Nina was named one of the top six securities litigators in the country under 40 years old by Law360 in 2018. Her recent representations include defending federal securities class actions lawsuits for Harman International Industries, comScore, and officers of Rio Tinto. In addition, she has represented major banks in federal and state court litigation in New York related to financial products including collateralized debt obligations, credit default swaps, and residential mortgage-backed securities. Nina was resident in London from 2011 to 2012 and was part of the team that successfully defended Texas Keystone in a $1.6+ billion oil and gas dispute in the English Commercial Court related to a New York law contract for which Jones Day garnered such accolades as Litigation Team of the Year at the British Legal Awards, The Lawyer Awards, and the Legal Business Awards.

Come Away with Me is mostly an album of warm, languid pop songs. There are touches of jazz--a stand-up bass here, an offbeat drum there--but Jones' voice doesn't have the rogue spirit required for improvisation or the range for sudden emotional bursts. Her singing is beautiful, but her pacing and delivery owe a greater debt to pop artists like James Taylor and Carole King than to Billie Holiday or Nina Simone. Of course, that could change. Jones is so new to her career that her recent influences leave fresh imprints. "I'm into country now," she says with glee. Sure Enough, Come Away with Me has a Hank Williams cover, and the title track has echoes of her new hero, Willie Nelson.


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. . . a bond or other evidence of indebtedness which is payable on demand, or which is issued by a corporation or a government or a political subdivision thereof (A) with interest coupons attached or in registered form (other than one in registered form which the taxpayer establishes will not be readily tradable in an established securities market), or (B) in any other form designed to render such bond or other evidence of indebtness readily tradable in an established securities market, shall not be treated as an evidence of indebtedness of the purchaser.

The taxpayer's argument on appeal that to be a cash equivalent, a debt instrument must be negotiable is untenable. See, e. g., Heller Trust v. Comm'r, 382 F.2d 675, 681 (9th Cir. 1967); Cowden v. C.I.R., 289 F.2d 20, 24 (5th Cir. 1961)

The Times has shifted its revenue balance away from print advertising, booking big increases in circulation revenue with its digital paywall and smaller ones by growing digital advertising. Its balance sheet is healthy with $300 million more in cash on hand than debt. ff782bc1db

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