Chick flick is a slang term, for the film genre catered specifically to women's interests, and is marketed toward women demographics. They generally tend to appeal more to a younger female audience and deal mainly with love and romance.[1][2] Although many types of films may be directed toward a female audience, the term "chick flick" is typically used only in reference to films that contain personal drama and emotion or themes that are relationship-based (although not necessarily romantic, as films may focus on parent-child or friend relationships). Chick flicks often are released en masse around Valentine's Day.[3]

The term "chick flick" was not widely used until the 1980s and 1990s. It has its roots in the "women's pictures" of the early twentieth century, which portrays the woman as a victim and housewife, and later the film noir of the 1940s and early 1950s, which portrays the threat of sexualized women.[4][5][6] In the 1950s, many women who were in the workforce during World War II faced the transition back into the home. Brandon French notes that the women's films of the 1950s "shed light on a different cluster of issues and situations women faced in their transition from the forties to the sixties: romance, courtship, work, marriage, sex, motherhood, divorce, loneliness, adultery, alcoholism, widowhood, heroism, madness, and ambition."[7]

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The film Breakfast at Tiffany's (1961), commonly known as one of the "classic" films from the golden age of cinema, is sometimes considered an early chick flick due to common elements such as dealing with loneliness, obsessive materialism, and happy endings.[8][9] Author Molly Haskell has suggested that chick flicks are very different from the women's films of the 1940s and 1950s in that they now "sing a different tune." She feels that they are "more defiant and upbeat, post-modern and post-feminist.

In the United States in the 1980s, a succession of teenage drama pictures also labeled as chick flicks were released, many by director John Hughes. These often had a different and more realistic tone than previous chick flicks, with dramatic elements such as abortion and personal alienation being included.[8]

These works have risen since the 1980s, mostly noticed in the early 2000s, and continued to evolve through the 2010s and early 2020s. In its early development, the films were created as white-female-targeted films, primarily involving white-female characters, topics, and interests.[10]

As the genre developed, there was repetitiveness in the plot and characters of these productions. "Chick flicks" often began with single characters, who soon after unexpectedly meeting a suitable and charming significant other, their lives took a turn for the better.[11]

The term chick flick has generated several negative responses from the modern feminist community.[20] The word chick at the height of the women's liberation movement in the 1970s was considered an insult directed towards women.[21] "Chick" was used to demean women, casting them as childlike, delicate, fluffy creatures in need of protection from men. [21] The affiliation of chick with chick flicks has resulted in an immediate negative response to many women and feminists. [21]

Chick flicks are stuck with many negative stereotypes in which women are typically portrayed as women who are klutzy, sassy, airheaded, etc. When a movie is branded with the title of 'chick flick,' for many it diminishes the credibility of a film, inherently saying that the movie is cheesy, predictable and has a poor plot.[22] This labeling is specifically seen with movies that have subject matters that revolve around women, often reinforcing the idea that themes surrounding women in movies should not be taken seriously.[22] Most criticisms of the genre concentrate on the negative consequences that arise from gendering certain interests, in this case, film. Author of The Chick Flick Paradox: Derogatory? Feminist? or Both? Natalia Thompson states that chick flicks are "an attempt to lump together an entire gender's interests into one genre".[23]

Many critics argue that unnecessary gendering can negatively affect many different social groups.[24] There is evidence from Russian social scientist Natal'ia Rimashevskaia that gender stereotypes further perpetuated by the media can lead to discrimination against women and limit their "human and intellectual potential".[25] More criticisms of the term arise from the actual content of the films in the chick flick genre and how the content affects society's perception of women. Some say that chick flicks are micro-aggressions actions or exchanges that degrade a person based on their membership in a "race, gender, age, and ability".[26]

Some argue against the criticism of chick flicks. Researcher Sarah-Mai Dang acknowledges that the films can be "criticized as threatening backlash to the achievements to feminism"; however she contends that they can be celebrated for their representation of female freedom.[29] Dang further proclaims that it gives space for the female voice to be present or heard in contemporary work like chick flicks.[29]

