She followed it with appearances in big-budget movies such as Dhoom (2004), Kyon Ki (2005), Garam Masala (2005) and Golmaal (2006). Sen also did a cameo in the 2006 film Dhoom 2, and she followed it with Johnny Gaddaar, alongside newcomer actor Neil Nitin Mukesh. In 2008, she appeared in De Taali and in 2009, Sankat City and Horn Ok Please. All three of these films were box office disasters. After these films, her career declined.
Leading Tamil actor Jayam Ravi's 2008 film Dhaam Dhoom is being dubbed in Telugu as Rakshakudu. M.V. Gopal Rao of Jyothi Arts, which bought the dubbing rights of several Tamil movies, has bought the Telugu dubbing rights of this film also. Dhaam Dhoom was the last film written and directed by cinematographer turned director Jeeva (who died of acute cardiac arrest in Russia during this film's production). Harris Jayaraj is the music composer. Kangna Ranaut and Lakshmi Rai are the heroines. Jayam Ravi plays the role of a successful doctor Gautham Subramaniam, while Kangna Ranaut plays Gautham's fiancee Shenba in Pollachi. Lakshmi Rai appears as Aarthi Chinappa, Gautham's interpreter and lawyer.
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Over the years, I have also seen a few dozen Hindi movies. But, compared to Kollywood, I\u2019ve admittedly always been less familiar with the hits of Shah Rukh Khan or Kareena Kapoor or name-your-favorite-Hindi-star. I would never win Bollywood trivia.
But that\u2019s why I found Indian American filmmaker Smriti Mundhra\u2019s latest project, \u201CThe Romantics,\u201D so interesting. Mundhra, the creator behind the Netflix hit reality show \u201CIndian Matchmaking,\u201D chronicles the Hindi film industry\u2019s history in her latest Netflix project. It\u2019s full of nostalgia, awe and fascinating facts about a film industry that produces more movies than Hollywood each year. And it showcases how the Hindi film industry is far more nuanced than the tired stereotypes of three-hours of song, dance and love stories.
Smriti Mundhra: The Hindi film industry, or Indian cinema even more broadly, is a major contributor to global cinema \u2014 not just in terms of the number of movies being made, but also in terms of the craft, style and cinematic language that\u2019s been cultivated through decades and decades of Indian cinema culture.
There\u2019s a perception sometimes that Hindi cinema is just facsimiles of Hollywood movies with some song and dance thrown in and some color. I think that\u2019s really condescending and dismissive of what our movies are about. We have our own auteurs. We have our own cinematic style and language. I really wanted to show that.
The best thing was I was able to talk to these big stars, these icons, not in the context of them trying to promote a film or with any other agenda. It was really just space to talk about their love for movies, the influence and impact of Yash Chopra on them personally, but also on larger cinema culture and about their insights on a changing and evolving India. There\u2019s been so much change in India, especially in the last 30 years or so, and to really understand that from people who have witnessed it, not only as citizens but as members of the film industry \u2014 people who have been part of accelerating that change. I just got to speak to them as film fans and historians in their own right.
Vignesh: In your series, actor Abhishek Bachchan (another son of Bollywood royalty) talks about how Hindi movies are like thalis \u2014 there\u2019s a little bit of everything. He also talks about the idea that the films don\u2019t try to be like anywhere else. But your series also shares the history of Hollywood studios attempting to take over Yash Raj Films (one of the biggest Indian film studios), and it discusses American imperialism and movies. Do you think there has been a sort of American cultural imperialism on Bollywood content and storytelling?
One of the most moving messages that I got was from somebody I didn\u2019t even know saying they\u2019ve been watching the series with their father who has Alzheimer\u2019s \u2014 and it\u2019s like his whole demeanor changes. \u2026 Those images and music trigger something. I think that\u2019s really speaking to the power of cinema \u2014 that collective experience that we\u2019ve all shared of certain movies and how they\u2019ve impacted our lives and shaped our view of the world around us. be457b7860
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