Spotlighting Stakeholders

Session Objective: to co-create a musical production recognising diverse stakeholders and showcasing marginalised actors

Raise Your Voice Labs applies methods of musical peacebuilding, facilitated dialogue, and circle singing to help groups find their common ground, share concerns, and voice their collective identity. Echoing a major tenet in environmental justice, the process is as important as the product: being heard and actively engaging in decision-making is crucial to community empowerment and just outcomes.

The “Climates of Resistance: Raise Your Voice” project brings incredible scholar-artists together to work with our class around themes of anti-racism and environmental justice. They will be guiding us in the co-creation of a music video celebrating our course community and highlighting diverse perspectives. During class, we enjoyed some live musical performances and had a conversation about our own experiences with and priorities in environmental racism. In the coming weeks, you’ll have the chance to meet individually with one of the artist mentors to create your contribution to the video...whether that’s singing, dancing, recording birdsong, designing and holding up a protest sign, or something else entirely!

  • Add: to our JamBoard with notes from our community dialogue. Review highlights from the class workshop below to give you ideas!

we started with a musical dialogue in class...


  • Austin kicked us off with an environmental song

  • then we split into breakout groups with our teaching artists to consider these prompts:
    Identify three someones or somethings that are undervalued in conversations about the environment. Imagine each one as a friend, family member, or loved one.

  • How do they support you?

  • How do they support others?

  • How do they support the ecosystem?

  • Where would you/we be without them?

  • What are they trying to say to you/us? What would they want you/us to know?

  • How do you feel about having had the chance to listen to them and hear their voices?

Waiting for Someone Else - Captioned.mp4

...and then Micah created an improv song!


  • Watch: the community music video created by Raise Your Voice Labs and last semesters course, and another environmental video produced by the Lab as part of a recent project for the International Union for the Conservation of Nature. These will give you an idea of the kind of thing we might create together.

“The Wrong Amazon is burning, and the wrong ICE is melting”.

The Spring 2021 iteration of Climates of Resistance included both a formal academic class taken by undergraduate students at Syracuse University, and a collection of Discussion Groups in a Community Audit version open to the general public. Participants represented 17 different countries and ranged in age from 16 to 82 years old (with occasional special guest appearances from younger family members).

The course community created this music video together with Raise Your Voice Labs, as they though about which voices are not heard in conversations about the environment - and how we can raise those voices in an effort to bring equity and action to the urgency of this global environmental and sociopolitical moment.

The young people of the IUCN “One Nature, One Future” Global Youth Summit share their frustration with tokenism, their commitment to action, and their hope for the future.

We are not your photo op.

We are the youth of this world,

Whose future hangs in balance.

You tell us: “What can we do?”

Were ready for the challenge!

We are the Ocean, the Forest

Breathing for humanity.

Come with me,

Were gonna save Our Planet.

  • Brainstorm: your contribution! You can share anything that is textual, visual and/or sonic, and it will be edited into the music video. Examples of what you could do:

      • sing: follow the Raise Your Voice Labsguidelines to sing along with the backing track

      • play: any instrument you like...you can add to the melody lines, create a harmony, improv something, or anything else you want to layer on

      • write: additional lyrics – which you can sing yourself, with any melody or rhythm that makes sense with the backing track, or email lyrics to climatesofresistance@gmail.com, and the professional musicians can make your words come alive

      • draw: a protest sign, and film yourself holding it up

      • paint: an underrepresented stakeholder, image of nature, or anything you want to express visually – you can send a photo of the final product, or a video of you as you paint

      • dance: share some physical movement: you can interpret the main lyrics through dance, or add a message of your own

      • sign: film yourself sharing an environmental message in sign language

      • translate: we would love to hear additional languages! Translate the main lyrics or add your own.

      • capture: some sounds of nature on your daily walk: birdsong, a river, leaves rustling, mosquitoes buzzing...anything you think we should take time to listen to!

      • share: anything else you would like, in any format: we want as many kinds of ‘voices as we can get!

