Anime and Manga In GunBuster, this trope is used as a joke to scare the younger space cadets by telling them that ghosts appear on ships during hyperspace travel. The Precursors in Helck have unlocked access to hyperspace for easier transportation and cheap energy. However it evolved into a Hate Plague, made the Ancients kill each other, and remained till present day in various forms. Azudora drops the trope name almost word for word when Vamirio and Helck travel into it. Not strictly hyperspace but the idea of dangerous extradimensional travel is in Martian Successor Nadesico. No ship can safely pass through a Chulip Gate unless at least one member of the crew has a specific kind of nanite in them: the kind that allows this person to perform Boson Jumps, the technology behind the Chulip. The Jovians found Lost Technology that allowed them to infuse these nanites into volunteers, allowing them to use the technology. Which makes everyone scratch their heads when the titular ship, an Earth design, not only jumps through a Chulip Gate but jumps eight months forward in time. Then it's discovered that the same kind of technology is on Mars, only this one is mixed up with the nanite technology being used to terraform the planet. End result? Anyone born on Mars has a superior ability to the Jovians: able to traverse time as well as space(on two occasions, a jumper ended up arriving at their destination before they left). Then it makes sense since the Nadesico had at least three Mars-borns at the time. Space Battleship Yamato: The Yamato's first "space warp" jump is portrayed as a psychedelic experience, with afterimages, Yuki's (Nova's) clothes jumping about a meter to the right, and visions of the Yamato passing over prehistoric Earth, among other things. Space Battleship Yamato 2199 revisits this trope. This time around, while the Yamato's first warp jump is still a trippy experience, the trippiness is more subdued. The really scary stuff comes from traveling through a subspace gate, the inside of which looks like traveling through a very rough storm. In Super Dimension Fortress Macross/the first arc of Robotech, there is "space fold" technology. The invading Zentraedi armies have little trouble using it, but when humanity first attempted to use it to get the SDF-1 out of harm's way, it didn't quite go to plan: the energy field that enveloped the SDF-1 during the fold also cut out an island underneath the ship and took it into space with it, the SDF-1 wound up in orbit around Pluto instead of the moon, and the space fold device didn't return to normal space with the SDF-1, forcing the ship to take the long route back to Earth. Parodied in Tenchi Muyo! GXP, when Wrong Genre Savvy protagonist Seina feels cheated when his first jump into hyperspace features no light show of any kind; he specifically mentions some of the weirdness from Yamato when he describes what he expected. In The World of Narue, hyperspace used to be much scarier but has been somewhat "tamed" in recent centuries. Strange alien creatures known as Serpents live in the hyperspace network, and their mere presence can destroy a ship mid-transit. The Serpents are completely inscrutable, and nobody has ever been able to determine why they let some ships through and destroy others. It wasn't until the Avalonians (and later the United Stars) figured out how to fight the Serpents that hyperspace became safe and reliable.
Western Animation Castlevania (2017): The Infinite Corridor is a magical tunnel that enables travel to several different worlds. We see during a flashback/dream sequence, a character from 15th-Century Europe manages to glimpse universes with spaceships, giant mechas, advanced Mayan societies and etc. However, the corridor is very fickle and it opens portals to these distant worlds at random, making very easy for them to be lost. During Season 3, one of the characters' quest is to find the corridor so they can reunite with their loved one who got lost inside it and it's revealed that a Dracula-worshiping cult is trying to open a portal to Hell so they can bring the vampire lord back to life. Futurama: In "Mbius Dick", Leela's obsession with a fourth-dimensional Space Whale causes the Planet Express ship and its crew to be pulled into the fourth dimension (after Leela makes Amy harpoon the whale). Much Mind Screw ensues:Hermes: I can see sideways in time! !emit ni syawedis ees nac I
Amy: Gee, I see CGI! !IGC ees I ,eeG
Fry: Poop! Heheh! !heheh !pooP ReBoot: The Web is a bizarre and disturbing level of Cyberspace that acts as a counterpart to the organized Net. There are no apparent separate systems in the Web; it is simply a continuous flow of energy and data, resulting in constant hurricane-like storms. It can only be accessed by portals and is filled with strange monsters, and exposure to the Web or its creatures is corrupting without protection. Nobody knows much about the place or how it works, but everyone in the Net fears it. It is the chaotic opposite of the Net and most believe that the Web would destroy the Net if a portal between the two realms was left open too long. In the Season 3 finale, Megabyte gets dragged into it by the Web Creature and, when he comes back out, he's been twisted into an insane borderline Eldritch Abomination who can mimic other sprites. Rick and Morty: At one point this is applied, not to hyperspace, but to wormhole travel. During a fight, a shield is damaged that protects part of a starship from the crazier aspects of wormhole travel, meaning that everyone in proximity experiences a mindbending acid trip that, according to the characters, lasted "a thousand lifetimes". Steven Universe: Homeworld starships travel at FTL speeds via "gravity engines". They create a gravitational singularity point (similar to a black hole) and use the massive gravitational pull to warp space-time, changing the definition of speed. The gravitational singularity is constantly created (and, presumably, evaporated in nanoseconds) in front of the ship, which basically causes it to "continuously fall" towards the singularity. It's freaky as hell; from inside the ship it basically looks like you're rocketing through a dark, multicolored void. The lighting is distorted and there's a weird 3D stereoscopic effect over everything. The Gravity Screw is so extreme that the ship has to maintain a "containment field" to protect passengers from the effects; when the field gets temporarily turned off on the ship the Crystal Gems are using, the gravity suddenly becomes so intense that Steven is pinned to his chair and has to fight with all his strength to reach the control panel. One unique aspect is regarding the idea of Faster-Than-Light Travel: The bodies of Gems are just Hard Light constructs projecting from their real "bodies", the small stones located on some part of their figure. This presents an obvious problem; if the ship is going faster than light, it is therefore traveling faster than the bodies of the crew. The containment field isn't just there to protect against gravitational effects, it's also to make sure the the physical forms of the crew stay with the ship. When the field is turned off, their bodies lose pace with the ship and trail behind it, only "catching up" when it decelerates. According to Amethyst, experiencing this feels just as bizarre as it sounds. Transformers: Kup, a giant mechanical war veteran, is still given "the shivers" by hyperspace (known to the Autobots as "The Void"). X-Men: Evolution: The dimension that Nightcrawler teleports through is shown to be a hell-like place with lots of lava and monstrous red velociraptors dwell. Despite all this, Nightcrawler comments that it's "Not a place I'd vacation, but still wild". Of course, then the beasties got out...
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