This is actually a project I've undertaken, listening to every song and noting practically every noun/pronoun into categories, lol. I think it's so cool that she's come to form this identity through her interests.

It is stated that the record is, in a sense, a concept album, as its songs are all themed around modern life in London.[15] It was described by Albarn as "a song cycle that's also a mystery play about London" in an interview with Mojo.


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Although The Good, The Bad & The Queen was first reported as a solo album by Albarn with Danger Mouse producing, NME revealed in late July 2006 that the solo project had been switched to a new group formed by Albarn.[16] The band, which formed in 2006, released their first single, "Herculean" on 30 October 2006. The single followed the band's appearance at the BBC's Electric Proms season at the redeveloped Roundhouse in Camden on 26 October, during which they performed the entire album.[16] Three warm-up gigs in East Prawle at the Pig's Nose Inn,[17] Ilfracombes Marlboro Club and The Exeter Cavern Club preceded their gig on the BBC's Electric Proms, where the album was performed in order with two other songs inserted, "Intermission Jam" and "Mr. Whippy"; the latter was a B-side for "Herculean". The band performed four tracks from the album at Abbey Road Studios on 13 December 2006, during a recording session for Live from Abbey Road.[citation needed]

For the first few months, Allen would travel from Paris (where he has a permanent home) to London to work in Albarn's Studio 13 for 3 days a week, writing, rehearsing and recording. At the same time as the initial recordings in the UK, Albarn had begun demoing for the second Gorillaz record and by early spring had invited in producer Danger Mouse to oversee the album. Albarn was keen to work in Africa with local musicians again after his work on the album Mali Music (released 2002) so Tony Allen suggested that the four of them (including Danger Mouse) decamp to his home country of Nigeria to continue the sessions. There they recorded at Afrodisia Studios, once used by Fela Kuti, with a huge variety of local musicians, committing huge numbers of songs and ideas to tape before returning to England once more.[18]

In an interview with Pitchfork about Danger Mouse's involvement in this album, Albarn states: "He was quite adamant that we don't do any kind of harmony and that I kept it a single voice. I thought, "Well that's great." That's how I kind of start the songs in the first place: I get a very basic arrangement and texture them. His attention to that detail was important. And it helped me write the lyrics. It cleared the way for it just having to be a single voice. He's an exceptional talent. With Brian [Danger Mouse] being a kind of third party so to speak, it helps to have someone there. You want a band to work itself, but at the same time you want it to be the best that it can be. I tried it the other way, with Tony leading the tracks when I went to Lagos, and it was great but I didn't fit into that. That is why I scrapped the whole record, because I thought I should be involved at least."[24]

Albarn wrote the original version of the song "Green Fields" following a night out with Blur bassist Alex James and Marianne Faithfull. That demo was recorded in a studio on Goldhawk Road, Hammersmith and Albarn gave the tape to Faithfull.[citation needed] It was later recorded by the singer/actress with different lyrics in the verses and released on her 2005 album Before the Poison as "Last Song."[25]

"National Anthem" (originally titled "I Want it All") is a song written by Lana Del Rey, Justin Parker, Penny Foster and The Nexus and produced by Emile Haynie and Jeff Bhasker. It served as the fifth single from Del Rey's first major-label studio album, Born to Die. It was officially released as a single on July 6, 2012.

"National Anthem" has been described as an alternative hip hop or trip hop track. Del Rey's vocals on the track employ a rapping-like technique, similar to that in the Born to Die tracks, "Diet Mountain Dew" and "Off to the Races". The song opens with a strings section including firework sound effects before introducing more hip hop inspired beats. It is in the key of C minor with a tempo of 85 BPM. Del Rey's vocal range spans from G3 to Bb4. The song focuses on the spoken hook of "Money is the anthem of success." The verses rhyme scheme focuses on rhymes and half rhymes of "anthem" including "ransom", "standin'" and "landed". The song uses male background vocals of a spoken line from a live performance of "Mary Jane" by Rick James, also used in "Blue Jeans", "Dark Paradise", "Lolita" and "Without You". Two demos of the song exist, an album demo which features a gospel choir in the chorus, produced by Haynie, and a demo by production duo, The Nexus - which is notably more tailored towards the pop genre.

