ENGL C102: Critical Thinking Through Literature
Professor Gary Enns
Professor Gary Enns
Welcome to the liquid syllabus of English C102! Consider this page an early jumpstart to your semester, providing you an opportunity to preview the class and to dive into a few first assignments if you so choose. Reading through this page is your first bold step on the road to developing strong academic critical thinking and writing skills.
My name is Gary Enns, and I am your instructor and coach. If you need anything or have any questions, large or small, don't hesitate to reach out! I am here to help you succeed. You will find my college contact information through the Cerro Coso directory.
Here is a little about myself: I am a creative writer and an avid reader, local stage actor, traveler, backpacker, and tennis player, among many other things. I received a Master of Fine Arts in Creative Writing from the University of Arkansas, Fayetteville and a Bachelor of Arts in English Literature from California State University, Fresno. Some of my stories and poems have appeared in journals such as Granta, Crazyhorse, The Missouri Review, Southern Humanities Review, The Wayfarer, and others. For more on my travels and writing, visit GaryEnns.com, and feel free to follow my public-facing Instagram, @Gary.S.Enns.
To learn more about this course, scroll down. For a quick start into the first weeks' assignments and some great literature from the semester, visit Getting Started and Literary Works. For the course's academic honesty policy, including AI usage, see Academic Honesty.
Gary Enns
In this composition course for transfer to four-year institutions, students develop composition, analytical, and critical reasoning skills through study of literary works (fiction, poetry, and drama). The course emphasizes critical analysis, principles of logic, use of research, and presentation of carefully-reasoned written arguments while developing students' close reading skills and promoting an appreciation for the aesthetic qualities of literature. Students write several expository essays demonstrating sophisticated application of critical thinking skills to literature (total: 8,000 words).
Our overarching theme for the semester is critical reading of literature in four main modes: fiction, poetry, drama, and creative nonfiction. We will read a variety of works from well-known authors such as
Raymond Carver
Flannery O'Connor
Sandra Cisneros
James Baldwin
William Blake
D.H. Lawrence
Countee Cullen
Louise Erdrich
Henrik Ibsen
Concentrating on these four main genres of literature will familiarize you with creative modes used by literary artists through the ages and provides an excellent field of study for developing critical thinking skills. See the Getting Started page to jump into the first week's assignments.
Many old books
In brief, here are the major units of the class:
Week 1: MLA formatting
Week 2-4: Integrating sources; plot summary versus interpretive writing; the rhetoric of argumentation
Weeks 5-6: Making arguments about stories
Weeks 7-9: Inferences, facts, judgements; making arguments about poems
Weeks 10-12: Premises and conclusions; analysis; making arguments about plays
Week 13-15: Logical fallacies, literary research paper
All that you need for any given week is provided in the weekly Canvas module. Simply move through the items in the module, study, and complete them in order.
For the purpose of this course, weekly modules run from Tuesday to Monday, allowing you the weekend plus a day to complete the work of the module.
A typical week will consist of written (and often video-accompanied) lessons, a quiz or two (or three), a journal entry focused on the lessons of the week, and a discussion with peers and professor.
Plan ahead for the following due date pattern:
Wednesdays: Most journal entries or quizzes due
Thursdays: First discussion posts due
Sundays: Discussion responses to peers and professor due
Open books
This is a zero textbook cost course, meaning no book purchases are required. Good news! Save your money. For a list of titles and alternative modes, see Literary Works.
To navigate this course and to complete essential assignments, you will need the following:
reliable computer (PC or Mac will do)
up-to-date browser: Mozilla Firefox and/pr Google Chrome are recommended for full Canvas functionality.
word processor: Google Docs is recommended and provided with your college Google account
PDF reader: Adobe Acrobat Reader is free to download.
Regular, active participation is expected of all students enrolled in the college. A student shall be dropped by the instructor for lack of active participation prior to the census (20%) date and any time up to the 60% date when the student is not actively participating.
This course prepares you to
Compose thesis-driven arguments to suit a variety of rhetorical situations, including interpretation, evaluation, and analysis, supporting them with a variety of appropriate textual evidence and examples and demonstrating appropriate academic discourse and the conventions of literary analysis.
Critically read, analyze, compare, and evaluate complex literary texts.
Find, analyze, interpret, and evaluate primary and secondary sources, incorporating them into written work using appropriate documentation format without plagiarism.
More specifically, this course teaches you to
Identify fallacies in language and thought.
Identify a text's premises and assumptions in various social, historical, cultural, psychological, or aesthetic contexts.
Analyze and employ logical and structural methods such as inductive and deductive reasoning, cause and effect, and logos, ethos, and pathos.
Use style, diction, and tone appropriate to the academic community and the purpose of the specific writing task.
Proofread and edit essays for presentation so they exhibit no disruptive errors in English grammar, usage, or punctuation.
Identify key elements of major genres in order to analyze and interpret texts.
Define common literary terms and apply these to analysis of specific texts.
To jump into the first weeks' assignments early, visit Getting Started.
For an explanation of this course's plagiarism and artificial intelligence policies, visit the Academic Honesty page.