In 1992, she collaborated for the third and last time with Naseeruddin Shah in the big budget Vishwatma which did well theatrically. Post her marriage, she appeared selectively and featured in movies like Baaz (1992) opposite Govinda, Police Wala opposite Chunky Pandey (1993) and Insaaf Apne Lahoo Se (1994) opposite Sanjay Dutt.
After a two-year absence from the screen, Kapoor played a social worker in R. Balki's comedy-drama Pad Man (2018), based on a short story in Twinkle Khanna's book The Legend of Lakshmi Prasad. Co-starring Akshay Kumar and Radhika Apte, the film is inspired by the life of Arunachalam Muruganantham, who campaigned for menstrual hygiene in rural India.[105] Kapoor said that the length of the role is of little importance to her as long as the film has "relevance beyond just having a good time at the movies". She liked featuring in a film that addresses important social issues and is about something more than just entertainment.[106] Although finding her role to be "largely superfluous", Saibal Chatterjee wrote that Kapoor "makes the most of the limited opportunity";[107] Anna M. M. Vetticad of Firstpost commended her screen presence but disliked a romantic subplot involving her and Kumar, criticising the chemistry and age-gap between them.[108]
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"It is exciting to join forces with Sonam Kapoor as she charts her path to return to the movies. Sonam is a unique and a very exciting brand. We are delighted to on-board her as an artiste that we will manage exclusively and curate her brand strategy globally," said Prithwish Ganguly, Vice President - Talent & Communications Strategy.
Sonam, daughter of Hindi cinema star Anil Kapoor, started her career with Sanjay Leela Bhansali's "Saawariya" opposite Ranbir Kapoor. She has since featured in movies such as "Delhi-6", "Aisha", "Raanjhanaa", "Bhaag Milkha Bhaag", "Khoobsurat", "Neerja", and "The Zoya Factor".
A: Ritu and I work together. For us, it is really important that we work on subjects that we care about and subjects that we know something about. As a Tibetan, being born and brought up in exile, the question of Tibet and exile, searching for identity are really important issues for us. We have always made movies which concern these things.
Q: In the seventh edition of the Dharamshala International Film Festival, there is a vast range of movies that are going to be screened. There are feature films, documentaries and short films from different parts of the world. Could you talk a bit about the way you choose the films for the festival?
Given the rise of South movies and shows in the recent past, Amazon Prime Video has rolled out an entertaining Tamil drama that follows three women from different generations of a family who decide to embark on a journey of self-discovery. The show stars Santhy Balachandran, Lakshmi and Madhoo in key roles.
Many movies have revolved around serial killers with psychological issues rooted in traumatic childhoods, and their backstories have been explored in depth. However, Blind, that deals with a psychopathic criminal who kidnaps women, just portrays him as such and misses out on his trajectory. The story of Purab's villainous character remains a mystery and the audience is left guessing as to why he conducted the acts of atrocities on women.
XINING -- A movie base, the largest in the Tibetan areas of western China, was opened in Qinghai Province on Friday.
The Qiongqing Movie Base was established in Tongde County of Hainan Tibetan Autonomous Prefecture in Qinghai. The base will provide settings for movies, organize training and offer services in production of films, particularly those with Tibetan themes, said Sonam Rinchenga, manager of the base.
Covering an area of 10,000 square meters, the movie base belongs to a private company, though the project was supported by the local county government.
Within a 100-kilometer radius, movie-makers can find the varied landscapes of Mount Anyemaqen, Tongde Prairie, Madoi wetland and desert parks, all pristine scenery for photographers, said Sonam Rinchenga.
"River," an award-winning movie by Tibetan director Sonthar Gyal in 2015, was shot on the Tongde Prairie.
Tibetan movie-making has developed rapidly in the past few years and a growing number of young people are becoming interested in the industry.
But most movie-making equipment needs to be brought in from Beijing or Shanghai, so base will help film-makers save costs, Sonam said.
"I hope more movies on Tibetan culture, lives and stories will be produced," he said. be457b7860
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