Multiple versions of the song exist including the album version, the video version, and various demos. An edited version was released as promo in Europe and is based on the album version. "National Anthem (Demo 1)" leaked on November 6, 2011, preceding the song's official release on Born to Die. "National Anthem (Demo 2)" leaked on June 9, 2012.

The song was also previously titled "I Want it All" in 2010. Three demos of the song exist under this name. The second demo of "I Want it All" leaked in full on April 17, 2017, followed by the original file leaking in .wav format on December 23, 2023. The first demo of "I Want it All" leaked on January 31, 2020. A third demo of "I Want it All" has yet to leak. All versions of this demo were produced by The Nexus.

Ah broken is the golden bowl! the spirit flown forever!

Let the bell toll!--a saintly soul floats on the Stygian river;

And, Guy De Vere, hast thou no tear?--weep now or never more!

See! on yon drear and rigid bier low lies thy love, Lenore!

Come! let the burial rite be read--the funeral song be sung!--

An anthem for the queenliest dead that ever died so young--

Queen Henrietta Maria was the daughter of Henry IV of France (1553-1610) and his second wife, Marie de Medici (1573-1642). She also was the sister of Louis XIII (1601-1643) of France. Married to Charles I at sixteen, she had nine children, of whom three died in infancy. In 1644, in danger because of civil unrest, Henrietta Maria left England for France. Her husband was beheaded at Whitehall in London in 1649. Henrietta Maria died in 1669 at Colombes, near Paris. After restoration of the monarchy in 1660, Henrietta Maria's son, Charles II ruled Great Britain and Ireland from 1660 to 1685. Her son, James II ruled from 1685 to 1688.


Henrietta Maria, Queen Consort of England, Studio of Anthony Van Dyck, 1632 (MSA SC 1545-1100). Courtesy of Commission on Artistic Property, Maryland State Archives. Maryland NicknamesMaryland Commission on Artistic Property

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e-mail: mdmanual@maryland.gov

Essentially, the formula measures beats per minute, the scale in which the song was written and how many different chords are used. These three factors, according to Dr. Jacob Jolij, are the key components to feel-good songs. Lyrical themes were also taken into consideration for this study.

Oursaucy wench hostess will guide you through a riotous extravaganza of bawdyjokes, scandalous limericks, and toe-tapping drinking songs that will have yousinging along with your tankard held high. We are also featuring surpriseappearances from special guest performers from your favorite shows around thefestival (bringing their bawdiest off-the-mic material), adding an extra layerof unscripted hilarity to our already uproarious affair.


Inspired by music from around theglobe, Coal Black Rose plays a variety of music including early American music,Cantigas, English Dance Tunes, Sephardi, Gypsy, Ballads, Songs of the Sea andShanty songs. Using a variety of instruments of various folk origins, Coal BlackRose brings the best of all worlds to one stage.

Crannogbrings audiences ancient Celtic music, poignant ballads, fun Irish songs, anddance-worthy jigs and reels, featuring vocals, fiddle, concertina, bodhran andother instruments. "An interesting re-imagining of ancient songs with a verymodern flair". Crannog (named after man-made islands made by medieval Celts inlakes throughout Ireland and Scotland) invites lovers of Celtic, Irish andScottish music to their mystical 'island' of revelry and charms. 


Are you a fan of rowdyIrish tunes? Does that glass of mead need a right properIrish toast? Then welcome to The Toasted Clover Show! Traveling and performing across the country,The Toasted Clover brings his unique mix of musical magic and tales from theroad to The Red Lion Tavern. From traditional Irish drinking songs to hilarious parody tunes, TheToasted Clover Show is sure to delight and entertain audiences across the land!

Composed of a group of multitalented and highly spirited professional entertainers, GDT Global Dance Theatre invites its audiences to tap into the muse of the quintessential gypsy spirit. They incorporate music, song, dance and humor from many of the world's diverse ethnic cultures. Spontaneity and audience participation ensure that no two shows are alike. Experience GDT Global Dance Theatre and let your own gypsy spirit fly free. OPA! 006ab0faaa

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