings contained remixes of "No Woman, No Cry," "Buffalo Soldier," "Waiting In Vain," "Exodus" and "Jammin'," done in 1984 by Eric Thorngren. (International pressings substituted the remixes for either album versions or 7" edits.) Two versions of the CD were released in Europe in 1984; one used the same mastering as the US pressing, the other (mastered by Barry Diament) used original full length versions for all the tracks. Pressings from 1986 on used the international version of the release until 2002, when a two-disc deluxe version released by Universal replaced all tracks with their respective album versions (except for "No Woman, No Cry," which is the full length version from the "Live!" album) and included the two extra tracks from the cassette release as bonus tracks. That version was released individually as part of "The Definitive Remasters" series. When track No. 13 [Exodus, released on the album "Exodus" by Bob Marley & The Wailers in 1977 by Tuff Gong/Island] begins, the noise at the ending of Bob Marley's "Satisfy My Soul" [released on the album "Kaya" by Bob Marley & The Wailers in 1978 by Tuff Gong/Island] plays at the start.

Legend is just the second album to hit 13 years on the Billboard 200, following in the footsteps of Pink Floyd's Dark Side of the Moon. That set is nearing 1,000 weeks on the chart, and it is in a very, very distant first place when looking at the releases which have racked up the most turns on the ranking.

Billboard instituted a rule (which has since been repealed) some time ago that for years kept albums like Legend off the Billboard 200 due to how long they had been out. Had that restriction not been in place, the number of frames on the ranking the compilation would now count would be much, much higher.

Except for three years between mid-1985 and mid-1988, the set was a mostly regular feature the chart until the summer of 1991. At that point, catalog titles (older albums), were ineligible to chart on the Billboard 200 (minus a few exceptions). In 2009, after the catalog restriction was lifted, Legend returned to the list. Since then, the title has been a near-constant presence on the tally. In 2014, the album finally reached the top 10 of the chart, peaking at No. 5 (following a bargain basement sale pricing promotion in the Google Play store).

McEntire first visited the top 40 in 1991 with Rumor Has It, which topped out at No. 39 on the chart dated May 25 of that year. Among her 18 top 40 albums are a pair of No. 1s: Reba Duets (in 2007) and Keep On Loving You (2009).

What makes the album so good is that the songs themselves are so different even with the consistent reggae feel and rhythm. Put on any station dedicated to the genre and you will be lulled into lethargy as the monotonous sound waves melt into one another without distinction. Bob Marley and The Wailers, however, command your attention from start to finish with well-written songs, and this collection gives you the most powerful 15 examples of it.

This album is a collection of songs both done together as a group and with Bob Marley independently since the group disbanded in 1974. Marley survived an assassination attempt in Jamaica during 1976, and he relocated permanently to London where he recorded and released Exodus. This album could be considered a top 100 prospect in its own right, and many of its songs show up on this greatest hits album.

Marley would go on to represent the Rastafarian religion which is a collection of certain beliefs about Christianity, pro-marijuana stance, use of certain word and phrases, and adherence to a particular diet. Marley would be diagnosed with skin melonoma cancer in 1981 and passed away in 1984 at the age 36. The Legend album was a posthumous one to commemorate his best music.

Look no further for proof of Bob Marley's legacy than the vast number of bands influenced by his work and the multitude of Marley posters that adorn dorm-room walls. More than 30 years after his death in 1981, Bob Marley and the Wailers touch people of all ages. Mostly because of the mind-boggling success of his greatest hits album, Legend, which his label released posthumously in 1984.

Legend: The Best of Bob Marley & The Wailers is the best-selling reggae album of all time. Yet the 14 tracks represent a slender, if satisfying, slice of the Marley pie. That is, Legend's portrait of the complex Jamaican singer is incomplete; Marley's musical accomplishments go far beyond the songs on this record.

Just what is the role of greatest hits collections? Only legendary artists get them. Many are released either post-death or post-breakup. Even fewer transcend the albums from which they are collected. But some come to define an artist. Take, for example, Jimi Hendrix. The Ultimate Experience, which contains 20 of Jimi's best songs and for many is the beginning and end of their Hendrix fandom. The Best of the Doors bears a similar burden -- to be the end-all source of stature for anyone wishing to have a perfunctory knowledge of music history. Queen's Greatest Hits is much of the same.

(Of course, the Eagles' Their Greatest Hits, 1971-1975, is one of the best-selling albums of all time. But no one really attacks the album as unrepresentative of the Eagles' musical legacy since few are invested in the Eagles' musical legacy. Hendrix, Jim Morrison, and Freddie Mercury were legendary rock stars who inspired cult followings and fervored late-night discussion about what it all meant. Eagles songs make great karaoke.)

Greatest hits albums that are no more than mixtapes of the best songs an artist has written basically are worthless to diehard fans, which is why so many releases include b-sides or live versions -- little extras to convince serious listeners that the compilation is worth their dollars. If you ignore the diehards and the compulsive record collectors, you ignore a sizable chunk of the record-buying populace.

The first argument is more difficult to define. After all, it is understandably difficult to condense a lifetime of artistic output (in Marley's case, 12 or 13 studio albums, depending on how you count) into a single representative disc. So should we really fault greatest hits records for serving as anything more than a gateway to the artist's complete catalog?

The problem arises when a compilation album, after its release, becomes the most popular album that an artist released, and Legend falls into this category. Legend certainly is a collection of great songs, but its tracklist (based on the original 1984 tracklist, not the deluxe edition released in the early 2000s) skews heavily toward the end of Marley's career, skims the middle, and ignores the beginning. The album also chooses to focus on the "One Love" Marley, the Marley who preached compassion for his fellow man while almost ignoring the political Marley, who was about curing social injustices and helping the poor. be457b7860