Chinese Hip Hop Songs [BETTER] Download Mp3

We're sorry to hear that you've been receiving recommendations you didn't enjoy in the Discover weekly playlist. We can confirm the Hide this song feature blocks a certain track from the specific playlist on the current device. The way that Discover weekly is set up is that it gets renewed every week and counts as a new playlist. Because of this, the songs that you had hidden in the last week might still appear in the new one.

My Question or Issue

I'm Brazilian, and for about 4 months my Discover Weekly is only suggesting me Brazilian songs. I used to be proud of my Discover Weekly, They recommended what I really wanted to hear, but it seems that now there is no music that is not Brazilian and it is limiting my discoveries too much. I already removed it from my music profile and nothing changed.

Chinese Hip Hop Songs Download Mp3

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Does anybody knows why this keeps happening? It's very getting annoying. The playlist is almost filled with Chinese songs and rarely do I get Discover Weekly playlists that are actually good and I dont skip half of the songs immediately.Does anybody experience this ?

Like for real! I was trying to find some Pop songs I can use to study, but every chinese song is a fucking sob story or if it is a happy song it's still a very slow song about love with lots of piano music.

In this article I intend to take you with me on my exploration of Chinese music. I will first talk about why I think listening to music is so good and then I will share some songs I like. In upcoming articles, I will share much more, this is just a warm-up.

I just went to the KTV with my friends, and we sang quite a few English and Chinese songs (ie Maroon 5, Bruno Mars, etc for the English songs, and Jay Chou, by Guang Liang, etc for the Chinese songs). I noticed the Chinese songs are much more sentimental, as opposed to the English songs, which tend to be emotional but less sentimental. For example, many songs produced by the Taiwanese Mandopop industry tend to feature recurring tropes such as girl dying, guy mourning her loss; guy crushing on girl in school, etc etc like in . The English songs tend to be more brashly (can't think of the right word to describe it) emotional but less sentimental, such as Adele's passive aggressiveness in "Someone Like You" or the singer ranting in the lyrics in various songs. It's like both worlds of music have different vibes, even though the same sentiments and emotions can be expressed in each. Any thoughts on this?

"Whenever I post a short video on my Douyin account, my Chinese followers comment on my videos asking me how I managed to learn Chinese and be able to sing Chinese songs with ease. My followers also ask me about African culture, languages and food. When I get time, I send replies to the comments," he says.

In ancient China the social status of musicians was much lower than that of painters, though music was seen as central to the harmony and longevity of the state. Almost every emperor took folk songs seriously, sending officers to collect songs to record the popular culture. One of the Confucianist Classics, The Classic of Poetry, contained many folk songs dating from 800 BC to about 400 BC.

After the 1942 Yan'an Forum on Literature and Art, a large-scale campaign was launched in Chinese Communist Party-controlled areas to adapt folk music to create revolutionary songs to educate the largely illiterate rural population on party goals. Musical forms considered superstitious or anti-revolutionary were repressed, and harmonies and bass lines were added to traditional songs. One example is The East Is Red, a folksong from northern Shaanxi which was adapted into a nationalist hymn. Of particular note is the composer, Xian Xinghai, who was active during this period, and composed the Yellow River Cantata which is the most well-known of all of his works.

The golden age of shidaiqu and the Seven great singing stars would come to an end when the CCP denounced Chinese popular music as yellow music (pornography).[19] Maoists considered pop music as a decline to the art form in mainland China. In 1949 the Kuomintang relocated to Taiwan, and the People's Republic of China was established. Revolutionary songs would become heavily promoted by the state. The Maoists, during the Cultural Revolution, pushed revolutionary music as the only acceptable genre; because of propaganda, this genre largely overshadowed all others and came almost to define mainland Chinese music. This is still, in some ways, an ongoing process, but some scholars and musicians (Chinese and otherwise) are trying to revive old music.

Zhuang folk songs and Han Chinese music are a similar style, and are mostly in the pentatonic scale. The lyrics have an obvious antithesis format. They frequently contain symbols and metaphors, and common themes include life experiences as well as allusions to classical Chinese stories.

