Rust Never Sleeps Neil Young Rar: Enjoy the Music, Videos, and Photos of the Album's Live Shows

Rust Never Sleeps is the eleventh album by Canadian American singer-songwriter Neil Young and American band Crazy Horse. It was released on June 22, 1979, by Reprise Records and features both studio and live tracks.[5] Most of the album was recorded live, then overdubbed in the studio, while others originated in the studio. Young used the phrase "rust never sleeps" as a concept for his tour with Crazy Horse to avoid artistic complacency and try more progressive, theatrical approaches to performing live.[6]

The B side opens with "Powderfinger," whose enigmatic and evocative lyrics about a family's confrontation with authorities have never fully been explained by Young, and ends with the anthemic "Hey Hey, My My (Into the Black)" with the defiant lyrics, "Rock and Roll can never die." After his final performance at the Boarding House on May 28, Young collaborated with the art punk band Devo on a cacophonous version of "Hey Hey, My My (Into the Black)" at the Different Fur studio in San Francisco.[12] During the Different Fur studio session, Devo vocalist Mark Mothersbaugh added the lyrics "Rust never sleeps", a slogan he remembered from his graphic arts career promoting the automobile rust proofing product Rust-Oleum.[13] Young recalls in a 1981 Rockline interview:

Rust Never Sleeps Neil Young Rar ^NEW^

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I think Mark had the idea in the first place. We were doing this version of 'Out of the Blue' together and we were in the studio playing and Booji Boy was there and he was singing Hey Hey, My My and he just had a lyric sheet and it said It's better to burn out than to rust and he just said Well it's better to burn out 'cause rust never sleeps and I thought, well all right that makes a lot of sense to me.[14]

Show Me A Sign "Who is John Galt?"

To ask the question is to know the answer "Whosoever shall give up his liberty for a temporary security

deserves neither liberty nor safety."

Benjamin Franklin Words

(Between the lines of age)

And in the end, the love you take

Is equal to the love you make

John & Paulthe zen of neil

the power of rust

the karma of the wheat

Om-Shanti.

Namaste

Neil Young: Time Fades Away [Reprise, 1973]

This is no desperate throwaway or quickie live album. Loud and dense but never heavy, singing with riffs concocted from the simplest harmonic components, it's squarely country, yet it never hints at nouveau-rockabilly good times. The opener, "Don't Be Denied," is an anthem of encouragement to young hopefuls everywhere that doesn't shrink from laying open fame and its discontents. And the finale, "Last Dance," evokes the day-job hassles that pay for Neil Young tickets, suggests alternatively that "you can live your own life," and then climaxes in a coda comprising dozens of "no"s wailed over a repetitive back-riff. It must have been strange to watch fans boogieing slowly to this mournful epiphany. But with the Stray Gators (driven by ex-Turtle Johnny Barbata instead of ex-Dylanite Kenny Buttrey) doing as much for Young's brooding, wacked-out originality as Crazy Horse ever did, it sure is exciting to hear. A

Sleeps With Angels [Reprise, 1994]

Although I'd love to hear him throw something together with Dave Grohl and Chris Novoselic, the Cobain connection is a ringer--dozens of young bands could scare up a Nirvana tribute more wrenching and dynamic. Instead think Johnny Rotten revisited and Rust Never Sleeps. The 14-minute "Change Your Mind" is not now and never will be "Like a Hurricane." But this caps five years of trying with lyrical will-o'-the-wisps, weird road tales, sociological crazy mirrors, rock and roll's first great middle-age anthem, and the ecology edition of "Welfare Mothers." Now let's hope he doesn't go for Hawks and Doves. A-

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