If you want to contact your friend or family member you need to know which prison they are in. If you don't know their prison location you can contact them by writing to the below address and Corrections Victoria will forward your mail.
If you would like to send mail to your family member or friend address your letter directly to the prison in which they are located. Or you can send your letter to a central point and it will be provided to them. Write to:
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Once the prisoner has requested to add you to their phone list, the prison will contact you to confirm your phone number. The prison will also ask you if you agree to receive phone calls from the prisoner.
At the start of your video visit the terms and conditions will be displayed on the screen. Please read and understand the terms and conditions before agreeing to them. You need to agree to these terms and conditions to continue with the visit.
A piece of audio played will then advise you that your personal visit is being recorded and a recording symbol will be displayed. This symbol will be visible to all people on the call for the entire length of the personal video visit.
Inappropriate, disrespectful and abusive behaviour will not be tolerated. Any visitor whose behaviour risks prison security or the safety of prisoners, staff or other visitors, may be banned from visiting for a period of time as determined by the General Manager.
Prisoners can receive up to $150 per calendar month. An additional $70 per month may be deposited directly to the prisoner's phone account. Anything over $150 will be automatically put towards the prisoner's phone account.
Currently, Secure Payment Services is the most cost-effective way for family and friends (depositors) to transfer funds. Each transfer incurs a 4% processing fee, a 0.77% card payment fee and a processing fee of $1.01.
If you have previously been banned from visiting a Victorian prison, or have a Corrections Reference Number (CRN)/Person Identification (PID), you may not be permitted to visit, even if a prisoner has added you to their in-person/video visits list.
Collection consists of seven oral history interviews of LGBTQ2+ activists, UTM students and alumni, and residents of the Peel Region (Mississauga and Brampton) in Ontario, Canada. Interviews were conducted by students enrolled in the undergraduate course HIS395S LGBTQ2+ Oral History: Queer Peel offered at the University of Toronto Mississauga in the 2020 winter term.
Fonds consists primarily of records related to the continuing education programming offered by Emmanuel College. Included are workshop and course descriptions, calendars and agreements as well as program evaluations and planning documents. Fonds also includes the records of the Emmanuel College Continuing Education Committee which is responsible for the overall planning of the programming offered. Fonds contains the minutes of the meetings and reports from the Continuing Education Coordinator. The fonds contains three series.
Collection includes correspondence and other material related to the various stages of preparation and completion of Canadian Book Exhibitions by Kati Rekai around the world on behalf of the Writers Union of Canada and Canadian authors and publishers.
The first series, Textual Material, includes annotated scripts, press sheets, press clippings, continuity logs, audio cue sheets, handwritten editing notes, production reports and various other production-related printed materials.
The fourth series, Video Material, includes Betacam and VHS tapes from the production and editing process, as well as viewing copies of completed films and final master-quality versions of each of the episodes in the various television series.
Fonds consists of research files created and used by Meredith Hill while executing her part of the 'Divinity 150' project at Trinity College. This project was begun in 1987 to study the Anglican clergy, in particular their training at the Cobourg Theological Institute and its successor, the Faculty of Divinity at Trinity College. Her research focused on the women who studied Divinity at Trinity College from 1915 to 1987. Fonds contains research obtained from records in the Trinity College Archives, and from surveys answered by former students. The fonds also contains a paper and course materials by Alison Kemper, a published paper by Meredith Hill as well as her presentation to the Divinity 150 Colloquium.
The first series, textual materials, includes file folders containing canceled cheques and administrative paperwork, as well as 1,317 wrap binders detailing the process of creating the advertisements. These binders include story boards, correspondence, invoices, purchase orders, scripts, cast lists, payroll documents, contracts, call sheets, permits, shooting schedules and insurance information.
The second series, Audio Material, includes primary raw recordings, intermediate edits, and finished documents. Many of the cassette tapes, compact discs and digital audio tapes also contain recordings of conference calls which would usually involve the director, an executive from the ad agency and an executive from Radke.
The third series, Video Material, includes several iterations of the commercials and music spots made by the company (raw footage, editing stages, and finished productions), as well as showreels sent to Radke by companies seeking work for their directors (including Errol Morris and David Fincher).
