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Based on Richard Matheson's 1956 short story "Steel",[8] the original screenplay was written by Dan Gilroy and was purchased by DreamWorks for $850,000 in 2003 or 2005 (sources differ).[8][9] The project was one of 17 that DreamWorks took from Paramount Pictures when they split in 2008.[8] Director Peter Berg expressed interest in the project in mid-2009 but went no further.[9] Levy was attached to the project in September 2009,[10] and Jackman was cast in the starring role in November for a $9 million fee.[11] In the same month, Steven Spielberg and Stacey Snider at DreamWorks greenlit the project.[8] Les Bohem and Jeremy Leven had worked on Gilroy's screenplay, but in 2009 John Gatins was working on a new draft.[9] When Levy joined the project, he worked with Gatins to revise the screenplay,[12] spending a total of six weeks fine-tuning the script. Advertising company FIVE33 did a two-hundred page "bible" about robot boxing. Levy said he was invited by Spielberg and Snider while finishing Date Night, and while the director initially considered Real Steel to have "a crazy premise," he accepted after reading the script and feeling it could be "a really humanistic sports drama."[13]

Jason Matthews of Legacy Effects, successor to Stan Winston Studios, was hired to turn production designer Tom Meyer's robot designs into practical animatronic props. He said, "We have 26-and-a-half total live-action robots that were made for this film. They all have hydraulic neck controls. Atom has RC [radio-controlled] hands as well."[19] According to Jackman, executive producer Spielberg "actually said to Shawn, 'You should really have real elements where you can.' ... Basically if they're not walking or fighting, that's a real robot."[20] Levy added that Spielberg gave the example of Jurassic Park, where Winston's animatronic dinosaurs "got a better performance from the actors, as they were seeing something real, and gave the visual effects team an idea of what it would look like." As Real Steel was not based on a toy, Meyer said that "there was no guideline" for the robots, and each was designed from scratch, with an attempt to put "different personality and aesthetics," according to Levy. In Atom's case, it tried to have a more humanizing design to be an "everyman" who could attract the audience's sympathy and serve as a proxy to the viewer, with a fencing mask that Meyer explained served to show "his identity was a bit hidden, so you have to work harder to get to see him."[21] Executive producer Robert Zemeckis added that the mask "became a screen so we can project what we want on Atom's face." Damage was added to the robots' decoration to show how they were machines worn out by intense battles.[13]

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For scenes when computer-generated robots brawl, "simulcam" motion capture technology, developed for the film Avatar, was used. As Levy described the process, "[Y]ou're not only capturing the fighting of live human fighters, but you're able to take that and see it converted to [CGI] robots on a screen instantaneously. Simulcam puts the robots in the ring in real time, so you are operating your shots to the fight, whereas even three, four years ago, you used to operate to empty frames, just guessing at what stuff was going to look like."[22] Boxing hall-of-famer Sugar Ray Leonard was an adviser for these scenes[14] and gave Jackman boxing lessons so his moves would be more natural.[23]

"I was a 70 year old man with a few stents, and over weight, and shortness of breath and a bad right shoulder. I started training in late October and signed up for 20 personal training sessions. I am still a 70 year old man with a heart condition, but my breath is much better, my weight has moved around, I feel 20 years younger. I go to the gym at 5ish in the AM 3-5 times a week. I will continue, I really look forward to the hour in the morning before I go to work. Yes, 70 and still working, because I love my job."

The movie was decently well received, made a decent amount, had some really cool character designs and art direction, and likable characters imo. It seems like a no brainer that they should spin that into an entire franchise of robot boxing action. Yeah there were a couple alright games and some figures but the potential for sequels in the style of Rocky was definitely there. What happened?

Atom has a limited intelligence. Tak, an inventor from early enough in the sport to have had a second generation robot like Atom, built on the foundation of Shadowing for its ability to interpret information but ultimately he gave it intelligence that was too human-like, allowing for some empathy and self-awareness but no real combat efficiency. And so he disposed of his failed prototype. Zeus's combat AI was his finalized and much more successful but ultimately not true intelligence.

