From there I ended up in Nashville, designing and executing window displays and installations for Anthropologie. I discovered my love of weird materials used in over the top yet elegant design, and decided to share those skills with the world at large. I left my dream job to start Handy Dandy Productions, and I've never been happier.

I'm a tinkerer who burns through sketchbooks just to get these crazy ideas out of my head. I spend the rest of my time designing dream spaces in my head, learning about the most random facets of social and ecological sciences and thinking about food. I love living in Nashville with my incredible husband and our (female) dog Walter.


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Space Dandy has great character designs as well. Since there are so many aliens in this series the designs are incredibly interesting. The amount of great designs in this show is amazing. The humans are great as well. Dandy sports a pompadour which gives him a real dandy look, and Meow looks like a cat thing of course. These designs project a ton of personality, and create a lot of visual comedy as well. Everything looks a little kooky, but that fits the tone of the show. They are also just detailed enough to look good, but still have a lot of leeway in how they are animated. Essentially, the designs of the characters can change ever so slightly in each episode.

When you first get the Love Key, the husk dandy when dream nailed says "Too long... spent together. We become as one". This is implying that the Collector and the Husk dandy have spent a while doing something together. What they have been doing might have been to possibly bring back the pale king by sacrificing the grubs, hence the ritual signs at the top of the tower. Going back to the Husk dandy, it appears as if the husk has void vines growing out of it. Another thing is why the collector was created. The collector may have been created to be a servant of the king, which would make sense because the collector is made of void, and should not be able to think. The Husk and the Collector have been trying to bring back the King for too long, but they have been trying for so long that the Collector goes crazy (I do not need to prove he is crazy), and the Void from the Collector infected the husk. Then the husk ran away and locked the love tower so that the collector could not escape and infect anyone else. The husk tried to go as far from the tower as possible, but eventually died. Then there is the fact that it can be dream nailed. Some void can be dream nailed, proven by the Hollow Knight, and how it slowly grows a mind (which is why the radiance infects it). The way how the two void beings grow a mind, well, I can't guess or say anything (for now), but I will find out. My final thing is that the tower is called the tower of love. This may connect the fact that from what I have said, the tower is called that because the collector has an undying devotion to bring the king back

My final story for what has happened is that maybe; The King created the collector as a servant when he created the Hollow Knight. Eventually the Radiance happened. The king died at some point, and the collector tried to bring him back. He found a Husk to help, but they took too long, and the time they spent drove the collector crazy, and the Void from the Collector infected the husk. Then the husk ran away and locked the love tower so that the collector could not escape and infect anyone else. The husk tried to go as far from the tower as possible, but eventually died.

To make their fourth album, Welcome to the Monkey House, the Dandy Warhols worked with Nile Rodgers, Duran Duran's Nick Rhodes, and Evan Dando. After Capitol turned down the original mix by Grammy-winning soul music engineer Russell Elevado, the album's final version featured a synth pop and new wave-influenced mix by Rhodes. Upon its release in 2003, it went to number 118 on the Billboard 200 Albums chart and spawned another hit for the band, the synth-disco jam "We Used to Be Friends." Following live shows that included supporting David Bowie on a leg of his 2003 A Reality tour, the band remained prominent in 2004 thanks to Ondi Timoner's documentary Dig!, which chronicled the love-hate relationship between the Dandy Warhols and the Brian Jonestown Massacre and won the Documentary Grand Jury Prize at that year's Sundance Film Festival. Also in 2004, the band released The Black Album -- their name for their rejected Capitol debut -- and the compilation Come on Feel the Dandy Warhols as a double-album set on their own label Beat the World Records.

She also is a contributing author/recipe developer/photographer for Wildly Organic and Traditional Cooking School where she gets to do the fun parts - creating lovely food, photographing it, and explaining how to make it - without all the administrative duties that come with running a blog.

After living the first few weeks of their lives as strays, these boys were very shy and timid at first, but with love and patience, they have blossomed into the cutest and goofiest kittens! They are very active and love to wrestle with each other, play with toys, and look out the window at squirrels and birds.

Every year on the Jerry Lewis telethon, America sees a parade of sick children whom only the coldest hearts could resist. But on this year's program, one of the most poignant figures was Lewis himself. Steroid drugs that the 77-year-old Lewis must take for a lung condition have shockingly increased his weight by 50 pounds or more. The slender, limber, crazy kid who became a comic icon in the 1950s has become a strangely inflated version of himself.