B1988-0006: Interview with Father Robert Scollard conducted by Ann Maclean for the Toronto Area Archivist Group newsletter. Topics covered include the establishment of the St. Michael's College Archives, types of holdings in the Archives, Fr. Scollard's contribution's to the history of St. Michael's and his involvement in the Toronto archival community. 7 November 1987.
The first series contains the collection of press materials that Von Tiedemann accumulated throughout her career, that her work was featured in. Her works have been featured in magazines such as the National Ballet of Canada magazines seasons and in programs and pamphlets (in English and French) such as the Ballet of British Columbia, Stratford Festivals, Danse-Cit and Les Grands Ballets Canadiens. The Press Materials also includes her very own exhibition cards and invites. Lastly are the press clippings from Globe and Mail, and other newspaper publications.
Rhombus Media is a Toronto-based production company and has produced a number of theatrical feature films, TV drama, documentaries and performing arts programmes the over the past 44 years. The collection includes works that Cylla von Tidemann took under Rhombus Media. Most of the formats are negatives of Sheena MacDonald Portrait, director shot, and headshots of Barbara Sweet.
The Tenth series includes the negatives and prints of various dancers from the Toronto Dance Theatre. The Toronto Dance Theatre was founded in 1968 by dancer and choreographers Peter Randazzo, Patricia Beatty, and David Earle. The company quickly became popular with their charismatic dancers and a repertoire of original work created in collaboration with Canadian composers and designers. The series also contains work from NY Times and from Christopher House.
The eleventh series contains the personal and earlier works of Von Tiedemann. Most of the formats in the collections are negatives and a few black and white prints of various dancers, actors and landscapes from her work and personal travels. People in these sections includes Yseult & Robert, Nicholas & Graeme, Graham McKelvie, Maxine Heppner, Margie Gillis, Marie Jose Chartier, and Eryn Trudell. As noted in the finding aid, many of the performers in the series shows nudity. Travels includes Indonesia, Italy, South France, and Vancouver. Production companies also included in the series are Mirvish Production, ARMS, Deaf Planet show, Destination foundation, and Nightwood Theatre.
Series 12: Early Photography
This series spans the years of the late 1980s to early 1990s. It contains the early photography of Von Tiedemann, which includes dancers, performers, personal peers, and trips. Mainly includes works on portraits and photo shots for Danny Grossman. Danny Grossman is a Canadian dancer, choreographer, and activist. His performance in the series are Devine Air, Age of Darkness, Memento Mori, Ces Plaisirs and more. He created the Danny Grossman Dance Company which produced his political dances James Harcourt, San Miguel de Alleude, Roshar-show, David Arthur, and others.
The Miscellaneous section includes a variety of CDs that contain her collection of digital files. The disks contains the digital version of her photographs, which includes her commissions for dancers and performers. They also contain the commissions from Koresh Dance Company, Dance Boom festival, and Dance Advance; productions such as Touching Wild Horses, Child star, and the Producers.
These are in turn divided into 3 subsubseries: Cinefilm (consisting of 16mm colour negative), Video Recordings (consisting of in. cassettes, Digital Betacam cassettes, BetacamSP cassettes, DVC Pro cassettes, DVCam cassettes, PAL cassettes, VHS cassettes, Hi8 cassettes, DVDs, Mini DV cassettes, CDROMs and a Zip Disc), and Audio Recordings (consisting of multitrack magnetic reels, in. magnetic reels, digital cassettes, DA88 cassettes, CDs, and Zip Discs.)
The 1986 Accession includes records related to the Albert Einstein commemoration. The accession includes 94 reel to reel audio tapes and 17 magnetic audio tapes containing relevant interviews, and one box containing typed transcripts for some of the interviews, and related textual materials.
Announcement of and tape recording with transcript of a lecture "The Impact of Acid Precipitation on Ecosystems in Eastern North America" by Prof. G.E. Likens of Cornell University, and delivered on 26.11.1979. It is the first of a series sponsored by the U. of T. School of Graduate Studies Alumni Association during the 1979-1980 sessions. Included is an announcement of a NATO conference series of publications on ecology published by Plenum Publishing Corporation and making reference to Prof. Likens work. 152ee80cbc
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