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This session on “Calculating Risk” examines demographic trends and inequalities in the environmental, residential, and employment sectors. Class will unpack how our economic systems make it possible for those with privilege to reap the benefits of environmental access and resource use without being exposed to any of the accompanying harms. This leads to acute forms of environmental injustice for individuals and communities, and further allows for more long-term problems like climate change to go unaddressed by people in power. Prepare for our group discussion by taking a deep dive into the work of contemporary rap and graffiti artists who are challenging imperialism, colonialism, and capitalism.
Watch: the music video of “Immigrants (We Get The Job Done)”. The piece was inspired by an iconic moment from the musical Hamilton. New rap verses were created and performed by a collection of political activists critiquing injustice around the world.
Notice: lyrics and scenes about environmentally related risks that disproportionately impact refugee and immigrant communities.
J.Period is a DJ, mix-tape creator, and hip-hop producer based in Brooklyn. J.Period’s introduction to the piece broadcasts a news-style commentary:
You know, and it gets into this whole issue of border security, you know,
who’s gonna say that the borders are secure?
We’ve got the House and the Senate debating this issue and it’s...
it’s really astonishing that in a country founded by immigrants,
“immigrant” has somehow become a bad word.
So the debate rages on and we continue....
K’naan, born as Keinan Abdi Warsame, is a Somali immigrant who learned English via rap and hip hop. K’naan reflects on the mismatch between immigrants’ dreams of America and the reality they often face, saying:
I got 1 job, 2 jobs, 3 when I need them
I got 5 roommates in this one studio, but I never really see them
And we all came to America trying to get a lap dance from Lady Freedom
But now Lady Liberty is acting like Hilary Banks with a pre-nup
Man, I was brave, sailing on graves
Don’t think I didn’t notice those tombstones disguised as waves
I’m no dummy, here is something funny:
You can be an immigrant without risking your lives
Or crossing these borders with thrifty supplies
All you got to do is see the world with new eyes
Snow Tha Product (born Claudia Alexandra Madriz Meza) is a Mexican American rapper. Her verses call out unjust labour patterns:
It’s a hard line when you’re an import
Baby boy, it’s hard times when you ain’t sent for
Racists feed the belly of the beast
With they pitchforks, rich chores
Done by the people that get ignored
Ya se armó (And it started)
Ya se despertaron (And they awoke)
It’s a whole awakening
La alarma ya sonó hace rato (The alarm went off a while ago)
Los que quieren buscan pero nos apodan como vagos (Those who want, search, but they label us hoodlums)
We are the same ones hustling on every level, ten los datos (Here’s the details:)
Walk a mile in our shoes; abróchense los zapatos (better buckle your shoes)
I been scoping ya dudes, y’all ain’t been working like I do
I’ll outwork you, it hurts you; you claim I’m stealing jobs though
Peter Piper claimed he picked them? He just underpaid Pablo!
But there ain’t a paper trail when you living in the shadows
We’re America’s ghost writers, the credit’s only borrowed
It’s a matter of time before the checks all come
But…
Immigrants, we get the job done
Rizwan Ahmed, or Riz MC, is a British Pakistani Muslim actor, rapper, and activist who points out how it is Western colonialism and military action that drive so much forced migration:
Ay yo aye,
immigrants we don’t like that
Na they don’t play British Empire strikes back
They beating us like 808’s and high hats
At our own game of invasion,
but this ain’t Iraq
Who these fugees?
What did they do for me
But contribute new dreams
Taxes and tools, swagger and food to eat
Cool, they flee war zones, but the problem ain’t ours
Even if our bombs landed on them like the Mayflower
Buckingham Palace or Capitol Hill
Blood of my ancestors had that all built
It’s the ink you print on your dollar bill, oil you spill
Thin red lines on the flag you hoist when you kill
But still we just say “look how far I come”
Hindustan, Pakistan, to London
To a galaxy far from their ignorance
‘Cos immigrants, we get the job done
Resīdεntә (René Juan Pérez Joglar) is a Grammy-winning Puerto Rican rapper, writer, and filmmaker who advocates for Indigenous people’s rights and educational access. Resīdεntә speaks of the resilience of undocumented workers in the face of colonial violence:
Por tierra o por agua (By land or water)
Identidad falsa (False identity)
Brincamos muros o flotamos en balsas (We jump over walls or float on rafts)
La peleamos como Sandino en Nicaragua (We fight like Sandino in Nicaragua)
Somos como las plantas que crecen sin agua (We are like plants that grow without water)
Sin pasaporte americano (Without an American passport)
Porque la mitad de gringolandia es terreno mexicano (Because half of Gringolandia is really Mexican terrain)
Hay que ser bien hijo e puta (One has to be a real son-of-a-bitch)
Nosotros Les Sembramos el árbol y ellos se comen la fruta (We planted the tree, and they reap the fruit)
Somos los que cruzaron (We are the ones who cross)
Aquí vinimos a buscar el oro que nos robaron (Here we come to look for the gold that was stolen)
Tenemos mas trucos que la policía secreta (We have more tricks than the secret police)
Metimos la casa completa en una maleta (We packed our entire house in one suitcase)
Con un pico, una pala y un rastrillo (With a pick, a shovel, and a rake)
Te construimos un castillo (We built you a castle)
¿Cómo es que dice el coro cabrón? (How’s the chorus go again, asshole?)
Immigrants, we get the job done
Identify: some of the factors contributing to the inequalities shown below through Sergio Maciel’s depiction of environmental segregation in Chicago.
Sergio Maciel grew up in Chicago, a city that is no stranger to environmental racism and unequal experiences. Maciel’s work is influenced by his Hispanic culture and life experiences, as well as the people and cultures around him.
As an artist, Maciel believes there is a responsibility to create and connect with the viewer as a form of communication. The intention of his work is to question stereotypes within society, to receive a better understanding of the commonalities between ideas, respect the differences, and admire the beauty. These issues and stereotypes have forged Maciel into who he is. “They are not meant to celebrate, disapprove, or stand in judgement, they are merely a catalyst of my work.”
(Photograph by Sebastian Hidalgo for NRDC)
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