Confronting Injustice

Session Objective: to acknowledge how political, social, economic, linguistic & environmental structures marginalise communities

“Confronting Injustice” is about understanding the wider context in which we exist and environmental racism plays out. This week’s Learning Log explores three related concepts: systemic racism, intersectionality, and white-as-default.

As reminder, your Learning Log is due by the end of the day each Monday. If you are feeling overwhelmed or cant get through everything, though, you can submit the Google Form with a note of I will come back to this” for any of the questions, and edit your submission later. This week is a heavy one, both in terms of the amount of content and the topics - do what you can!

Systemic Racism

  • Skim: the “History of Racism in America” by Meilan Solly for the Smithsonian.
    While you’re
    looking through it,
    Identify: something you did not previously know about the timeline, impact, or extent of racially based oppression in the United States. Note it below to raise in class.

Meilan Solly is a journalist and designer who has covered everything from dollhouse crime scenes to student mental health. She is currently an assistant digital editor at Smithsonian magazine; she has previously written for Kiplinger, The Saint, and The Flat Hat. Based in Washington, D.C., Solly is an alumna of William & Mary as well as the University of St. Andrews in Scotland. She is a World War II buff and a lover of the Renaissance, modern art, and dogs.

photograph of Meilan Solly
At a Glance_ Layers of Racism.pdf

This 2.5-minute stand-up comedy sketch by Aamer Rahman demonstrates why ‘reverse racism’ simply does not exist, because of the intense systemic injustice and structural oppression involved in contemporary racism.

click for transcript

A lot of people don’t like my comedy -

A lot of white people don’t like my comedy

A lot of white people say this to me:

“Hey, Aamer: You get on stage, you make your jokes about white people. You say ‘white people this; white people that’. What if I did something like that, huh? What if I got on stage and I said ‘yeah, Black people are like this; Muslims are like that’. You’d probably call me a racist, wouldn’t you?”

And I say: “Yeah, yeah, I would. You should never do that; that’s...that’s bad for your health.”

They’re like: “Well, you do that, Aamer. You do that. You get on stage; you make your jokes about white people. Don’t you think that’s a kind of racism? Don’t you think that’s...reverse racism?”

I say: “No, I don’t think that’s reverse racism.”

Not because I think reverse racism doesn’t exist, right? If you ask some Black and brown people, they’ll tell you flat out “there is no such thing as reverse racism”. I don’t agree with that; I think there is such a thing as reverse racism, and I could be reverse racist if I wanted to.

All I would need would be a time machine, right?

And what I’d do is I’d get in my time machine, and go back in time, to before Europe colonised the world, right?

And I’d convince the leaders of Africa, Asia, Middle East, Central and South America to invade and colonize Europe.

Just occupy them, steal their land and resources, set up some kind of...like, I don’t know, trans-Asian slave trade where we exported white people to work on giant rice plantations in China.

Just ruin Europe over the course of a couple of centuries, so all their descendants would want to migrate out and live in the places where Black and brown people come from. But of course, in that time, I’d make sure I set up systems that privilege Black and brown people at every conceivable social, political, and economic opportunity; white people would never have any hope of real self-determination. Then every couple of decades, make up some fake war as an excuse to go and bomb them back to the Stone Age, and say it’s for their own good because their culture’s inferior.

And just for kicks, I’d subject white people to colored people’s standards of beauties, so they end up hating the color of their own skin, eyes, and hair. If, after hundreds and hundreds and hundreds of years of that, I got on stage at a comedy show and said “Hey, what’s the deal with white people? Why can’t they dance?” That would be reverse racism.

আমার রহমান (Aamer Rahman) is a stand-up comedian from Australia. His parents hail from Bangladesh. A stand-up comedian, Rahman often performs with Nazeem Hussain as Fear of a Brown Planet. Born in Saudi Arabia where his father worked as an engineer, Rahman moved to Australia when he was six. He spent some of his pre-teen years in Oman, but grew up primarily in Melbourne. Aamer holds a degree in Law from Monash University; as a student, he protested against mandatory detention, higher education funding cuts, and anti-refugee policies.

  • Grasp: the extent of systemic racism by watching at least three of the videos from this parody series by Jay Smooth. (You can read the analyses compiled by Race Forward instead of and/or in addition to watching the videos, if you like.)
    In the Learning Log form below,
    Record: one statistic from each video you watched that angers or confuses you.