You will have the chance to share your ideas and get feedback with one of our Teaching Artists in mid-November. Austin and Micah will share a starting song and backing track with us soon. For now, think about what you might want to do and consider which of our Teaching Artists you would like to meet with.

Micah Hendler

Micah Hendler is a musical changemaker working to harness the power in each of our voices to make a difference. After studying international relations at Yale, Micah blended his academic knowledge of conflict and mediation with his artistry to found the Jerusalem Youth Chorus, an Israeli-Palestinian music and dialogue project. The chorus empowers young singers from East and West Jerusalem to share their truths, become leaders in their communities, and inspire others to join their work for peace, justice, inclusion, and equality.

Micah recently moved back to the US to work with the Justice Choir, a grassroots movement using the collective power of music to promote social and environmental justice, and Braver Angels, a relationship-building initiative depolarising the Red-Blue divide through dialogue. Named as a Forbes 30 Under 30, Micah also writes for Forbes about music, resistance, and global affairs.

As co-founder of Raise Your Voice Labs, Micah will compose an original song inspired by our conversations in class, leveraging music as a tool for peacebuilding and environmental justice.

Asif Majid, Activist Scholar
(pronouns: he/him/his)
photo credit: Rameya Shanmugavelayutham

Asif Majid

Asif Majid is a scholar-artist-educator working at the intersection of racialized sociopolitical identities, multimedia, marginality, and new performance, particularly through devising community-based participatory theatre and creating improvisational music. Currently, he is Assistant Professor of Theatre and Human Rights at the University of Connecticut.

Asif served as a Mellon/ACLS Public Fellow with the San Francisco Arts Commission and completed his PhD (Anthropology, Media, and Performance) at The University of Manchester. Asif has published in multiple books, peer-reviewed academic journals, and popular media outlets. His performance credits include work with the Kennedy Center (US) and Royal Exchange Theatre (UK), among others.

As part of the community music video project, Asif will help students reflect on their understandings of global justice through artistic expression.

Emma Morgan-Bennett

Emma is a visual media artist and activist-scholar particularly drawn to questions surrounding race, reproduction, and the body. Committed to Black Radical Joy, Emma sees liberation within the creative celebration and engagement of those who have survived and thrived in spite of the odds.

A born and bred New Yorker from Washington Heights, Emma is currently studying filmmaking at Goldsmiths, University of London as a Marshall Scholar. She graduated from Swarthmore College in 2020 with High Honors having written her Medical Anthropology thesis on Radical Doulas and the Black Maternal Mortality Crisis in Austin, Texas.

Outside of the classroom, Emma spends her time working as a full-spectrum doula (physically and emotionally supporting pregnant people through their reproductive journeys), working on her creative projects, and writing. She will be working with us on the visual aspects of our music video, brainstorming ways to “raise our voices” through film footage, photography, signage, and more.

photograph of Emma Morgan-Bennett

Emma Morgan-Bennett, Cultural Worker
(pronouns: she/her/hers)

Garrett Turner

A native of Florence, Alabama, Garrett Turner is a proud member of Actors’ Equity. Garrett majored in music and creative writing at Emory, where he recently served as an Arts and Social Justice Fellow using theatre to honour known victims of the 1906 Atlanta race massacre.

Garrett has studied at the University of St. Andrews as a Bobby Jones Scholar and holds masters degrees from the Royal Central School of Speech and Drama and Queen Mary. He is currently writing Eleanor: A Church Story, a musical about a young Black woman from Tennessee who stages a mini revolution in her church when she is banned from preaching because she’s a girl.

In 2019, Garrett worked alongside Syracuse drama students while premiering Thoughts of a Colored Man with Syracuse Stage. He will continue that collaboration as part of the “Climates of Resistance Raise Your Voice project, helping us consider how we can use music and art to advocate for sustainable justice.

Austin Willacy

For the past 23 years, Austin Willacy has directed Youth in Arts ‘Til Dawn, an award-winning teen a cappella group that empowers youth to find their voices in many ways. He is also a veteran member of The House Jacks, with whom he has produced 10 full-length albums and completed multiple world tours.