I wasn't able to watch all of the telethon and never am, but I saw several hours of Lewis and never heard any self-pity or complaints about his own condition. All his attention was directed toward the mission at hand. Sidekick Ed McMahon, who by this time looks as if he is held together with cellophane tape and staples, used the corny old line "There's more of you to love" to Lewis near the start of the show Sunday night, and Don Rickles, as only he could, at one point referred to Lewis as a "Jew whale" and said the added weight was "a good gimmick," and Lewis laughed broadly.

I was owned, and other shows followed: at a sold-out Soiled Dove Underground in Denver; two sold-out shows at the Orange Peel in Asheville, N.C.; three not-quite-sold-out shows in Southern California (Solana Beach, Anaheim, Los Angeles); two sold-out shows in Seattle at Neumos; one sold-out show at the Crystal Ballroom in Portland, Ore.; crazy festival sets at Monolith (at Red Rocks) and Sasquatch (at the Gorge Amphitheater in central Washington); an elegant set at the Strings Music Pavilion in Steamboat Springs.

And so, these people from different backgrounds, different religions and different races all came together. Filipino sailors found common ground with English expatriates. Pastors stood shoulder to shoulder with atheists. They all loved their newly formed nation and they fought to protect both it and the families existing within.

Handicappers take note--it's Consumer Guide's annual Pazz & JopPreview. Which ones finished, which ones should have, and which oneare my own self-indulgent eccentricities? A week from now you'llknow.BABYFACE: tag_hash_107_________________________________(Epic)Forget R. Kellyif you can get him to bug off already--when it all comes down,Kenny Edmonds will be remembered as the most interesting love manof our era. Only females of a certain mindset can be expected tosit still for all his palaver, but he's got a hell of a line.Duplicating but three tracks from his superb worstseller The Day,this is the distillation of woman-friendly romanticism; there'seven a song that accurately and effectively deploys the jargon term"abused." The new one he didn't write advances instantly to thehead of his repertoire: "Poured one for you but I drank that too,"laments the bereaved wino-in-progress. The new one he did writelacks a killer hook. But is it ever outspoken about fortysomethingmales who leave their wives primping at home. A MINUSBADLY DRAWN BOY: tag_hash_109_________________________(XL)Damon Gough soundsa lot sadder than he is. It's more like he muses a lot, is easilydistracted. On the page, "You left your shoes in the tree withme/I'll wear them to your house tonight" looks hopelessly stupid;on record, it's quite wry. Nor is he undemonstrative--unlikelow-affect codependent Elliott Smith, he fusses so much over his tunes,crooning and seguing and arranging and stuff, that you know heloves them to death. You can imagine him being just as nice to areal live girl one of these years. A MINUSEMINEM: tag_hash_110_____________(bootleg)No connoisseur of commerciallyillicit music, I neglected to seek this out when it surfaced lastsummer and ended up taping a borrowed one, though I'm sure theNapster-literate could burn something similar. We've all heard someof this music, but having the guest shots compiled here on onelongform cements what a nonstop force he is. "Stan" or no "Stan,"he's a rhymer not a storyteller, an inspired free-associater wholike so many rappers loves rhyme as raw technical device and findsfresh sonic material in a self-renewing English language hooked oncelebrities, brand names, neologisms, code--and a world where"real" poets long ago distanced themselves from rhyme the way"real" composers distanced themselves from tune. Unlike suchAfrican American coequals as Mos Def or Aceyalone, he has noapparent metaphysical ambitions--he's a comedian and pranksterwhose own art mines the metaphysics of entertainment, a/k/acelebrity. He's totally ill here, more into sex, and smack upagainst Dr. Dre's or Missy Elliott's his flow rocks. Interscope:you got the juice. Market an improved version when Marshall Mathersfalls off. A MINUSHAGANS/BELDEN: tag_hash_112__________________(Blue Note)In the studio,trumpeter Tim Hagans's integration of turntables and samples intojazz combo ended up subtly and fatally stiff and segmented. Inconcert at the Montreal Jazz Festival, the