John Randolph, known professionally as Jay Smooth, is a radio personality highlighting hip hop, politics, and social justice. He started out as a teenager, creating a website in the internets early days and founding NYCs longest running hip hop radio program WBAIs Underground Railroad. Smooth left WBAI as an act of protest when the station hired Leonard Lopate after Lopate had been fired by WNYC for sexual assault. Born in New York City, Jay is the son of a Jewish mother and Black father.

photograph of Jay Smooth
  • Listen: to Lauryn Hills self-described ‘sketch on “Black Rage”.
    Read through the words on her website if you need to, and then
    Quote: the lyric that struck you most from Hills rewrite.

Lauryn Hill is a singer-songwriter known for the Fugees, a hip hop group drawing on elements of soul and reggae, whose name reclaimed a derogatory term for Haitian Americans derived from the word refugee. Hill broke barriers for female rappers throughout her career. Black Rage is, in Hills words, “about the derivative effects of racial inequity and abuse”. Set to the tune of My Favorite Things, youll hear Hills children playing in the house in this lo-fi version she released dedicated to Ferguson.

Intersectionality

蒋梦珏 (Mengjue ‘Ashley’ Jiang) is a Shanghai-born lesbian Asian living in LA, giving her four marginalised identities: woman, queer, person of colour, and immigrant. Building on the theory of intersectionality by critical race theorist Kimberlé Crenshaw, Ashley explains how these different characteristics overlap to create a unique experience of discrimination. She also discusses how the mainstream feminist, gay rights, and anti-racism movements all fail to adequately advocate for her full identity.

photograph of Mengjue Jiang
  • Read: more about the theory of intersectionality in this Vox highlight about how Crenshaw’s work has gone viral to shape modern conversations on race.

photograph of Kimberlé Crenshaw

Kimberlé Crenshaw is a Black American lawyer and civil rights advocate. A leader in critical race theory and minority feminist philosophy, Crenshaw is a professor at both the UCLA School of Law and Columbia Law School. Her work informed the South African constitution and continues to impact international law and politics. Dive deeper into intersectionality theory with her 1989 article coining the phrase — optional, but a meaningful read. (Photograph by Felix Clay for The Guardian.)

  • Connect: theories of intersectionality to environmentalism by watching this video produced by Intersectional Environmentalist providing more perspectives on the concept.

Intersectional Environmentalist is a climate justice community and resource hub centering BIPOC and historically under-amplified voices in the environmental space. Its founder, Leah Thomas, is an environmental activist and writer. She studied Environmental Science & Policy, previously worked on the communications team at Patagonia, and has a sustainable-living instagram blog @GreenGirlLeah. Thomas published the piece “Why Environmentalists Should Be Anti-Racist” on Vogue and is currently working on an Intersectional Environmentalist book.

  • Hear: this cheeky take on white feminism’s struggle with intersectionality.

photograph of Carlita Victoria

Carlita Victoria is an actor, personal trainer, and mental health advocate. Born in Raleigh, North Carolina, Carlita earned a BFA from UNC Greensboro before moving to New York. She is the Founder and Executive Director of Darkness RISING Project, a nonprofit dedicated to create culturally competent mental health resources for the Black community.​ Carlita was inspired to do this work by her personal experiences with anxiety, depression and PTSD.

Katie Goodman is a comedian, author, and motivational speaker specialising in empowering women in leadership. Her all-womens comedy and musical satire troupe, Broad Comedy, raises money for organisations like Planned Parenthood and the ACLU. Katie writes for O, The Oprah Magazine and is the author of Improvisation For The Spirit: Living A More Creative, Spontaneous and Courageous Life Using The Tools of Improv Comedy.

photograph of Katie Goodman
  • Examine: queer Indigenous artist Jeffrey Gibsons American History canvas featuring a quote from Black playwright and novelist James Baldwin:
    “American history is longer, larger...more beautiful, and more terrible than anything anyone has ever said about it.”

James Baldwin was born in Harlem in 1924. A writer and activist whose work dived deeply into the nuances of Western social divisions along racial, sexual, and class lines, Baldwins fiction focused on journeys of self-acceptance for predominantly African American, gay, and bisexual men. Faced with strong anti-Black prejudice and wanting to see his work beyond a reductionist African American context, Baldwin emigrated to France. He lived to witness both the Civil Rights and Gay Liberation Movements.

