SVJAZ' | 2020 | Installation
SVJAZ' | 2020 | Installation
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Daria Toporishcheva, Yuri Wolf, Danila Logvinenko
Daria Toporishcheva, Yuri Wolf, Danila Logvinenko
Visual culture is a new language of communication. The team of artists believes that by means of such language, it is possible to change the stereotypical perception of artworks.
Visual culture is a new language of communication. The team of artists believes that by means of such language, it is possible to change the stereotypical perception of artworks.
Immersion into the world of Neo-Russian ligature - Cyrillic writing, which has long since passed beyond the borders of museum space and left the pages of old books. Neo-Russian script of the 21st century penetrates not only into the physical space but also into the digital space, finding use in a wide range of artistic meanings.
Immersion into the world of Neo-Russian ligature - Cyrillic writing, which has long since passed beyond the borders of museum space and left the pages of old books. Neo-Russian script of the 21st century penetrates not only into the physical space but also into the digital space, finding use in a wide range of artistic meanings.
Vjaz' (Вязь) is a type of ancient decorative Cyrillic script and the word Svjaz' (Связь) from Russian means "connection". This installation is a work with the lens of stereotypical thinking, through which viewers tend to perceive works with elements of ligature. The artist, who lets his worldview, but also the feedback, feel the influence of this lens keenly - the knitting, for example, is often identified as "ecclesiastical" or "religious." The meanings embedded in the works undergo unchanging and rigid refraction and are perceived by the viewer in a distorted way. The creative task is to remove this distortion.
Vjaz' (Вязь) is a type of ancient decorative Cyrillic script and the word Svjaz' (Связь) from Russian means "connection". This installation is a work with the lens of stereotypical thinking, through which viewers tend to perceive works with elements of ligature. The artist, who lets his worldview, but also the feedback, feel the influence of this lens keenly - the knitting, for example, is often identified as "ecclesiastical" or "religious." The meanings embedded in the works undergo unchanging and rigid refraction and are perceived by the viewer in a distorted way. The creative task is to remove this distortion.
The installation represents three objects that correspond to three types of communication: oral, written, and visual. Oral communication is represented by the microphone. A person's voice directly affects the graphics on the screen. In front of the screen, there are transparent panels with the lettering on them. Changing the background graphics affects the perception of the visual image of the text. The ligature blends harmoniously into the ever-changing modern multimedia graphic space. It invites the viewer to change the lens of perception.
The installation represents three objects that correspond to three types of communication: oral, written, and visual. Oral communication is represented by the microphone. A person's voice directly affects the graphics on the screen. In front of the screen, there are transparent panels with the lettering on them. Changing the background graphics affects the perception of the visual image of the text. The ligature blends harmoniously into the ever-changing modern multimedia graphic space. It invites the viewer to change the lens of perception.
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