Mongolian folk songs have a "long tune" and a "short tune". The Mongolians have a variety of stringed instruments such as morin khuur or horsehead fiddle. It is named because of its headstock carving of a horse used as decoration on the pillar.

In the mid- to late 1980s, a relaxation of governmental rules allowed a form of Tibetan pop music to emerge in Tibet proper. Direct references to native religion is still forbidden,[citation needed] but commonly understood metaphors are widespread. Pure Tibetan pop is heavily influenced by light Chinese rock, and includes best-sellers like Jampa Tsering and Yatong. Politically and socially aware songs are rare in this form of pop, but commonplace in a second type of Tibetan pop. Nangma karaoke bars appeared in 1998 and are common in Lhasa, in spite of threats from the Chinese government.[citation needed]

Yunnan is an ethnically diverse area in southwest China. Perhaps best known from the province is the lusheng, a type of mouth organ, used by the Miao people of Guizhou for pentatonic antiphonal courting songs.

In the late 1970s, economic reforms by Deng Xiaoping in mainland China led to the introduction of gangtai culture of Hong Kong and Taiwan, and pop music returned to mainland China. However, for a time the government still have a censorious attitude toward pop music; for example, Hong Kong's icon Anita Mui was banned from returning to the mainland concert stage after performing the song "Bad Girl" during the 1990s in China as punishment for what the Chinese government called her rebellious attitude.[43] Nevertheless, pop music continued to increase in popularity in mainland China, and by 2005, China had overtaken Taiwan in term of the retail value of its music sales.[44] The beginning of the 21st century has seen an increasing number of mainland Chinese artists who produced a wide range of Mandarin pop songs and the release of many new albums. However, despite having a much larger population and increasing consumption of Chinese pop music, China is not yet considered a major production hub of pop music.[45]

When it comes to your Chinese studies, introducing variety into your activities is a great way to balance your skills and keep up your motivation. You can only read your textbook for so long before your mind starts to wander, and you also need listening, speaking, and vocabulary practice. To add some motivational spice to your studies, try learning Chinese by exploring popular Chinese songs.

Laurier is a Canadian musician who has been learning Chinese for about five years. He has 700k+ followers on TikTok and almost 300k followers on Douyin. With his sharp videos, impressive language abilities, and stellar voice, Laurier has wowed viewers all over the world with his covers of popular Chinese songs.

I could barely make out any tones in that song at all! I wish I could find the thread here (I tried to search for it), but there was a lively discussion about whether songs have tones in them. Many Chinese people say "yes," while many non-Chinese people say, "No."

I was talking with my tutor yesterday about Chinese songs (this one in particular, which somehow became extremely internet-famous in the USA: =cnrxJtJcSew). And I said, "Chinese songs are hard for me to understand, because the tones are gone!" And he replied, "Well, the tones are there, but you just can't hear them!" That's far from the first time I've heard someone say that, and I just can't hear the tones.

> For Chinese, modern songs in Mandarin and Cantonese exhibit very different behaviour with respect to the extent to which the melodies affect the lexical tones. In modern Mandarin songs, the melodies dominate, so that the original tones on the lyrics seem to be completely ignored. In Cantonese songs, however, the melodies typically take the lexical tones into consideration and attempt to preserve their pitch contours and relative pitch heights.

One of the most famous Taiwanese pop singers of recent times, Teresa Teng tragically died in 1995 from a severe respiratory attack. But she left behind a wonderful collection of folk songs and ballads.

The Sh Jng or Book of Songs (or Book of Odes) is made up of short poems. Although we must assume they were sung, we do not know the tunes that went with any of these songs. Indeed we know very little about China's earliest music in general, except for the instruments used to play it. We do know that music was popular, that some music was used in rituals, and that Confucius and others placed great value upon it.

The first of these categories, Songs of the States, has attracted most interest from modern readers because of their informality and because of the glimpse they are believed to give us into Chinese life three thousand years ago. It is hard to estimate how popular most of these songs were or for how long, but they are usually assumed to have been widely known folk songs of the early Zhu period, in other words between about 1100 and 600 BC.

The Book of Songs was among the many works destroyed by the First Emperor. After his death it was reconstructed from memory, but apparently a memory more of the songs as heard than as written, so that different new transcriptions were not always written in identical characters. 006ab0faaa