Christmas Jazz Music Free ((INSTALL)) Download

Mark Whitfield is a popular American jazz guitarist from New York. He has been the bandleader for Warner Bros Records and Verve record label, working with many prominent and legendary jazz performers. This soulful version of jingle bells is an excellent alternative to more traditional (and sometimes slightly childish) versions of the song.

I know that jazz has spent most of its history in bars and clubs or in the halls of academia. It's difficult to find a jazz radio station in most communities and the general public would be hard pressed to name a recent jazz artist or album. Yet when Christmas rolls around, the radio seems to be dominated by jazz standards and jazz infused pop singles. In fact, whenever I play jazz in my classroom, I can guarantee at least one student will ask why I'm playing Christmas music. But Christmas, as a religious and family oriented holiday, seems to be a very odd pairing with this niche music genre. So, why is it?

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Wynton Marsalis is from New Orleans, the Crescent City of fable and fact existing where the Mississippi meets the Gulf. The music of his hometown is not only the basic driving force and conception of all jazz schools, it is directly used here in a traditional way that is also revolutionary. The word revolutionary is overused today but it applies here because of what this music demands of its players in technique, soul, and response to one another on the moment. New Orleans musical art, however direct and syncopated it might seem, it is never truly simple. At its best, New Orleans music contains profound human meanings that can steal up on us in the invisible medium of sound, collecting and delivering everything available to life.

On this recording Marsalis has put together a unit that includes veterans from earlier groups he led going back to the 1980s. Part of the clear celebratory feeling heard here is in recognition of a reunion of artists bound together by objective facts and accomplishments. These are some of the finest musicians to appear over the last three decades and some of the finest to have ever played their instruments, which one can hear proven on albums such as Blue Interlude; Citi Movement; In This House, On This Morning; and Live At The Village Vanguard. Drummer Herlin Riley, alto saxophonist Wessell Anderson, bassist Reginald Veal, and trombonist Wycliff Gordon have each made it clarion clear that he is a soulful virtuoso of an almost unprecedented vocabulary ranging in blues and swing from New Orleans at the beginning of jazz to whatever was most soulfully played anywhere in the world last night.

Because it is a capital of celebration and a capital where death is dressed down with the rebellious vitality of living, New Orleans provided the memory and the music Marsalis chose to make this CHRISTMAS JAZZ JAM. Every culture creates forms that can hold what its people consider timeless since no group we know of lacks the fundamental discoveries about life that never change, such as the joy of arrival and the sorrow of doom.

Thank you for this really nice jazzy arrangement. Walking bass is very cool. I hope I will get it under my fingers until 24th of December (this year).

? I would like to wish you Merry Christmas and a Happy New Year (hopefully with more social contacts)!

You might not immediately think of jazz for Yuletide, but over the years the holiday season has proved fertile ground for a whole host of jazz artists from Charlie Parker, John Coltrane, Count Basie, and Duke Ellington to Ella Fitzgerald, Frank Sinatra, Louis Armstrong, and Mel Torm, who, between them, have recorded some of the best Christmas jazz songs of all time.

There was a lot of love in the air when NPR's annual A Jazz Piano Christmas concert and live taping took place this past weekend, Dec. 3, at the John F. Kennedy Center for the Performing Arts in Washington. After more than two years of pandemic and lockdowns, audiences have been eager to get out and experience live music again and this event showed that plainly.

Ever since the early days of jazz standards, Christmas jazz has formed a special part of the festive season. In this article, we take a look at some of the most famous xmas jazz songs and the stories behind them.

Like the non-festive songs of the era, these have tended to lend themselves particularly well to jazz improvisation, and form the bulk of the many Christmas jazz albums that have been made over the years.

Bill Evans recorded this xmas jazz tune on his Trio 64 album, in typically loose and conversational fashion with Gary Peacock and Paul Motian. We tend to think of the pianist as shy and introverted, but rather surprisingly he really lets his hair down on this one!

We Three Kings is a traditional Christmas carol, and is much older than most of the songs on this list. Tit works well, though, as a jazz waltz, with the darker minor key opening contrasting nicely with the more uplifting major key section.