electrobeats andspoken-word overlays sound like parts of an organism. Think '70s Milesonly tamer, a model many will pick up on. B PLUSKHEVRISA: tag_hash_113______________________(Smithsonian Folkways)The idea ofklezmer as goodtime music makes every bit as much sense as the ideaof polka as goodtime music. Obviously that's the main thing bothare supposed to be. Only goodtime musics happen to be a passion ofmine, and there are plenty that do the deed better. So the klezmerthat moves me generally has spiritual ambitions. With Klezmaticsviolinist Alicia Svigals relegated to second fiddle by leaderSteven Greenman, this American ensemble performs original-instrumentationsuites designed for rich people's weddings acentury ago. Never a repertoire that took celebration to unseemlyextremes, by now it partakes of a classical civility that packsjust the charm to soothe a plebe with no passion for civility. A MINUSKRS-ONE: tag_hash_114_______________(Jive)Listening to this selection boundall over his vast corpus, you're struck by two things. First, evenstriding off a Blondie sample he wouldn't have stooped to in hisproud twenties, he always sounds like himself. Second, he neversounds like anyone else of much moment--except Run-D.M.C., calledout on the early "South Bronx." His musical forthrightness has nomodern-day parallels--Gang Starr are scatmen by comparison, theN.O. Bouncers parademasters. How much impact the right voice andbeat could make back in the day--and still can, especially boileddown to stark strokes that stick in the mind. To hear "SouthBronx," "The Bridge Is Over," "Criminal Minded," "Black Cop," thesociologically perfect and metaphysically weird "Love's GonnaGet'Cha," and the bullheaded history lesson "Why Is That?" all inone place is to learn that sometimes all a man needs to make greatmusic is an idea he believes in. A MINUStag_hash_115______________________(Rawkus)The first volume documented afertile institution of zero political correctness and endlesscreativity, but because it's hard to catch live improvisation onthe fly, it was longer on feel than on legible music. The follow-uptakes off from 16 high-flying bars of 1993 Biggie, then proceeds tothe studio to prove how much competitive freestyling has meant toNew York hip-hop. Name producers and star collaborations abound,and informing them all is a mindset few official guardians of blackpride would approve--not just that good art needn't forswearviolence, but that in this community it can't. Even moralists DeadPrez and Talib Kweli praise their pistols, as weapons of politicalstruggle and self-protection, and not always against the whiteman--they know Prodigy, Kool G Rap, and M.O.P. aren't socircumspect, know it because that's the life they're living andknow it because all three soon say so. Mos Def sums things up byrhyming in the voice of that boyfriend Macy Gray committed murderfor. The two of them make it sound like fun. A MINUSM.O.P.: tag_hash_116________(Loud)Ooh, Eminem, scary. You want a rap recordto terrify your ass, how about one with a street anthem aboutrobbing niggaz? Socially redeeming characteristic: will discourageyoung African American men from wearing jewelry. Billy Danze is thecoarse-grained DMX bellower with the crazy laugh, Lil' Fame hisrugged sidekick. Wielding brazen, unrelenting samples, they attacklike a firing squad on a spree, with a fierce joy Guns N' Roseswould abjure hard drugs for. As is no secret, I hate gangsta rap--hateits smugness, its brutality, its cool, its lies, its contemptfor the ordinary, its failure to provide role models for youngAfrican American men. But this specimen convinces me that,sometimes, thugs have more fun--get large in the ways that matterby shitting on anybody they fucking feel like. I scoff at "guiltypleasures," too. Pleasure is nothing to feel guilty about. This maybe. A MINUSSUN RA AND HIS ARKESTRA: tag_hash_117_____________(Evidence)The solid headsand well-schooled solos of John Gilmore, Marshall Allen, and theformer Herman Blount are avant-trad at its most accessible, butnote that the melodic panjazz swing showcased here is far morehuman-sounding and heartbeat-anchored than the children of Star Warsand videogames expect of "easy listening for intergalactictravel." Orbital fans out to slake their craving for strange shouldmake room in their budget for one of the DIY albums where these 18nonhits began. I'm a Lanquidityfan myself, but remember--I'vealways