In an interview with Collider in 2022, Real Steel director Shawn Levy explained why there hasn't been a sequel to the film. "I really try to not make sequels that don't deserve to be. And it's why I didn't move forward with the Real Steel sequel because I didn't feel we had a second movie that could match or top the first." Many Hollywood franchises add sequels to cash in on the popularity of the first installment. Evidently, despite the potential being there to do the same with Real Steel, those behind it, like Levy, do not want to risk hurting its legacy.

Anthony Mackie, who played Charlie's friend, Finn, is all for making a sequel for Real Steel. In 2021, he not only pushed for a sequel to Real Steel but believes a sequel could expand into a potential universe. "I think the possibilities are endless," Mackie said. "I always thought about the idea of going to the underground world and seeing what the reality is. The underground boxing circuit is so different than that last fight with all the glitz and the glam and the polish. I feel like you can do a Mad Max meets Real Steel, and I could be Tina Turner."

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"Real Steel" imagines a near future when human boxers have been replaced by robots. Well, why not? Matches between small fighting robot machines are popular enough to be on television, but in "Real Steel," these robots are towering, computer-controlled machines with nimble footwork and instinctive balance. (In the real world, 'bots can be rendered helpless on their backs, like turtles.) It also must be said that in color and design, the robots of "Real Steel" are glamorous and futuristic-retro enough to pose for the cover of Thrilling Wonder Stories.

The movie's story, however, is not from the future but from the past, cobbling together Rocky's rags-to-riches trajectory and countless movies in which estranged fathers and sons find themselves forced together and end up forging a deep bond. Hugh Jackman stars as Charlie Kenton, a former boxer who is now hanging onto the fringes of the fight game as the owner-operator of a ramshackle robot he tours with. It's no match for the competition, and when the desperate Charlie replaces it with another battered veteran, it can't even outfight a real bull.

Curiously, however, it's easy to love Atom. With his blue eyes glowing behind a face of steel mesh and his skinny, muscular body facing off against giants, he's a likable underdog. Steven Spielberg was one of the producers of this film, and knowing of the research he put into making E. T. lovable, I wonder if screen-testing was used to help design Atom. You wouldn't say he looked cute, but there is something about him that's much more appealing that his shiny high-tech rivals.

"Real Steel" is a real movie. It has characters, it matters who they are, it makes sense of its action, it has a compelling plot. This is the sort of movie, I suspect, young viewers went to the "Transformers" movies looking for. Readers have told me they loved and identified with their Transformers toys as children. Atom must come close to representing their fantasies. Sometimes you go into a movie with low expectations and are pleasantly surprised.

"Steel" is not The Twilight Zone's finest hour. "Boxing was legally abolished in 1968," intones host Rod Serling. Fortunately for fight fans, robotics have somehow leapt ahead to the point where humanoid robots can plausibly stand in humans in the ring. Lee Marvin plays "Steel Kelly," a human former boxer who pretends to be a robot after the robo-boxer he manages breaks down ahead of a bout with its robo-opponent. Needless to say, the fight goes poorly for Kelly, and Serling solemnly informs us that his loss is "proof positive that you can't outpunch machinery" (is that really a lesson we needed?).

Charlie Kenton: Max, I.. I really want you to know. No, I need you to know, I...

Max Kenton: Don't worry. Your secret's safe with me.

Charlie Kenton: Wait. Wait.

[Charlie goes over to Atom, turns him on then walks over with Atom towards Max, picks Max up and puts him on his shoulder whilst the crowd cheers for them]

"I think the possibilities are endless," the MCU vet told Entertainment Weekly last year for a 10th anniversary retrospective. "I always thought about the idea of going to the underground world and seeing what the reality is. The underground boxing circuit is so different than that last fight with all the glitz and the glam and the polish. I feel like you can do a Mad Max meets Real Steel."

His hero costume consists of a dark green jumpsuit, cut off just below his chest, with some small, silver-rimmed holes in the lower section of his baggy pants and black boots with metal soles, heels, and front plating. He has steel straps over his shoulders and under his arms, made up of multiple pieces, which connect at a red oval in the center of his chest, with two thinner bands around his biceps and a small plate on either side of his waist. He wears a metal jaw-guard around his face, similar to the one Eijiro wears, just thicker and not connected over his nose or around his chin, with the letters "Fe" (which stands for iron in the periodic table) stamped on a plate on each side of his face. be457b7860