A Charlie Brown Christmas is the eighth studio album by the American jazz pianist Vince Guaraldi (later credited to the Vince Guaraldi Trio). Coinciding with the television debut of the Christmas special of the same name, the album was released in the first week of December 1965 by Fantasy Records.[1][a]

Guaraldi was contacted by television producer Lee Mendelson to compose music for a documentary on the comic strip Peanuts and its creator, Charles M. Schulz. Although the special went unaired, these selections were released in 1964 as Jazz Impressions of A Boy Named Charlie Brown. Coca-Cola commissioned a Christmas special based on Peanuts in 1965 and Guaraldi returned to score the special.

Guaraldi composed most of the music, though he included versions of traditional carols such as "O Tannenbaum".[6] He recorded some of the score at Whitney Studio in Glendale, California, then re-recorded some of it at Fantasy Records Studios in San Francisco with a children's choir from St. Paul's Episcopal Church in nearby San Rafael. The sessions ran late into the night, with the children rewarded with ice cream afterward.

By the early 1960s, Charles M. Schulz's comic strip Peanuts had become a sensation worldwide.[11] Television producer Lee Mendelson acknowledged the strip's cultural impression and produced a documentary on the subject, titled A Boy Named Charlie Brown.[12] Mendelson, a fan of jazz, heard Vince Guaraldi's song "Cast Your Fate to the Wind" on the radio not long after completion of his documentary, and contacted the musician to produce music for the special.[13] Guaraldi composed the music for the project, creating an entire piece, "Linus and Lucy", to serve as the theme.[14] Despite the popularity of the strip and acclaim from advertisers, networks were not interested in the special.[14]

By April 1965, Time featured the Peanuts gang on its magazine cover,[11] and plans for an animated half-hour Peanuts Christmas TV special were commissioned by The Coca-Cola Company.[14] When Coca-Cola commissioned the A Charlie Brown Christmas TV special in spring 1965, Guaraldi returned to write the music, having just recorded the live album At Grace Cathedral at San Francisco's famed cathedral with St. Paul's Church of San Rafael 68-voice choir.[15][11]

The special begins and ends with a children's choir from St. Paul's Episcopal Church in San Rafael performing "Christmas Time Is Here" and "Hark, the Herald Angels Sing",.[18] Guaraldi had performed with the choir at his May 1965 "jazz mass" performance at Grace Cathedral (released in September 1965 as At Grace Cathedral).[19] The recording sessions were conducted in late autumn 1965 in three sessions over two weeks. They often ran late into the night, resulting in angry parents, some who forbade their children to return; as a result, numerous new children were present at each session.[20] The children were directed by Barry Mineah, who demanded perfection from the choir. Mendelson and Guaraldi disagreed, wanting "kids to sound like kids"; they used a slightly off-key version of "Hark, the Herald Angels Sing" in the final cut.[20] Children were paid five dollars for their participation. In addition, the children recorded dialogue for the special's final scene in which the crowd of kids shout "Merry Christmas, Charlie Brown!"[20]

Guaraldi brought in bassist Fred Marshall and drummer Jerry Granelli and re-recorded tracks such as "The Christmas Song" and "Greensleeves". The album credited Guaraldi solely, neglecting to mention the other musicians; Guaraldi was notorious for never keeping records of his session players.[22] Nearly three decades later, in an effort to correct the matter, Fantasy surmised that the recordings with Budwig and Bailey were employed in the television special while Marshall and Granelli recorded the album.[22] Despite this, other musicians have claimed to have recorded the special's music: bassists Eugene Firth and Al Obidinski and drummers Paul Distel and Benny Barth. Firth and Distil are noted as performers on a studio-session report Guaraldi filed for the American Federation of Musicians.[22]

Not all music featured in the current version of the holiday special was released on the soundtrack. After the inaugural broadcast of the special in December 1965, Lee Mendelson and Bill Melendez fitted several scenes with the songs "Charlie Brown Theme," "Happiness Theme" and "Frieda (with the Naturally Curly Hair)", all lifted from Jazz Impressions of A Boy Named Charlie Brown. In addition, "Air Music" (aka "Surfin' Snoopy") from the soundtrack of Charlie Brown's All Stars! was inserted in the scene where Snoopy is decorating his doghouse with Christmas ornaments. These four additional songs were not included in the soundtrack release as they were not part of the original show. Additionally, tracks "What Child Is This" and "The Christmas Song" are on this recording, but were not included in the special.[23] 2351a5e196