Chick flicks are often also lumped in with the genre of romantic comedies. This narrows what can or cannot be considered a chick flick, with many people believing that for a film to be considered a chick flick it must have romance and comedy. There are key differences in how a romantic comedy v.s. a chick flick is marketed. A romantic comedy is often produced/marketed with men in mind. However, a chick flick is "a motion picture intended to appeal especially to women."[30]

More recently, women have been wondering why is it that romance is the only thing that is marketed to women, when in fact there are many other themes, topics and issues women could relate to? Due to there not being a "dude-flick" category, many individuals are not asking if there is a need to associate a movie genre to women, and then make them feel guilty for liking it.[31] Others argue that chick flicks have been a continuation of the "chick cultural explosion," which reflected and promoted the new visibility of women in popular culture. Instead, chick flicks were grouped with the product of chick culture and the deliberate decision to address female audiences, meaning that womens significance in contemporary culture was increasing.[32]

The typical narrative in a chick flick of falling in love has now been adapted, and instead there has been an upward trend of including a greater representation of women in chick flicks. Women who instead focus on their professional life, women who reject beauty standards and feminist themes have all been seen in more recent chick flicks.[32] There have also been chick flicks that aim to raise questions about the many choices women must confront such as the possibility of having it all, and the different effects of beauty standards in films such as Bridget Jones's Diary (2001), The Princess Diaries (2001), and In Her Shoes (2005).[32]

There has been little to no emphasis on including individuals from ethnic/racial minorities in chick-flicks. If an individual who is an ethnic/racial minority is cast as a lead role, their co-star will usually not be an ethnic minority. In the movie Hitch where Will Smith was cast as the main male lead, and Eva Mendes was cast as the female lead was a deliberate decision. [33] A black or white woman was not cast in the role, as Will Smith believed that a black couple would have put off audiences worldwide while a interracial couple with a black male lead and white female lead would have offended viewers in the U.S.[34] Casting Eva Mendes was seen as a solution because a Latina female lead and a black male lead was not considered taboo in the U.S.[35] We see this type of casting with many different chick-flicks such as Upgraded (2024) having a Latina female lead and an English male lead. This is an ongoing issue that raises questions about racism and issues of ethnic minority inclusion in the film industry, with much progressing needing to be made in showcases people from ethnic minorities and displating LGBTQ+ relationships.[36]

With the long-dreaded finals period looming ahead, many students are starting to share their strategies for coping with the general gloom that characterizes the end of each semester. Some will turn to comfort food, others will rely on daily whiny phone calls to parents and still others will depend on a chick flick's provision of a warm, fuzzy feeling. While the first two approaches are equally common among students of both genders, the third one is generally snubbed by male students. The reason for such snobbery? Chick flicks, as the wording indicates, are for chicks. Guys shouldn't have anything to do with this type of movie.

While this self-selection may seem to make sense at first, I find it rather disconcerting. Instead of trying to dissect male students' cinematographic tastes in order to understand my distress, I decided to take a look at chick flicks themselves. After doing a little research on the definition of chick flick and skimming a handful of "Top (insert number) Chick Flicks" lists, my conclusion is twofold: The use of the term "chick flick" is problematic, and so is the fact that some movies explicitly market themselves as chick flicks to appeal to a female audience.

Though there seems to be no general consensus as to the precise definition of chick flick on which movies fit the variety of interpretations of the term, it appears to me that most people indiscriminately use the expression "chick flick" to designate films that have a female protagonist, are heavy in emotional content, deal with love or have themes that are relationship-based. Under such a framework, movies that are commonly referred to as "chick flicks" range from "Legally Blonde" to "Titanic."

What I also find bothersome in the term chick flick is its derogatory flavor. It belittles women and girls as inconsequential beings, just as it dismisses anything that specifically appeals to women as futile and shallow. Are girls' night out or shopping by essence less meaningful than watching football or playing video games? My answer would be no. We have all been socialized into continuously trying to discern what is male and what is female and have internalized society's norms and expectations about each gender. Unfortunately, these social constructions have pegged the female gender and anything it represents or implies as secondary. 152ee80cbc

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