City Sounds Free Download [REPACK]

City Sounds contains 42 audio recordings captured in various areas of large cities. The library includes traffic sounds, city atmosphere, street sounds, sports crowds, car horns, ambulance sirens, and even rain sounds recorded on a busy street.

From the distant hum of traffic and the occasional honk of an impatient driver to the rhythmic footsteps of pedestrians and the melodic chime of a tram bell, these are the sounds that define the rhythm of a city.

City Sounds Free Download

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This is exactly what you will find in our City Sounds pack. Field recording expert Marcel of Free To Use Sounds used his knowledge to capture the sounds of busy city streets and kindly offered these sounds for free download on 99Sounds.

These carefully captured city sounds can transport listeners directly to a New York street corner or a Parisian caf. You can load these city sound effects in your favorite video editing or audio production software.

I'm trying to find a good microphone for recording ambient city sounds to be used for my walking videos. I currently use the Sennheiser Ambeo smart headset which I thought was good but recently I've started to doubt the quality. I'm considering the Tascam Dr-05x because it seems to be reasonably good and I think I can use a usb powerbank with it while I'm recording (I would like to avoid continuously buying batteries if possible). My problem is that its difficult to find samples of city recordings for various microphones. I'm also looking at the Rode i-xy. Does anyone have any suggestions?

I can feel my tiny 2lbs pup squirm and freeze up in my arms at all the passing sounds (trucks, construction, music, subway trains). I try to keep it positive by talking encouragingly to her and also shower her in treats, she occasionally takes them.

I'm playing GTA V with the Simple Zombies mod and a few different mods to make it bit more realistic. But the thing that keeps bothering me is when I activate the Simple Zombies mod all the traffic and pedestrians disappear but I keep hearing the ambient city sounds like car honks, sirens etc.

If this work I will upload it I guess, unless of course if anyone more skilled than me figure a better way to mute those ambient sounds!

edit: it seems that there are a lot of ambient sounds in resident.rpf too.

I am recording city sounds such as high street ambiance and bus/ tube journeys.I have a zoom H6 and a choice of XY mic, MS mic and a shot gun. My overall aim is to capture and make 2 to 3 minutes long montages of the street or bus scenes I record, so all sounds matter. However when I'm just capturing a bus leaving and an ambulance suddenly arrives, although I'm happy with it the sound of the sirene can become overwhelming and I have to turn the gain suddenly very low to avoid clipping. My question is, I am doing right by constantly monitoring the gain or is there a better way?

Manually adjusting the gain during the recording is never a great idea. Your reactions are sluggish, so you'll probably have some seconds of clipped sounds that you'll have to throw away anyway, and then you have inconsistent levels that you'll have to compensate for somehow in post.

The H6 offers a couple of solutions for this: backup record and an onboard limiter. The backup record function records two files simultaneously, one with 12dB less gain. The limiter is like an auto-level that ducks sounds above a certain threshold. (There are 3 limiter presets, and they're quite vague about the differences between them but you can probably stick with the 1st, general-purpose one.)

I'd recommend preferring the backup record feature to the limiter, as then you get a clean, unprocessed take for each sound event, which you can decide to put through a limiter in the edit. It's particularly a good option if you're seeing yourself editing your takes considerably (ie. you will use the ambulance siren separately from the bus sounds). But you can even use both features together for extra safety - then your backup should record without the limiter kicking in, but in case the source is still too loud the take will still be usable.

I had just this problem when recording ing London. A siren went past. I had my limiter kicked in but the squash it applied was still audible, i.e. as the siren receeded, everything else faded back in. Personally, I would write off blended sounds like that and hang out for cleaner takes.

You might go out for a day with your gain set much lower so that you're set for a dedicated siren recording session. The standard traffic sounds might be too quiet, but the siren passbies should be usable, since sirens are much louder than most traffic.

I can't think of many instances where having your limiter on for recording wouldn't be the best idea. Although my siren story shows that a limiter doesn't always cut it, sometimes sounds can combine in such a way that the limiting is far less noticeable - a clattering, banging truck passing for instance, the short, sharp blast of a horn. Far better to have the limiter save those sounds than have to edit out clipped portions of audio.

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This paper investigates the transformation of urban sound environments during the COVID-19 pandemic in Montreal, Canada. We report on comparisons of sound environments in three sites, before, during, and after the lockdown. The project is conducted in collaboration with the Montreal festival district (Quartier des Spectacles) as part of the Sounds in the City partnership. The analyses rely on continuous acoustic monitoring of three sites. The comparisons are presented in terms of (1) energetic acoustic indicators over different periods of time (Lden, Ld, Le, Ln), (2) statistical acoustic indicators (L10, L90), and (3) hourly, daily, and weekly profiles of sound levels throughout the day. Preliminary analyses reveal sound level reductions on the order of 6-7 dB(A) during lockdown, with differences more or less marked across sites and times of the day. After lockdown, sound levels gradually increased following an incremental relaxation of confinement. Within four weeks, sound levels measurements nearly reached the pre-COVID-19 levels despite a reduced number of pedestrian activities. Long-term measurements suggest a 'new normal' that is not quite as loud without festival activities, but that is also not characterizable as quiet. The study supports reframing debates about noise control and noise management of festival areas to also consider the sounds of such areas when festival sounds are not present.

"As this wave from memories flows in, the city soaks it up like a sponge and expands. A description of [the city] as it is today should contain all [the city's] past. The city, however, does not tell its past, but contains it like the lines of a hand, written in the corners of the streets, the gratings of the windows, the banisters of the steps, the antennae of the lightning rods, the poles of the bags, every segment marked in turn with scratches, indentations, scrolls."

"As a council, we are really proud to be supporting the festival, which we believe will continue to go from strength to strength and further enhance Chichester's reputation as a creative and musical city.

"We really want to shine a light on the very best artists from Chichester and the surrounding areas at City Sounds. Over 20 artists played in March, and we will be doubling that number this time, which is very exciting and a great thing for the city." 006ab0faaa