Every now and then, I find myself standing with a sad-looking cake in my hand and a sparkler burning my wrist, singing happy birthday to someone I don't know and may not even particularly like, all while I have 9,000 other things I need to be doing for other tables.
I mean, fine, maybe some people generally like doing it up on their birthday, but the awkwardness of my six-foot-four ass bringing you a cake and singing a stupid song in my terrible singing voice, pausing periodically for someone to fill in the information I don't know, like your name, has to be as painful for you as it is for me.
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"Happy Birthday to You", or simply "Happy Birthday", is a song traditionally sung to celebrate a person's birthday. According to the 1998 Guinness World Records, it is the most recognized song in the English language, followed by "For He's a Jolly Good Fellow". The song's base lyrics have been translated into at least 18 languages.[1] The melody of "Happy Birthday to You" comes from the song "Good Morning to All",[2] which has traditionally been attributed to American sisters Patty and Mildred J. Hill in 1893,[3][4] although the claim that the sisters composed the tune is disputed.[5]
It is traditional, among English-speakers, that at a birthday party, the song "Happy Birthday to You" be sung to the birthday person by the other guests celebrating the birthday, often when presented with a birthday cake. After the song is sung, party guests sometimes add wishes like "and many more!" expressing the hope that the birthday person will enjoy a long life. In the United Kingdom, Ireland, Australia and New Zealand, immediately after "Happy Birthday" has been sung, it is traditional for one of the guests to lead with "Hip hip ..." and then for all of the other guests to join in and say "... hooray!"[20] This cheer normally is given three times in a row.
The complete text of "Happy Birthday to You" first appeared in print as the final four lines of Edith Goodyear Alger's poem "Roy's Birthday", published in A Primer of Work and Play, copyrighted by D. C. Heath in 1901, with no reference to the words being sung.[26] The first book including "Happy Birthday" lyrics set to the tune of "Good Morning to All" that bears a date of publication is from 1911 in The Elementary Worker and His Work, but earlier references exist to a song called "Happy Birthday to You", including an article from 1901 in the Inland Educator and Indiana School Journal.[27] In 1924, Robert Coleman included "Good Morning to All" in a songbook with the birthday lyrics as a second verse. Coleman also published "Happy Birthday" in The American Hymnal in 1933. Children's Praise and Worship published the song in 1928, edited by Byers, Byrum, and Koglin.[citation needed]
Without a doubt, some of the students, no matter their singing ability, had a tough time hitting some of the notes in these two familiar songs. Teaching those students and others later eventually led me to wonder, why is it that some of the songs we know the best are the hardest ones to sing?
For many children, birthdays matter. I needed to honor these days in ways that were meaningful and relevant for each of my students. So a few days after that moment at breakfast with William, I launched a birthday songs curriculum, inviting families to send in lyrics for birthday songs they knew so we could learn about them. I hoped this project would help children feel excited about celebrating birthdays in school. I also hoped it would be one of many ways to break Eurocentric norms in my classroom and help my students feel welcome and empowered.
Many children wanted to ask their parents about other birthday songs they knew, so I suggested that we request this information by writing one big letter to their families. Students suggested words for this note and helped write some words; I wrote the rest.
While the class was at recess, I took a photo of the letter and put copies of the photo in folders that children take between home and school each day. In addition, I gave each family two pieces of paper on which a family member could write lyrics for a birthday song (or songs) they knew; their child could illustrate. I also sent an email to families clarifying the goals of the study.
In late May, we made our class birthday song into a songbook. I put each phrase of the song on paper and each child illustrated a page during writing time. I put this book on our bookshelf and each child took a copy home.
The whole point of studying birthday songs was to help children feel welcome to use home languages at school and learn about languages that classmates speak. A few weeks after we made the songbook, the curriculum appeared to be working.
Not everyone believes that Warner/Chappell should still be collecting licensing fees for the song, and this largely shared sentiment led to the recent filing of a class action lawsuit in a New York court. In this case, Good Morning to You Productions Inc. v. Warner/Chappell Music, a New York filmmaker disputes the $1,500 she was charged to use the song in her documentary, because she alleges that the song has crossed into the public domain, and it can be freely used by anyone. Unless Warner/Chappell ends up on the favorable side of the verdict, it will continue to profit off its popular birthday song by charging licensing fees that amount to upwards of $2 million annually.
You might be wondering why restaurants go out of their way and take the time to write a birthday song for its customers when Happy Birthday exists. Well, until recently Happy Birthday was not available for restaurants to sing the song publicly. As a matter of fact, it was not available for any individual or group of individuals to publicly perform the song without authorization because the song was still copyrighted and was not yet in the public domain.
It is puzzling to think that a song that we are so accustomed to singing at every birthday party we attended, is not available to for us to sing in the public. This is because the Happy Birthday song was still under the protection of its copyright and not available to the public domain until last year.
That is why restaurants had to create their own Happy Birthday song to sing to its customers. It is why you never hear the characters in a TV show or movie sing happy birthday to one of the characters during a birthday celebration. And it is why you never hear the Happy Birthday song on the radio or any public performance of it.
In order for a restaurant or a TV show/movie to be able to sing the Happy Birthday song, Warner would need to provide authorization to sing it public. Therefore, they would have to pay royalties for each and every time they sang it. That is why restaurants decided it was financially better for them to create their own happy birthday song instead of paying royalties every time the employees of the restaurant would sing happy birthday to a customer.
A settlement deal was also reached which provided that Warner, who still argues the song Happy Birthday does not belong in the public domain, would pay back the licensing fees they have charged over the years for up to 14 million dollars. It looks like the song Happy Birthday is back in the public domain, and will stay there. So the next time you go to a restaurant for your birthday, be sure to have them sing you the actual Happy Birthday song.
Since Swedes are a pretty reserved bunch, it would be reasonable to expect their birthday song to be calm, serene, and melodic. But expectations rarely match reality! The Swedish birthday song is loud, rambunctious, and good fun! It is very common to hear Swedes singing it at the top of their lungs, swinging from side to side, and while hold a raised glass.
The Guinness Book of Records calls it the most popular song in the English language. It has been sung to popes and presidents, and incorporated into nearly 150 movies. It was featured in the world's first singing telegram. And during the Apollo 9 mission, it became the first song performed in outer space
After a series of purchases and acquisitions, the song is now owned by Warner Music Group, through its publishing arm, Warner/Chappell. It collects royalties for everything from happy birthday ring-tones to e-cards that play \"Happy Birthday to You.\"
The Girl Scouts once were warned they would have to pay a fee if campers sang it. Even restaurants are supposed to pay, which is why some chains have their waiters sing alternative birthday songs that require no rights payments.
According to John Traupman's "Conversational Latin for Oral Proficiency," one says Happy Birthday by saying: "Felicem Natalem (tibi exopto)." "I wish (to) you a happy birthday." "Natalis" is really a third declension adjective (natalis, natalis, natale) and so you could include "dies" (day). "Felicem natalem diem (tibi exopto.)" You can leave out the "tibi exopto" but you should still use the accusative because the verb is understood, it's implied that you are doing the wishing if you leave it out.
It is in the accusative case because it is understood that the speaker is offering to the recipient the greeting of a happy birthday. So it is a direct object. You could say "Felicem natalem diem" or "Felicem natalem" (with the "diem" understood) and it would be understood as "(I wish you) a Happy Birthday."
Get a card, go in on a big gift, make a customized video. In my family, we often steal a tradition from Thanksgiving and say or write one thing that we like about the birthday person to honor their special day. Anything that they can remember and cherish. So y'know, NOT singing. 0852c4b9a8
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