Thus begins a tale of impulsive double-crossing, our Amitabh-aping gaddaar inadvertently, but coolly, opening a can of corpses. Blood. Banknotes. Betrayals. Bollywoodity. The action flows in fits and starts, akin to bullets from a revolver wrapped in an ochre car-cleaning kapda: hard-hitting when pressed, yet more or less inconspicuous -- deceptively slow, even -- the rest of the time. It's a two-hour ride, yet there's lots of room for brooding between the lines. Or, more appropriately, the lies.

This film provides examples of: A Father to His Men: Seshadri, the veteran smuggler and head of the gang, to the point that even Shardul, the Token Evil Teammate vows to avenge his death. Born Lucky: Vikram, the "gaddaar". He makes multiple mistakes which reveal his actions to the members of his gang, but gets the drop on them each time through sheer luck. This is until the very end, when he is killed by the widow of one of his victims. Couldn't Find a Pen: Mini writes the total profit (Rs. 25,000,000) that the gang are going to make with her lipstick on Vikram's mirror. When Vikram reminds her that it will be divided equally among all the members of the gang, she offhandedly tries to wipe off the '2', only managing to smudge it a bit. Vikram looking at the image seems to entice him to stealing the whole take. Heads or Tails?: Subverted. Vikram tosses a coin, deciding he will proceed with his plan if it comes up heads. It comes up tails on three tosses. He proceeds anyway. In light of what happens, serves as either Screw Destiny or as Tempting Fate. Karmic Twist Ending: Vikram, after having killed every other member of the gang, goes back to Prakash's house to retrieve the money, wearing Shardul's jacket to protect him from the rain. As he is about to get it, he is shot, and the killer is revealed to be Varsha, who mistook him for Shardul (because of the jacket) and believed she was avenging her husband...because Vikram convinced her that Shardul killed him. Ironically, she did in fact avenge him by killing his real killer. Line-of-Sight Name: When Vikram has to register at a hotel, he enters his name as Johnny, seeing "Johnny Mera Naam" playing on the counter television. When the clerk asks for a last name, he says "Ji?" (I beg your pardon), which the clerk mistakes for "G" and enters as an initial. Counts as a sort of Title Drop. The Lost Lenore: Seshadri's wife. He seems to play a recording of her singing often, and it's the last thing he hears as he dies. MacGuffin: We never find out what contraband the gang was pooling money to buy, only that their code for it is "French furniture". The plot is driven by the theft of the pooled money. Match Cut: As Vikram turns his back to the camera to have sex with Mini, the camera cuts to another naked back, on which Inspector Kalyan is extinguishing his cigarette to interrogate a mook where the "furniture" is. Shout-Out: Several: The film is an acknowledged homage to the films of Chetan Anand and the novels of James Hadley Chase. Vikram is seen reading Chase and comes up with the name Johnny G while watching Johnny Mera Naam, directed by Chetan Anand. Multiple characters are seen watching Parwaana, which gives Vikram his idea. The similarity of his actions to those of the villain in Parwaana is even lampshaded by another character. The red credits amidst black and white footage are a shout out to Sin City. Sympathetic Adulterer: Vikram and Mini, at least initially. Shardul is implied to abuse her often enough that she is desperate for the two to escape - Vikram suggests to wait till the deal is done, when they will have enough money to leave for Canada to escape Shardul.


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