liked Agharta too. B PLUSRADIOHEAD: tag_hash_121_____(Capitol)I guess the fools who ceded thesebummed-out Brits U2's otherwise uncontested world's-greatest-rock-bandslot actually did care about what bigger fool Thom Yorke hadto say as well as how he made it sound. Why else the controversyover this bag of sonics? Me, I'm so relieved Yorke's doing withoutlyrics. Presaging too damn much but no more a death knell for songthan OK Computer was for organic life, this is an imaginative,imitative variation on a pop staple: sadness made pretty. Alienatedmasterpiece nothing--it's dinner music. More claret? A MINUSDud of the MonthDR DRE: tag_hash_123_____________(Aftermath/Interscope)It'sa New Millennium, but he's Still S.L.I.M.E. How Eminem survived allthe misogyny conditioning to grow into the sensitive spouse we knowtoday I'll never understand. A "family man" when he's explainingwhy he fled the 'hood, on the very next track Dre drips contemptfor the wife he's dogging and the other husband's wives he'ssodomizing--apparently because his real-life wife told him thatwould be commercial, rendering him a liar more ways than Eminemhimself could comprehend. For an hour, with time out for somememorable Eminem tracks, Dre degrades women every way he can thinkof, all of which involve his dick ("the whole eight," as thismaster of poetic license puts it). Best friend S. Dogg, bad spellerKurupt, and Dat Ho Ms. Roq are among the hangers-on who'll takehis (really Eminem's) money when (and if) he writes the check. Andjust when you thought it was safe to discard your vomit bag he goesout on a tearjerker about a dead homey. Wottan innovator. CAdditional Consumer NewsHonorable Mention:Queens of the Stone Age, R (Interscope):masters of unreality ("Feel Good Hit of the Summer," "Monsters in theParasol")Frank London's Klezmer Brass Allstars, Di ShikereKapelye (Piranha import): "Band of Drunks" revisited--theJewish equivalent of nouveau honky tonk ("A Shiker Iz ABloyzer-Shpiler [A drunk is a brass-player]," "Lekhaim, Efraim[Cheers, Frank]")Beenie Man, Art and Life (VP/Virgin): hip hopplus salsa plus r&b plus more r&b equals pure reggae crossover("Analyze This," "Girls Dem Sugar")Tricky, Mission Accomplished (Anti-): fourtracks not market-friendly enough to convince me "PolyGram" offed himfor being a "fucking nigger" ("Divine Comedy")Talib Kweli & Hi Tek, Reflection Eternal(Rawkus): "Anybody can tell you how it is/What we puttin' down righthere, this is how it is, and how it could be" ("Eternalists," "ForWomen")Kool Keith, Matthew (Funky Ass): "Tell youra&r and his wife to get out of my fucking life" ("I Don't BelieveYou," "Extravagant Traveler")Primal Scream, XTRMNTR (Astralwerks): to hellin a cybercar ("Kill All Hippies," "MBV Arkestra [If They Move Kill'Em]")The Dandy Warhols, Thirteen Tales From UrbanBohemia (Capitol): dandies have feelings too--no, strike that,tunes too ("Shakin'," Godless")Xzibit, Restless (Loud): a tough guy explainshimself ("Best of Things," "Sorry I'm Away So Much," "F****n' YouRight")Bamboozled (Motown): ain't nobody here but wechickens (Prince, "2045 Radical Man"; Stevie Wonder, "MisrepresentedPeople")Peter Tosh, Live at the One Love PeaceConcert (Koch): more politics than Bob or Bunny, and here'swhere they got him beaten within an inch of his life ("Speech,""Legalize It/Get Up, Stand Up")Eminem, The Freestyle Album (bootleg): justillin'--rhymes 'n' beats, some worked out over multiple takes and thenreleased elsewhere ("15-27 Freestyles," "8-13 Freestyles")The Blackbook Sessions (Galapagos4): up against arap underground this brainy, no wonder Chitown's white bohos "feign"shallowness (Anacron, "Be Where? [Beware!]"; Offwhyte, "Easy Speak")Kittie, Paperdoll EP (NG/Artemis): learningto yowl, live ("Spit," "Suck")Choice Cuts:Aimee Mann, "Ghost World" (Bachelor No. 2,SuperEgo)Coldplay, "Yellow," "Don't Panic"(Parachutes, Nettwerk America)Lexxus, "Ring Mi Cellie" (Mr. Lex, VP)Blaque Featuring Joey Fatone, Jr., "As If"; Daphne &Celeste, "U.G.L.Y." (Bring It On,Play-Tone/Epic/Sony Music Soundtrax)D.D. Jackson, "Anthem" (Anthem, RCA Victor)Duds:Richard Ashcroft, Alone With Everybody(Virgin)DJ Assault, Off the Chain for the Y2K: VolumeSix (Intuit-Solar)Doves, Lost Souls (Astralwerks)Meet the Parents (DreamWorks)Prodigy of Mobb Deep, H.N.I.C. (Loud)The Sea and Cake, Oui (Thrill Jockey)Village Voice, Feb. 13, 2001 17dc91bb1f

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