Austin has served on the boards of the Rainforest Action Network, a grassroots effort taking action against industries driving climate change, and Freight & Salvage, a nonprofit community arts organisation promoting public understanding of traditional music with a focus on racial and gender justice. As a facilitator for YES!, Austin has co-founded Arts for Social Change Jams in the US, Turkey, and India; the Black Diaspora Jam; and the Mens Jam.

Austin is the co-founder of Raise Your Voice Labs, where he uses music to facilitate dialogue about environmental activism, anti-racism, and global justice. Building on his political and community organising experience, Austin will showcase what effective public participation can look like in the midst of mass inequities.

photograph of Reylon Yount

Reylon Yount, Tangram
(
pronouns: any - he/she/they)

Reylon Yount

As a biracial Chinese American growing up in San Francisco, Reylon began learning yangqin (the Chinese hammered dulcimer) as a way to stay connected to his heritage. They have since introduced the rare instrument to the world stage, featured alongside Rhiannon Giddens and Yo-Yo Ma on Silkroads GRAMMY Award-winning record “Sing Me Home”.

While completing undergraduate studies in Environmental Science and Public Policy at Harvard University, Reylon conducted research for environmental organisations in China, Australia, and the U.S. She then moved to the UK to complete two master’s degrees at SOAS University of London and Goldsmiths University of London. Reylon now co-directs Tangram, an artist collective envisioning a world beyond the China-West dichotomy.

Reylon serves as a Group Facilitator for the Community Audit, has taught a special session about environmental justice in East-West relations, and is a Teaching Artist for our community music video projects.

Jessica Zhu

​Jessica Zhu made her orchestral debut in 2006 as a student of Nancy Weems at the University of Houston, when she played Prokofiev Piano Concerto No. 3 with the Houston Symphony. She has since performed with many orchestras in America. In 2009, Jessica was awarded the highly coveted Marshall Scholarship, with which she completed a Masters programme with distinction at the Guildhall School of Music & Dramas.

The ‘outstanding young Chinese-American pianist Jessica Zhu (The Independent) received warm praise for her Wigmore Hall debut, given as part of the Park Lane Groups Young Artists Series in December 2011. Jessica has also appeared at the Purcell Room in the Southbank Centre, St James’s Piccadilly, St Martin-in-the-Fields and the Manchester Bridgewater Hall, among others around the UK and in Europe.

Believing in using music to reach and educate audiences without easy access to the arts, Jessica is an alumna of the LiveMusicNow young artist scheme, which brought her to perform in hospitals, elderly homes, and special education schools throughout the UK.

Jessica joins this project with the goal of making music more accessible to everyone - including those of us who dont identify as artists!

Jessica Zhu, Tangram Artist
(
pronouns: she/her/hers)

  • Bring: environmental justice into focus – though it may seem very far away and a long time coming – through Abe’s artwork.

Abe Odedina's "Is There Anyone There," 2019. In this painting a Black person dressed in white stands at the center looking upwards toward the black night sky through a gold telescope. There is a soft yellow, golden glow on their forehead from the moon and stars, which surround them in the background.
“Is There Anyone There” (2019)

A practising architect and self taught painter, Abe Odedina started painting several years ago when on a trip to Brazil he fell under the spell of the magical popular arts particularly of Bahia and Pernambuco. This ignited a passion that lead to the discovery of the Voodoo arts of Haiti and the Painters of the Sacred Heart.

The native Nigerian works in London and Salvador, Bahia, painting with Acrylic on plywood. The paintings are flat with the surfaces ordered without the aid of perspective or concern for the laws of gravity, encouraging a mythical interpretation of the world.

Abe’s paintings delight in the use of colour and imaginative pictorial statement. These qualities are rooted in the traditions of expressive figurative paintings that can be found in the streets in cities, like Lagos, Salvador, or Port-au-Prince adorning the sides of lorries, on the walls of temples, beer parlours, love motels or advertising the services of barbers, vulcanisers, healers and other specialists.

Because of his belief in the power of art to transform reality into images of a miraculous world, it is no accident that Abe’s paintings are engaged with the idea that reality is an interplay of the visible and the feasible.

photograph of Abe Odedina