American History (Mixed Media on Canvas, 2015)

Jeffrey Gibson is a queer Mississippi Choctow-Cherokee painter and sculptor who spent his youth in Germany and Korea. His artwork draws on everything from rural pow-wows to urban raves while incorporating media as diverse as Iroquois beadwork and Everlast punch bags. A 2019 MacArthur Fellow, Gibsons work prompts a shift in how Native American art is historicised.

photograph of Jeffrey Gibson

White as Default

  • Learn: about the problem of white-as-default. Beccas mini-lecture introduces the concept; the accompanying “Theory at a Glance” guide captures key terms and links to other resources if you would like to dive deeper.

click for transcript and lecture notes

As we dive more into theory in this class, you’ll probably notice that we’re borrowing ideas from gender studies, disability rights activism, and the queer liberation movement as well anti-racist work. This is because all of these fields are fundamentally about power relations. There is a long history of minority groups ‘fighting’ for attention, unfortunately, but there is also a long history of shared struggles, learning from each other’s strategies, and building on successes. Dr Martin Luther King, Jr’s well-known words “Injustice anywhere is a threat to justice everywhere” are true not only in geographic terms, but also in regards to the type of injustice and which group is being marginalised. We’ll explore more about this in next week’s examination of intersectionality. For today, as we consider just how widespread racism is in our world, we’re going to take a look at reference group categories and feminist critiques of male as norm.


A reference point is something we use to start with. When you’re giving directions and you say “it’s down the road from the gas station”, the gas station is your reference point. We use reference points because they are things we expect everyone to know. They’re the common, well-known, baseline. They are what we measure from.


A reference group is a collection of people used as a standard. In scientific studies, they are the control group.


Reference categories are the default. They are the ‘normal’.


Now, there are a lot of reasons that we have reference points. We have to start somewhere! But when we’re thinking about people, instead of buildings and how close they are to a gas station, the reference categories we use really matter.


Because as soon as we have named a reference category, we have created a central point. And when we name a particular group of humans as the default, we make some humans the ‘others’. They are immediately less central, and, in a quiet way, less human.


Feminist scholars identify masculine as a common reference category that creates inequalities. Male, masculine, and man are the default: we see this with phrases like “all mankind”, and we mean all humans. But we don’t say “all womankind”, and mean all humans. When we use one category of people as a stand-in for everyone, we center that group, and everyone else becomes an ‘other’. Thinking of the male-as-norm phenomenon, Sandra Bem explains:

“All members of a category do not have equal status in the mind of the human perceiver; some members are instead perceived as ‘more equal’ - or more prototypical - then other members...the male is taken to be the cognitive reference point, the standard, for the category of human being...the female is taken to be a variation on that prototype, a less representative example of the human species”.


Taking men as the default has very real and dangerous consequences. Women in car crashes are more likely to be seriously injured than men, because the entire design is built around the ‘standard’ male body. Crash dummy tests are performed - and safety rankings made - based on the male average. But the male average is not actually the human average, even though we have created an entire system designed as though it is.


There is a very clear parallel between the male-as-norm problem and racist structures: white is the default reference category for race. White is considered ‘normal’. (Emirbayer and Desmond: “Whiteness often functions as a standard against which all other categories are (implicitly) compared.”) White-as-default is built into everything: from the yellow cartoon shade of standard texting emojis, to the fact that Western grocery stores have an “ethnic” hair care section. And again, this creates life-and-death inequalities, in addition to the millions of ways it devalues non-white persons in everyday life. Medical textbooks use white bodies in illustrations; this leads to misdiagnosis and delays in treatment, and contributes to horrific disparities in health outcomes.


We live in a world where white men, as a reference category, are the default for ‘human’. And by consistently placing them as the central reference point, every system is designed around whiteness and maleness as the baseline. This creates structural inequalities in everything, no matter how much we as individuals are or are not actively biased, racist, or sexist. Because when a particular group of people is always the reference group, that group is preferenced, in a million different little ways, that add up to massive amounts of privilege for them and major barriers for others.


Male-as-norm and white-as-default is why it isn’t enough to be “not racist”. We have to be actively anti-racist, because white supremacy is so pervasive in so many quiet ways that it is the default: so much so that inaction becomes patriarchal racism. That’s why we’re studying structural inequality and systemic oppression: so we can recognise that individual bias and interpersonal discrimination are far from the only problems we face when it comes to racial disparities.



see also:

At a Glance_ White as Default.pdf
  • Complete: your Learning Log for this session via the form below.