Hello, I am trying to have my camera lock on to a specific clone (created using Cloner) as it animates. I know you can use mograph selection to select a clone - but I believe the target tag needs an actual object. Thank you!

The defining visual characteristic of the Diana and its variants is the blue plastic top on the black plastic body, and the shiny silver front on the lens. The tops came in a variety of different shades of blue, which may or may not have coincided with certain names or certain clones.


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The camera defines the position, tilt, and headingof the point from which the SceneView's visible extentis observed. It is not associated with device hardware.This class only applies to 3D SceneViews.

The diagonal field of view (fov) angle for the camera. The range of angles must be between 1 and 170 degrees,where smaller fov angles mimic a telephoto lens zooming in, and larger fov angles mimic a fish-eye lenszooming out. The default angle is 55 degrees. This property is not persisted in webscenepresentation slides.

The compass heading of the camera in degrees. Headingis zero when north is the top of the screen. It increases as the view rotatesclockwise. The angles are always normalized between 0 and 360 degrees.

The tilt of the camera in degrees with respect to the surface as projecteddown from the camera position. Tilt is zero when looking straight downat the surface and 90 degrees when the camera is looking parallel tothe surface.

Most Japanese Manufactures has used this basic design for producing either a mechanical or a electronic (like the FE-10) entry camera at some point. It is possible that the manufactures do the final assembly themselves in order to claim it is their own.


If you consider the selling price of these cameras (the FM-10 is sold new from B&H at $210 w. the zoom lens!) then it does not make economic sense to start from scratch to make this type of basic camera, which makes it very probable that these cameras has a common origin regardless of what the manufactures wants us to believe.

All of this seemed too good to be true and looking at some online comments there was a suggestion that the output from the camera left a little to be desired. However, the proof of the pudding is in the eating, as they say, and so I did a test.

The short video below was taken with the camera mounted on the dashboard of my car. It is on the second setting of 720p at 30fps (frames per second). This is not the highest quality that it can achieve which is 1080p at 15fps but I think this is a good compromise.

When I want to use the clone stamp tool I have to wait several minutes (2-3) until it gets enabled and I can zoom in 100% and start using it. This has been going on for several releases now, same as the out of memory bug.

We'd suggest contacting Canon in your country (Canada) for support. We've not noticed any issues here in the US with the clone stamp tool using DPP on our iMacs on OSX 10.9. Canon Canada's website is www.canon.ca

Along the lines of "not the reply you were looking for".... if you're beyond the capabilities of iPhoto (e.g. if you're shooting RAW) then invest $79 in Aperture (via the Apple "App Store"). The "clone stamp" is a function of Aperture's "Retouch" brush (which has a "repair" mode and "clone" mode... the "clone" mode functionality is identical.

When you connect the camera (or memory card) it can import all the images at once, apply basic RAW processing to all of them via a camera profile (it knows appoximately how much default adjustment for things like sharpening, or noise, or color, etc. would be necessary as a default starting point). As you make adjustments to a single image, you can tell it to apply those adjustments to a range of images (e.g. if I adjust white balance... I don't need to do that to one image at a time. I can correct just one image, then select a range of images and tell it to apply the same adjustment to all of them.)

Frankly, Canon's response or lack of it is appaling. For instance, on my Canon 6D deleting an image takes seconds. It is now more than a year that they released the camera, there was at least one firmware release, yet this problem persists, along with a few other more important ones. But this is not about the 6D.

I don't own the same model iMac... but when I use the clone-stamp tool in DPP (something I don't normally use DPP to do but I fired it up just to test an image), the user-interface response is instant. There is no noticeable delay.

So first thing is to upgrade it. I grabbed -foscam.zip which (at the time) purported to be a collection of firmware required to upgrade the camera. The upgrade software runs on Windows, and I was able to do the upgrades from an instance of Windows XP running under VirtualBox on my home FreeBSD server.

Barry de Graaff provides a javascript tool for controlling Foscam-like cameras here. His tarball provides useful additional information, such as the fact you can remotely set the time and network information using URLs like:

Sure thing.

it was quite straightforward! I just put a ext comp tag on the cloner and it outputs the clones as nulls.

In my case however, I had clones that were rotating as they moved along a spline. I needed to slect certain ones and lock a widget and label on it that was locked to the camera (flush with the viewport)

Ruben from the Yahoo water rocket forum posted a link ( -rockets/message/10369) to a site that sells very cheap MD-80 clone cameras. Having used the original MD-80 camera for a while, the opportunity to get a similar camera was too tempting and so for $20 including delivery it arrived 9 days later. Though it didn't come with the microSD card, it did come with some good accessories like the USB charger, cable and mounting brackets. For testing I ended up using the microSD card from the MD-80.

The camera is similar in shape to the original MD-80 although it is a little larger. The image quality and frame rate are quite good. The case is plastic which makes it about half the weight of the original camera. The camera only weighs ~20grams.

One of the biggest drawbacks of the camera is the permanent time stamp overlay on the video. There is currently no easy solution for removing the time stamp from MD-80 clone video as it is embedded in the video stream by the camera's firmware. There are various software post processing tools available to either crop or try to eliminate the timestamp. There have been filters done before for VirtualDub namely the logoaway one ( ) but it is a more general filter. Here is a video of the logoaway filter at work: =Rgw7SNooD8w

hi, there is a huge difference in price between the Original battery + charger and clones with the same specs. Anyone bad experience with the clones? In other words; is the Original worth the extra money?

I am using a KAPAKEN charger, which is serving me well. This has fixed contacts that suit the LI90B used in my SH-50, and the LI92B used in my SH-1 and SH-2. I believe the latter are also used in the TG series of Olympus cameras.

I also use KAPAKEN batteries for my SH-series travel zoom cameras. In run-down tests they gave me 90% of the video recording time as compared to Olympus batteries, so I use them as backups for the two Olympus brand batteries that I have.

It probably depends on the battery. If you are using a BLN-1 battery (E-m5 mark I/II, E-m1 mark I, Pen-F) there are various threads about the reliability of third party batteries, and third party chargers. It appears that Olympus uses a slightly different chemistry for the BLN-1 battery than the normal lithium-ion battery used by the clone makers.

However, for the older BLS/BLM batteries this didn't seem to be the case. In general, the mAh rating for many clone batteries is for amusement value only, and if you take off the battery cover or measure how much capacity there is, you may find that that actual battery inside has way less charge than is indicated on the outside.

When I got my E-m5 a few years ago, I got two Wasabi batteries because I had had good luck with Wasabi batteries in previous cameras. Both batteries swelled up before a year went by, and I had to dispose of them. I've read other tales of woe of people with Wasabi BLN-1 batteries (and others of course that it works fine). I have Wasabi BLS batteries I bought earlier in rotation that most are still going strong (I did have a 4-5 year old Wasabi recently swell up, but at 4-5 years I would expect any battery to start failing). I don't know if it is something about the Wasabi BLN-1 batteries that is problematical or whether Wasabi in general has declined.

In one of the discussions, the one person (Airmel) who seems to have enough electrical knowledge to look into the batteries, has said that most of the clone batteries are junk. The only clone he likes is Watson (sold at B&H), which is typically 80% of the capacity at 50% of the cost. I have a few weekends a year when I might go through 6-8 batteries in two different cameras, shooting straight out for 6 hours/day. I've mostly been using Watson batteries now (plus the Olympus/Panasonic batteries that came with the cameras).

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